Yuriy Musatov. Ukrainian artist. Born in 1981. Sience 2017 member UNESCO International Academy of Ceramics in Geneva (IAC) and National Union of Artists of Ukraine. In 2008 graduated Lviv National Academy of Arts. In the years 2012-2023 I had 20 solo projects and exhibitions, including «Explosion», Helen Ritz Gallery. Valencia, Spain; «My Explosion», Kahan Art Space Budapest, Mudapest, Hungary; «Invasion», Triptych: Global Arts Workshop, Kyiv. Ukraine. I have also participated in more than 100 group exhibitions worldwide, including: Phoenix Rising. GroupeExhibition of Ukrainian Contemporary Art. Forsa Contemporary Art Gallery. Cromwell Place. London; «Migration(s)» Musée Ariana – Swiss Museum for Ceramics and Glass Avenue de la Paix Genève. Switzerland; Yingge IAC Members’ Exhibition - New Orientalia. New Taipei City Yingge Ceramics Museum / New Taipei City. Taiwan (2018). 18 Biennal de Ceramica D’esplugues (Spain); XII Biennial Artistic Ceramics (Portugal). During the last seven years, a number of my ceramic artworks have been taquired by world- renowned museums and collections including: Musée Ariana – Swiss Museum for Ceramics and Glass Avenue de la Paix Genève. Switzerland; Ceramics Museum in Ludwigsburg, Grmany. FuLe International Ceramic Art Museum (FLICAM), National Museum of Slovenia, National Cultural Collection of Anadolu University, Aveiro Municipal Museum, National Open-air Museum of Ukrainian Pottery.

An abstract artist, based in Lviv, Ukraine. His art is a mix of colors, shapes, compositions. Edges, lines and planes. Floating forms, reductive and asymmetrical. Wonky geometry. Dynamics and harmony. "When I create, I don't impose, but l give a choice for feelings and thoughts." "I give the viewer the opportunity to interpret my work as they see it. And I try to extend my art receiver imagination by transmitting an impulse. It is not necessary for the observer to follow my way of projection as it could eliminate new nteresting points of view. Every interpretation of my art is meaningful for "There is the space and time in my paintings, they need to radiate great power and ranquility as completed works of art."

Twin sisters Mishel and Nicol Feldman, known as Sestry Feldman, have never followed convention. Born in Dnipro in 1996, their artistic journey began at the age of eight, driven by an innate curiosity and a family that valued freedom, self-expression, and resilience. Their father—a political prisoner under the Kuchma regime—remained an unseen figure until they were eight. But when they sent him a childhood portrait, his reply was simple yet profound: “It’s a masterpiece.” That single phrase became their silent manifesto—a sign that art was their destiny. From Kyiv’s subway walls to global exhibitions in Paris, Brussels, and Tel Aviv, their work is a fearless mix of street art, political satire, and electrifying visual storytelling. Their murals, bursting with modernised Cossacks, surreal talismans, and raw emotion, are not just paintings—they are acts of defiance, echoes of history, and visions of the future. Their five-episode animated series "Yoyo", initially meant as a yoga guide for children, turned into a satirical take on AI and humanity’s future, blending humour and dystopian vision. With no formal training, their education comes from cinema, techno beats, and the streets. Their art pulses with movement, rebellion, and energy—a world where vibrant colors meet stark realities, where every piece demands attention. Their art isn’t just seen—it’s felt, lived, and encountered.

Since she was a young child, the Ukrainian painter Ganna Kryvolap has been shaped by the creative environment revolving around her family. She comes from a family of artists. Her father Anatoliy Kryvolap, who was famous for his Ukrainian landscape paintings, as well as her mother Zinayida Vasina, also an artist and theatre costume designer, both had a great impact on Ganna Kryvolap. Her works are characterised by brilliant colours, expressionist structure and vibrating energy. They radiate lightness and an incredible luminous intensity. The artist works in series and cycles. She transforms her city series into an abstract and dreamlike language: Kryvolap’s pictures are hybrids that incorporate impressions of real landscapes, intellectual observations and pure fantasy. She contrasts her multi-coloured urban pictures with a colour background that additionally introduces a strong dynamic element.