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Kokorebi

Curated by Varvara Barto

Fire and Water

Curated by Geri Takacs, filipa carneiro

Unfinished Shelter

Unfinished Shelter

Curated by Olha Baturevych, jonathan morales

Apple Cure

Curated by Yevhenii Volodchenko, Dina Chmuzh

Secret Garden

Curated by Anastasiia Tymus

The 2025 Sovereign Portuguese Art Prize

The 2025 Sovereign Portuguese Art Prize

Curated by Sovereign Art Foundation

Блакиті Мить

Блакиті Мить

Curated by Subjektiv

Silent Stories

Curated by Oleh Dikal

Where Memory Feels Like Home

Where Memory Feels Like Home

Curated by Volodymyr Zavadiuk

Summer Solstice 2025

Summer Solstice 2025

Curated by Subjektiv

First Art Encounter

First Art Encounter

Curated by Subjektiv

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1844 artworks

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155 artworks

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147 artworks

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175 artworks

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62 artworks

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127 artworks

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39 artworks

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37 artworks

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Meet our Artists

Artwork Nataliia Brichuk - Subjektiv.art

Nataliia Brichuk

Natasha Brichuk, known as Notuko, paints in the language of memory. Raised in Rivne, Ukraine, she grew up surrounded by the vivid patterns of embroidered tablecloths, the warmth of painted ceramics, and the quiet grandeur of old Ukrainian architecture. These objects weren’t just decoration—they were stories, passed down through generations, whispering of heritage, resilience, and identity. But tradition, as she saw it, was not static. It pulsed with life, adapting, shifting, existing between past and present. It is this in-between space that Notuko inhabits as an artist. She pursued decorative and applied arts, specialising in ceramics, but painting became her true medium for storytelling. What began as a simple fascination evolved into a bold artistic language - where folk motifs meet abstraction, where Byzantine echoes intertwine with modern fluidity. Her figures emerge as symbols rather than individuals, their forms at times dissolving into textured layers of colour, as if caught between reality and memory. Improvisation is at the heart of her process. She embraces instinct, letting her brushwork capture fleeting emotions and intangible histories. Her compositions often feel like fragments of a grander, unseen whole — inviting viewers to reconnect with traditions, not as relics, but as living, breathing experiences. Notuko’s works have traveled far beyond her hometown, exhibited across Ukraine, Europe, and the UK. Yet, her essence remains rooted in the stories of home — the unspoken ties between past generations and those still to come. Her art is a conversation between centuries, a delicate balance of structure and spontaneity, of inherited symbols and contemporary expression. To experience Notuko’s work is to step into a world where tradition doesn’t belong to the past—it evolves, just like us.

Artwork Misha Piskur - Subjektiv.art

Mykhailo Piskur (b. 1995, Ukraine), is an artist an artist who splits his time between Rivne and Kyiv. Piskur’s work is centred around themes human relationships, self-belief, and the diverse positioning of individuals in society. A recurring concept in his art is internal stigma, which he explores through simple, almost naive imagery. His style evokes a childlike perception, marked by sensitivity and a quest to uncover the good in every person.

Artwork Stefan Stoikov - Subjektiv.art

Stefan Stoykov was born in 1997 in Izmail, Odesa region, Ukraine. In his works, the author strives for imagery, refers to different epochs, using mythological images in a modern reinterpretation. Also, the painting is expressive and intuitive, revealing the internal dynamics of portraits and compositions. In this way, the artist tries to combine mass and classical art in his works.

Artwork Maisa Champalimaud - Subjektiv.art

Maisa Champalimaud

Maísa Champalimaud (1987) é uma artista plástica luso-brasileira. Iniciou sua carreira profissional com o retratista Luís Guimarães e, desde então, participou em residências, partilhando atelier com outros artistas contemporâneos. Desde 2011 dedicou-se a expor individual e coletivamente, envolvendo-se também em projetos que incluem exposições em Lisboa, Braga, Seia, Gaia, Tavira, Faro. Desenvolveu diversos murais para restaurantes, produtoras de cinema e edifícios de luxo, além de intervencionar espaços públicos - de casas de banho à Mupi. Colaborou com algumas marcas - de roupa (Monarte; YOM), de vinho (Xutos e Pontapés) , além de fazer o cartaz para um filme nacional (Salgueiro Maia). Participou de inúmeros leilões solidários e iniciativas de cunho social. Hoje (e cada vez mais) muitas das suas obras pertencem a coleções privadas integrando em Portugal o acervo da CCA Advogados, SRS Advogados, Abreu advogados, Fundação PT, Edge-Group Espaço Amoreiras, Private Lawyers, Fundação AMI, Skydreams, PARTAC S.G.P.S. Internacionalmente tem peças espalhadas pelo mundo afora: Brasil, Angola, Moçambique, Londres, Bruxelas, Estados Unidos - incluindo na Casa Branca.

