Born in Ukraine in 1991, Taras Sereda’s artistic journey is one of evolution, both in geography and expression. Beginning with a foundation in Industrial Design at the State Academy of Arts and Design in Kharkiv, he was trained to see structure, balance, and function. But art was never just about function for Taras, it was about feeling. In 2011, his path took an unexpected turn when he moved to New York City, a transition that reshaped both his worldview and his artistic language. In the charged energy of New York, his work began to shift. While his early practice was rooted in classical objectivism, his artistic language became more fluid, intuitive, and personal. He embraced charcoal and watercolour that allowed both precision and spontaneity — creating delicate yet bold line drawings that exist in a space between stillness and movement. His paintings often feel like echoes of fleeting emotions, subtle and restrained, yet profoundly impactful. Occasionally, he steps into oil painting, where the contrast is striking. Here, his work transforms — brighter, more visceral, with thick, expressive brushstrokes. If his charcoal and watercolours are whispers, his oil paintings are declarations. This duality is what defines Taras’s artistic approach: restraint and release, control and chaos, simplicity and depth. His themes are deeply personal—reflections of relationships, self-portraits, quiet observations of still life. His subjects seem caught in moments of introspection, mirroring the artist’s own exploration of identity and experience. The tension between intimacy and distance is a constant, giving his work a quiet but persistent resonance. Now based between Paris and Berlin, Taras has taken his art to international audiences. His works have been exhibited in major European art capitals, featured in auctions, and collected by those who are drawn to their quiet power.

Agnès Tiollier est née à Lyon, issue d’une famille tournée vers l’art. Après des études d’Arts Appliqués, elle choisit d’exprimer ses ressentis à travers la peinture. « Mon travail est basé sur la couleur, la lumière et la transparence » Cette artiste peintre aime surtout transmettre son bonheur d’observer la nature grâce à l’intensité lumineuse de ses couleurs, que ce soit à la peinture à l'huile ou bien au pastel, médium d'une grande richesse. Ses thèmes de prédilection : les jardins et paysages sans oublier le monde floral. Ses oeuvres font partie de nombreuses collections en France et à l'étranger.

VÊS.TRÊS is a collective project composed of emerging artists Ana Malta, Madalena Pequito and Maria de Brito Matias. The collaboration began in 2018, after they finished their respective degrees in Painting at the Faculty of Fine Arts of the University of Lisbon. The desire to continue close work as colleagues encouraged the creation of joint works where pictorial harmony creates a game of seeing and recognizing. The question that remains will always be: "Do you see three"? Three forms of expression, three styles, three color palettes. ​ It emerged as a movement of mutual support, a dialogue of experiences and a space for sharing social issues as women artists. The collective aims to convey to the viewer the importance of bringing together practices and minds for the development of human life. We are social beings and by coming together we sharpen our senses - in this case 3 times more sensitive - creating this element - Vês.Três - which, as a singular artist, has the presence of three independent artists who want to leave their mark through a colorful language that is accessible to anyone. All three intervene in the same way and at the same time in all created works. Mostra "Palavra proibida" no Café Local, 2023 Caldas da Rainha; ​ "Running Riot", Galeria Augustine, 2023 Lisboa; ​ "It's Crystal Clear", LxLapa, Lisboa; ​ "piquenique", Oficinas de Aljustrel, 2022 Alentejo; ​ "Sobre tentativas de (re)mover", atmosfera m, 2021 Lisboa; ​ "Papel de Parede", Espaço Mercês, 2021 Príncipe Real; ​ "Vês.Três", EGEU, 2020 Arroios; ​ "EMER.GENTE", Associação Recreativa da Moita Redonda, 2020 Fátima;

Artist, photographer, graphic. Born in 1997 in Rivne, where she currently lives and works. Studied environmental design at the Kyiv Academy of Decorative and Applied Arts named after M. Boychuk, graduated from NAOMA with a degree in free graphics. In her work, she experiments with both her own and other bodies, mainly female. Her main language of expression is artistic photography. Since 2019, she has been actively working with an alternative photo printing technique — cyanotype. Bohdana also implements projects in collaboration with other artists. Together with Ukrainian artist Artem Lagovskyi, she created the atypical modeling agency VRODA. She participated in exhibitions and residencies in Germany and Italy. In 2023, she received the Adobe Creative Residency Community Fund. In July 2024, she attended a photography workshop in Nuremberg. In August 2024, Artem Lagovskyi and I created a media project on the YouTube channel and the podcast "NYNI".