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Curated by Subjektiv

Vibe by Yakoho.bisa media

Vibe by Yakoho.bisa media

Curated by Yakoho Bisa Media

Summer Solstice 2025

Summer Solstice 2025

Curated by Subjektiv

Lisbon Event

Curated by Subjektiv, Francisco Duarte Coelho

First Art Encounter

First Art Encounter

Curated by Subjektiv

French Touch

Curated by Subjektiv

Geometry Speaks

Geometry Speaks

Curated by Subjektiv

Art Beyond Canvas. Grown, Stitched, Burnt, Bent

Art Beyond Canvas. Grown, Stitched, Burnt, Bent

Curated by Subjektiv

Kinetic Stillness

Kinetic Stillness

Curated by Subjektiv

Art That Breathes

Art That Breathes

Curated by Subjektiv

Echoes and Visions

Echoes and Visions

Curated by ArtShield

Instytut Avtomatyky

Instytut Avtomatyky

Curated by Instytut Avtomatyky

Myroslava's Mosaic

Myroslava's Mosaic

Curated by Subjektiv

Painting

1487 artworks

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123 artworks

Mixed media

121 artworks

Photography

106 artworks

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52 artworks

Sculpture

101 artworks

Ceramic

37 artworks

Engraving

21 artworks

Recently added

Artwork Anton Mykhalchuk - Subjektiv.art

by Anton Mykhalchuk

Artwork Yehor Dulin - Subjektiv.art

" Boats Italy "

Artwork Liliya Nebera - Subjektiv.art

The one who walks on the Dnipro

by Liliya Nebera

Meet our Artists

Artwork Yehor Hrybovych - Subjektiv.art

Yehor Hrybovych

For Yehor Hrybovych, painting is not about perfection—it’s about the tension between control and surrender. Born in 1995 in Kryvyi Rih, Ukraine, Yehor grew up in a city defined by its raw industrial landscape, a setting that naturally seeped into his artistic language. From an early age, he was drawn to the immediacy of creation, where the stroke of a brush—or the spray of a can—could transform a surface into something unpredictable, something alive. His artistic journey began with street art, where walls became both his canvas and his playground. Graffiti taught him to embrace spontaneity, to work with the elements rather than against them. That energy never left his practice. Even as his work evolved from urban expressionism into painting, illustration, and graphic design, it carried with it the same sense of immediacy—of action meeting accident. A graduate of the Faculty of Arts at KNU, Yehor sees his work as an ongoing experiment, a space where order and chaos collide. His paintings are built on layers—thick, textured brushstrokes meet delicate, almost hesitant lines. Abstract forms dissolve into figurative elements, only to blur once more, leaving room for interpretation. His aesthetic is rough, unpolished, and intentionally careless—a visual language that invites the viewer to complete the narrative. One of his defining themes is imperfection as beauty. His works carry a rawness that resists easy categorization. Every drip, every unintended stroke, every contrast between softness and aggression serves a purpose. He is interested in the fragility of balance—the moments where instinct overrides precision. Through exhibitions in Ukraine and beyond, Yehor’s art continues to challenge how we see both chaos and control. His paintings are not just visual statements; they are conversations in motion, shifting and reshaping with each viewing.

Artwork Vês Três - Subjektiv.art

VÊS.TRÊS is a collective project composed of emerging artists Ana Malta, Madalena Pequito and Maria de Brito Matias. The collaboration began in 2018, after they finished their respective degrees in Painting at the Faculty of Fine Arts of the University of Lisbon. The desire to continue close work as colleagues encouraged the creation of joint works where pictorial harmony creates a game of seeing and recognizing. The question that remains will always be: "Do you see three"? Three forms of expression, three styles, three color palettes. It emerged as a movement of mutual support, a dialogue of experiences and a space for sharing social issues as women artists. The collective aims to convey to the viewer the importance of bringing together practices and minds for the development of human life. We are social beings and by coming together we sharpen our senses - in this case 3 times more sensitive - creating this element - Vês.Três - which, as a singular artist, has the presence of three independent artists who want to leave their mark through a colorful language that is accessible to anyone. All three intervene in the same way and at the same time in all created works. Mostra "Palavra proibida" no Café Local, 2023 Caldas da Rainha; "Running Riot", Galeria Augustine, 2023 Lisboa; "It's Crystal Clear", LxLapa, Lisboa; "piquenique", Oficinas de Aljustrel, 2022 Alentejo; "Sobre tentativas de (re)mover", atmosfera m, 2021 Lisboa; "Papel de Parede", Espaço Mercês, 2021 Príncipe Real; "Vês.Três", EGEU, 2020 Arroios; "EMER.GENTE", Associação Recreativa da Moita Redonda, 2020 Fátima;