Artwork Sestry Feldman - Subjektiv.art

Twin sisters Michel and Nicol Feldman, known as Sestry Feldman, have never followed convention. Born in Dnipro in 1996, their artistic journey began at the age of eight, driven by an innate curiosity and a family that valued freedom, self-expression, and resilience. Their father—a political prisoner under the Kuchma regime—remained an unseen figure until they were eight. But when they sent him a childhood portrait, his reply was simple yet profound: “It’s a masterpiece.” That single phrase became their silent manifesto—a sign that art was their destiny. From Kyiv’s subway walls to global exhibitions in Paris, Brussels, and Tel Aviv, their work is a fearless mix of street art, political satire, and electrifying visual storytelling. Their murals, bursting with modernised Cossacks, surreal talismans, and raw emotion, are not just paintings—they are acts of defiance, echoes of history, and visions of the future. Their five-episode animated series "Yoyo", initially meant as a yoga guide for children, turned into a satirical take on AI and humanity’s future, blending humour and dystopian vision. With no formal training, their education comes from cinema, techno beats, and the streets. Their art pulses with movement, rebellion, and energy—a world where vibrant colors meet stark realities, where every piece demands attention. Their art isn’t just seen—it’s felt, lived, and encountered.

Artwork Sophie Le Gendre - Subjektiv.art

Sophie Le Gendre

Based in Paris and passionate about images, Sophie le Gendre is recognised by the Fine Art photography community as a woman with innovative talents. Always in search of a new graphic dimension, the French photographer shares with us her universe where resonant Breaths sparkle. Her works, on one hand decorative and on the other transcendental, illuminate our eyes, and without warning, they shake and pierce our intimate memories. Each photo is a poem, an ode to life, an unfailing optimism. Sophie assumes her role as guardian of the light. Accustomed to rewards, in France and abroad, Sophie won the prestigious contest « Objectif femmes » (Paris, 2019) , the first prize for Photography at the Florence Biennale (Italy, 2021) and a New York press prize. Her works are regularly published in renowned magazines such as Open Eye magazine / Elle International / Clam Magazine / Art Newspaper Daily.

Artwork Artem Andreichuk - Subjektiv.art

Artem Andreichuk

Tucked away in his studio, a space bursting with pigments and canvases in mid-creation, Artem Andreichuk welcomes visitors with the same vibrant energy that radiates from his work. The walls pulse with colour: lush, unapologetic, and raw. Here, the naked human form is not just a subject but a manifesto. Stripped of status, regalia, or pretence, his figures exist in perfect equilibrium with nature, unashamed, inviting, free. Artem’ journey as an artist is deeply tied to this pursuit of authenticity. Born in 1983, he has remained in Ukraine, shaping his artistic voice amid the ever-changing landscape of his homeland. His fascination with the human body is more than aesthetic—it’ philosophical. In a world layered with masks, he paints what remains when all is shed. Sensual yet unembellished, his figures embody a radical honesty, one that refuses to be confined. Yet, Andreichuk is not just about the body; he’ about the thrill of expression. On another wall, his minimalist works stand in stark contrast to the sensuality of his figurative pieces - youthful, witty, and exuding a rebellious charm. Layers of electrifying colours seem to wink at the viewer, as if daring them to embrace the absurdity and joy of existence. “ should be fun,” he says with a knowing smile, and his art ensures that it is. Beyond the canvas, Artem's creative spirit has always stretched into multiple realms. Music has been a lifelong companion, and as a former bassist for the indie band Blake Maloka, he has translated rhythm into brushstrokes, movement into stillness. His paintings, much like a well-played bass-line, carry an energy that hums beneath the surface; sometimes wild, sometimes restrained, but always present. To step into Artem Andreichuk’ world is to be reminded of life’ fundamental pleasures: skin meeting sun, laughter ringing through colour, rebellion found in joy. His work doesn’ just ask to be seen, it demands to be felt.

