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Our first baby collector – Gaspar's Story
Gaspar was only two months old when “A Woman’s Home” came into his life. Maria R Saunders’ painting, a 30x30 cm square, found its place on the wall and remained there as this little one was beginning to focus his eyes on the world around him. 
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It is not just what you see, but what you feel seeing it – Cristina's Story
This diptych makes my living room feel lived in and inhabited, leaving room for meditation and change in one’s mind.
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Masks, witches, a pumpkin: a quick tour of Halloween in art
October isn’t a genre. It’s a mood-foggy at the edges, oddly funny. Painters have been mining that mood for centuries.
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Three questions to Martîm
Martîm was born in Funchal and raised in Coimbra. On paper, he is also a mechanical engineer, but at heart, an artist. He holds a master in Painting from the Faculty of Fine Arts in Lisbon and a postgraduate in Theatre and Performance from the London International School of Performing Arts.
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Why the Clown Won’t Leave the Canvas
The room is dim. A clarinet calls from the curb. On Seurat’s stage, the act hasn’t started—yet the mask is already doing its work.
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Contemporary Japanese Artists: A Critic’s Guide
Japan’s studios buzz—ink, pixels, welded steel, algorithms. A postwar avant-garde tradition mixes with post-internet fluency, and the product is at once ceremonial and neon-slick.
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Press Coverage
Read what media says about Subjektiv
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Three questions to Sara Gonçalves
Sara Gonçalves is a painter whose works evoke a sense of familiarity through an ethereal lens on everyday objects, scenarios, interactions, and ways of living. She creates dynamic, emotionally charged compositions with bold expressiveness, blending technical precision and creative freedom.
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Three questions to Oleksandr Topchyi
Born in 1982 in Severodonetsk, Ukraine, Oleksandr Topchyi is a contemporary painter based in Kyiv. He graduated from the National Academy of Fine Arts and Architecture in Kyiv, where he now lives and works.
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Curator. The Decision to Care
We live immersed in information — and it’s exhausting: newsletters, blogs, social feeds, chats, ads. While being bombarded with desaturated meanings, we slowly suffocate
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Alcohol Ink: When Chance Becomes a Co-Author
Mediocrity. Few words cut as sharply. For an artist still searching for their voice, it can feel like a final sentence.
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Trusting the Universe on this one – Erin's Story
I didn’t even need to trust my judgment on that one… the universe had decided for me. I bought the piece on the spot through the platform. 
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