Artwork Nataliia Brichuk - Subjektiv.art

Nataliia Brichuk

Natasha Brichuk, known as Notuko, paints in the language of memory. Raised in Rivne, Ukraine, she grew up surrounded by the vivid patterns of embroidered tablecloths, the warmth of painted ceramics, and the quiet grandeur of old Ukrainian architecture. These objects weren’t just decoration—they were stories, passed down through generations, whispering of heritage, resilience, and identity. But tradition, as she saw it, was not static. It pulsed with life, adapting, shifting, existing between past and present. It is this in-between space that Notuko inhabits as an artist. She pursued decorative and applied arts, specialising in ceramics, but painting became her true medium for storytelling. What began as a simple fascination evolved into a bold artistic language - where folk motifs meet abstraction, where Byzantine echoes intertwine with modern fluidity. Her figures emerge as symbols rather than individuals, their forms at times dissolving into textured layers of colour, as if caught between reality and memory. Improvisation is at the heart of her process. She embraces instinct, letting her brushwork capture fleeting emotions and intangible histories. Her compositions often feel like fragments of a grander, unseen whole — inviting viewers to reconnect with traditions, not as relics, but as living, breathing experiences. Notuko’s works have traveled far beyond her hometown, exhibited across Ukraine, Europe, and the UK. Yet, her essence remains rooted in the stories of home — the unspoken ties between past generations and those still to come. Her art is a conversation between centuries, a delicate balance of structure and spontaneity, of inherited symbols and contemporary expression. To experience Notuko’s work is to step into a world where tradition doesn’t belong to the past—it evolves, just like us.

Artwork IRYDIY Iryna Dzyndra - Subjektiv.art

IRYDIY Iryna Dzyndra

A representative of modern trends of the fine and decorative arts artist. In her works, Iryna places emphasis on the process of creating an image, on the interdependence of the artist and the painting and vice versa. The themes of the authors artistic expression most often are revealed in a landscape, her own vision of the landscape and space where it spreads with all the finest nuances of its emotional colouring. Contemplation, dialogue, and meditation are the priority principles of the contextual filling of the artist’s works' picturesqueness. Born in Lurtsk, Ukraine

Artwork Darina Smolkina - Subjektiv.art

Darina Smolkina

In a world governed by rules—both written and unspoken—Darina Smolkina’s art whispers of quiet rebellion. Born in Kyiv, Ukraine, now based in Lisbon, she crafts paintings that feel like echoes of a theatrical performance, where characters linger in a suspended moment, caught between societal expectations and personal truths. Her work is a stage, and every canvas is a scene unfolding. Darina’s journey began in a traditional family, where expectations were clear—but her fascination with the surreal led her beyond the familiar. She started art school at six, mastering techniques that shaped her unique visual language. While studying graphic design in Kyiv, Darina found her true voice in painting — a space where boundaries blurred and deeper narratives emerged. At 19, she moved to Lisbon, an experience that shaped her perspective as an outsider navigating an unfamiliar world. Her art became a reflection of identity, isolation, and the quiet weight of societal expectations. From Schönhausen Palace Museum in Berlin to New York’s 17frost Gallery, her work speaks to a universal struggle — the tension between conformity and self-expression. Whether in the dreamlike haze of New Dream World or the raw intimacy of My First Diary, Darina’s paintings invite viewers to step into a moment of self-reflection, where emotions take form and meaning unfolds. Darina doesn’t just paint figures — she paints questions. Her art asks: Who are we, beyond the expectations placed upon us? What do we reveal, and what do we conceal? Her world is one where the symbolic and the surreal merge, reflecting not just her own journey, but the collective search for meaning in a world full of invisible walls.

Artwork Artur Soletskyi - Subjektiv.art

Artur Soletskyi

Artwork Agnes Tiollier - Subjektiv.art

Agnès Tiollier est née à Lyon, issue d’une famille tournée vers l’art. Après des études d’Arts Appliqués, elle choisit d’exprimer ses ressentis à travers la peinture. « Mon travail est basé sur la couleur, la lumière et la transparence » Cette artiste peintre aime surtout transmettre son bonheur d’observer la nature grâce à l’intensité lumineuse de ses couleurs, que ce soit à la peinture à l'huile ou bien au pastel, médium d'une grande richesse. Ses thèmes de prédilection : les jardins et paysages sans oublier le monde floral. Ses oeuvres font partie de nombreuses collections en France et à l'étranger.