Artwork David Sharashydze - Subjektiv.art

David Sharashydze

For Davyd Sharashydze, art is not just a visual expression – it is a bridge between cultures, histories, and emotions. Born into the rich artistic heritage of Ukraine and Georgia, he carries the essence of both lands in his work, blending the strength of one with the poetry of the other. His artistic journey began in the early 1990s, a turbulent era that saw the collapse of the Soviet Union and the reawakening of national identities. As the world around him shifted, so did his approach to painting. Inspired by the old masters but driven by a desire to break form, he developed a style that exists between classical and contemporary, between precision and freedom. Moving to Kyiv in 1993, Sharashydze immersed himself in the artistic fabric of the city, becoming a key figure in its creative community. His work spans painting, gesso, and graphics, but what remains constant is his ability to capture the fleeting nature of human experience—whether through textured surfaces, layered compositions, or the interplay of light and shadow. Exhibiting since 1991, he has showcased his works across Ukraine, Finland, Norway, Georgia, Australia, the USA, and Mediterranean countries, finding collectors in some of the world’s most prestigious galleries. His membership in the UNESCO International Federation of Artists is a testament to his global artistic impact. Sharashydze’s paintings feel like fragments of dreams, echoes of forgotten myths, glimpses of a world that exists just beyond reach. Whether in the soft contours of a portrait, the weathered textures of his gesso work, or the intricate lines of his graphics, his pieces invite viewers into a space of reflection — where past and present, memory and sensation converge. To experience Davyd Sharashydze’s art is to travel through time, to feel the weight of history and the pulse of the present, all captured in a single brushstroke.

Artwork Bohdana Tkach - Subjektiv.art

I'm Bohdana Tkach, an artist, photographer, and graphic designer from Rivne, Ukraine. My creative path is rooted in my studies of environmental design at the Kyiv Academy of Decorative and Applied Arts and free graphics at NAOMA. These experiences shaped my unique visual language, blending traditional techniques with modern artistic practices. My work centers on the exploration of the human body, especially the female form, as a vessel of identity, emotion, and history. Since 2019, I have been drawn to cyanotype, an alternative photographic printing method, which allows me to merge tactile craftsmanship with conceptual depth. I would describe myself as a seeker—a weaver of thoughts, emotions, and images. My mind thrives on the poetry of connection, the quiet questions that linger between moments, and the beauty found in both complexity and simplicity. I am drawn to the interplay of light and shadow, in the world and within myself, always searching for meaning and expression that transcend the immediate. As a thinker, I embrace the fluidity of ideas, letting them evolve and intertwine, guided by curiosity and an enduring sense of wonder. My work is both a reflection and an exploration—a way to navigate the vastness of existence and to leave something of myself in the spaces I touch. I strive to approach life with open eyes, an open heart, and a belief in the power of art to connect, heal, and transform.

Artwork Dasha Tsapenko - Subjektiv.art

Some artists paint. Some sculpt. But Dasha Tsapenko grows her art. I remember the first time I encountered her work, it wasn’ just visually striking, it was revolutionary. It blurred the line between creation and cultivation. Dasha doesn’ see herself as the sole author of her works; instead, she collaborates with nature itself. Her textiles, garments, and installations are not merely crafted, they are nurtured. She prepares the foundation, then steps back to allow fungi, fibres, and microorganisms to shape the outcome. What emerges is something completely unique - art that breathes, evolves, and ultimately becomes part of the world in a way that traditional works never could. Her studio is unlike any I’ seen before. It’ not just a workshop, it’ part textile lab, part microbiology station, part experimental farm. A place where science and creativity intertwine seamlessly. She works with living organisms, primarily mycelium, the vast underground network of fungi that connects trees and plants beneath forests. But here, in her hands, mycelium doesn’ just connect nature, it creates. It grows into textiles, forming intricate patterns and textures, embedding itself into the very fabric of her art. It’ a process that is at once scientific and poetic. The unpredictability of working with living materials means that no two pieces are ever the same. She carefully prepares the ground, sometimes weaving or sewing textiles in a particular way to encourage the fungi’ growth in a desired form. But the final result? That’ left to nature.

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