Artwork Serhii Hrekh - Subjektiv.art

Feros (Serhii Hrekh) is a contemporary artist working in Ukraine. In his early career, he used the cityscape of Lviv, Ukraine as a canvas, creating graffiti works known for their bold use of color and shape. His raw and rebellious style gained recognition locally and beyond, with each mural telling a unique story inspired by personal experiences and societal issues. As Feros evolved as an artist, he transitioned from graffiti to abstraction and figurative surrealism. His works create alternate realities, distorting familiar forms to offer viewers a unique perspective on the world, and continue to evolve with enhanced sophistication and complexity. Each color choice is intentional, evoking specific emotions and narratives. His work mirrors his personal experiences and background and presents a powerful commentary on society, culture, and the human condition.

Artwork Artem Andreichuk - Subjektiv.art

Artem Andreichuk

Tucked away in his studio, a space bursting with pigments and canvases in mid-creation, Artem Andreichuk welcomes visitors with the same vibrant energy that radiates from his work. The walls pulse with colour: lush, unapologetic, and raw. Here, the naked human form is not just a subject but a manifesto. Stripped of status, regalia, or pretence, his figures exist in perfect equilibrium with nature, unashamed, inviting, free. Artem’ journey as an artist is deeply tied to this pursuit of authenticity. Born in 1983, he has remained in Ukraine, shaping his artistic voice amid the ever-changing landscape of his homeland. His fascination with the human body is more than aesthetic—it’ philosophical. In a world layered with masks, he paints what remains when all is shed. Sensual yet unembellished, his figures embody a radical honesty, one that refuses to be confined. Yet, Andreichuk is not just about the body; he’ about the thrill of expression. On another wall, his minimalist works stand in stark contrast to the sensuality of his figurative pieces - youthful, witty, and exuding a rebellious charm. Layers of electrifying colours seem to wink at the viewer, as if daring them to embrace the absurdity and joy of existence. “ should be fun,” he says with a knowing smile, and his art ensures that it is. Beyond the canvas, Artem's creative spirit has always stretched into multiple realms. Music has been a lifelong companion, and as a former bassist for the indie band Blake Maloka, he has translated rhythm into brushstrokes, movement into stillness. His paintings, much like a well-played bass-line, carry an energy that hums beneath the surface; sometimes wild, sometimes restrained, but always present. To step into Artem Andreichuk’ world is to be reminded of life’ fundamental pleasures: skin meeting sun, laughter ringing through colour, rebellion found in joy. His work doesn’ just ask to be seen, it demands to be felt.

Artwork Carolina Sardinha - Subjektiv.art

Carolina Sardinha

Carolina Sardinha born in 1982, lives and works in Lisbon. Academic training: . Drawing Development Year at The Royal Drawing School, London (2024-ongoing); . Opened her own Studio, devoting herself entirely to her practise since then (2020); . Tutorial Scheme at Sociedade Nacional de Belas Artes, Lisbon (2018 - 2020); . Aquatint Training at Galeria Diferença, Lisbon (2014 - 2015); . Engraving Techiniques Training at Taller José Rincón Gallery, Madrid (2013 - 2014); . Drawing Education at CIEAM, Faculdade de Belas Artes, Lisbon (2009 - 2010); . Wood block Printmaking Training at the National Print Museum, Dublin (2008 - 2009); . Socrates Erasmus Program, Università Degli Studi di Roma “La Sapienza”, Rome (2003 - 2004); . Degree in Architecture from Instituto Superior Técnico, Lisbon (2006). Selected Individual Exhibitions: . Matter | Mist, Azenhas do Mar (2023); . Reallocated, CCSL Advogados, Lisbon (2020); . Ageing Series, OH | OS, Lisbon (2019); . Essay on Ma, Ler Devagar Bookshop, Lisbon (2019); . La piel de las Cosas, Taller José Rincón Gallery, Madrid (2015). Selected Group Exhibitions: . Group Show at Livraria Sá da Costa, Lisbon (2022); . Finalists Exhibition, Sociedade Nacional de Belas Artes, Lisbon (2019); . Printmaking Exhibition, Galeria Diferença, Lisbon (2016); . Selected Artists Exhibition, Casa de La Moneda, Madrid (2015); . Printmaking Artists Exhibition, Casa de Cultura del Ayuntamiento de Carmona, Carmona (2014). Prizes: . Selected Artist for Collection “The Mediterranean”, The Curators (2020); . Jóvenes Creadores de Calcografía Nacional Prize from the Real Academia de Belas Artes de de San Fernando de Madrid (2014). Collections: Her work is represented in private collections in Portugal and abroad.