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Geometry Speaks

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Art Beyond Canvas. Grown, Stitched, Burnt, Bent

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Artwork Alena Kuznetsova - Subjektiv.art

Big Horizon (Familiar Ground series)

by Alena Kuznetsova

Artwork Oleksandr Topchyi - Subjektiv.art

Nudeman is drunk and sleeping

by Oleksandr Topchyi

Artwork Oleksandr Topchyi - Subjektiv.art

House in the forest

by Oleksandr Topchyi

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Meet our Artists

Artwork Dasha Tsapenko - Subjektiv.art

Some artists paint. Some sculpt. But Dasha Tsapenko grows her art. I remember the first time I encountered her work, it wasn’ just visually striking, it was revolutionary. It blurred the line between creation and cultivation. Dasha doesn’ see herself as the sole author of her works; instead, she collaborates with nature itself. Her textiles, garments, and installations are not merely crafted, they are nurtured. She prepares the foundation, then steps back to allow fungi, fibres, and microorganisms to shape the outcome. What emerges is something completely unique - art that breathes, evolves, and ultimately becomes part of the world in a way that traditional works never could. Her studio is unlike any I’ seen before. It’ not just a workshop, it’ part textile lab, part microbiology station, part experimental farm. A place where science and creativity intertwine seamlessly. She works with living organisms, primarily mycelium, the vast underground network of fungi that connects trees and plants beneath forests. But here, in her hands, mycelium doesn’ just connect nature, it creates. It grows into textiles, forming intricate patterns and textures, embedding itself into the very fabric of her art. It’ a process that is at once scientific and poetic. The unpredictability of working with living materials means that no two pieces are ever the same. She carefully prepares the ground, sometimes weaving or sewing textiles in a particular way to encourage the fungi’ growth in a desired form. But the final result? That’ left to nature.

Artwork Dzvinya Podlyashetska - Subjektiv.art

Dzvinya Podlyashetska

Born in Lviv, Ukraine, based in Vienna, Dzvinya Podlyashetska is an artist whose work moves between the playful and the profound. Her art is a vibrant mix of comic-like figures, bold colours, and surreal compositions, capturing emotions that are often felt but rarely seen. She transforms the ordinary into something magical - people, animals, and everyday objects take on new meaning in her world, where naivety and sarcasm, love and chaos, laughter and melancholy exist in fragile harmony. Dzvinya’s journey into art began with a deep fascination for illustration and printmaking. She studied graphic design at the Ivan Trush Lviv State College of Decorative and Applied Arts before continuing her fine arts education at the Ukrainian Printmaking Academy. She has shaped a distinctive voice, one that blends storytelling with visual poetry. Her art is a reflection of human relationships, inner dialogues, and the constant push and pull between personal identity and external influences. Mental health is a key theme in her work, expressed through dynamic, exaggerated forms and rich textures that echo the complexities of emotion. Each piece is an invitation to pause, to look deeper, and to rediscover the joy of simplicity that is often lost in the rush of modern life. Exhibited across Europe and the United States, from the National Museum of Ukraine in Kyiv to the Volkskunde Museum in Vienna and the 17 Frost Gallery in New York. When You Don’t Expect at Breach Miami, have cemented her reputation as a rising force in contemporary art. Dzvinya doesn’t just create images, she creates experiences. Her art is a space where emotions take shape, where nostalgia meets the surreal, and where viewers are encouraged to embrace both the beauty and the chaos of existence.

Artwork Nataliia Brichuk - Subjektiv.art

Nataliia Brichuk

Natasha Brichuk, known as Notuko, paints in the language of memory. Raised in Rivne, Ukraine, she grew up surrounded by the vivid patterns of embroidered tablecloths, the warmth of painted ceramics, and the quiet grandeur of old Ukrainian architecture. These objects weren’t just decoration—they were stories, passed down through generations, whispering of heritage, resilience, and identity. But tradition, as she saw it, was not static. It pulsed with life, adapting, shifting, existing between past and present. It is this in-between space that Notuko inhabits as an artist. She pursued decorative and applied arts, specialising in ceramics, but painting became her true medium for storytelling. What began as a simple fascination evolved into a bold artistic language - where folk motifs meet abstraction, where Byzantine echoes intertwine with modern fluidity. Her figures emerge as symbols rather than individuals, their forms at times dissolving into textured layers of colour, as if caught between reality and memory. Improvisation is at the heart of her process. She embraces instinct, letting her brushwork capture fleeting emotions and intangible histories. Her compositions often feel like fragments of a grander, unseen whole — inviting viewers to reconnect with traditions, not as relics, but as living, breathing experiences. Notuko’s works have traveled far beyond her hometown, exhibited across Ukraine, Europe, and the UK. Yet, her essence remains rooted in the stories of home — the unspoken ties between past generations and those still to come. Her art is a conversation between centuries, a delicate balance of structure and spontaneity, of inherited symbols and contemporary expression. To experience Notuko’s work is to step into a world where tradition doesn’t belong to the past—it evolves, just like us.

Artwork Myroslava Perevalska - Subjektiv.art

Myroslava Perevalska

Some artists paint what they see. Others paint what they dream. Myroslava Perevalska paints what she feels, and, more importantly, what she fears losing. In a world rushing forward, she is an artist who asks us to slow down, to breathe, to see before the colours fade, before the emotions slip away, before time moves beyond our grasp. When we spoke, she described her connection to art in a way I had never heard before. “ think of myself as a fish,” she told me. “ fish that doesn’ question the water, that doesn’ think about how deep it swims. It just exists.” Art is her element, her lifeblood, and her way of understanding the world. It’ why, even as war reshapes the reality around her, she continues to create, not just as a form of resistance but as a way to document the truth as she experiences it. Her paintings are immediately recognisable, figures emerging from bold, urgent strokes of red, white, and black. Red, she told me, is the colour of life, of passion, of survival. It pulses through her work, a constant heartbeat. But it is also the colour she fears losing. “ greatest happiness,” she said, referencing Borges, “ when a blind man dreams of red.” The idea of losing that sensation, of not being able to feel the depth of colour, is her deepest fear. But instead of running from it, she embraces it, pours it into her canvases, ensuring that even if time erodes memory, the intensity of her vision remains. As we talked, her thoughts spiralled outward - philosophy, history, technology, even the fate of humanity. “ are all on the Titanic,” she told me. “ comfortable but unaware of what’ coming.” The world is changing too quickly. Wars, pandemics, artificial intelligence, isolation. She fears we are forgetting how to truly be present. That people are becoming less human. She sees this loss reflected in modern art, how simple narratives and raw emotion are disappearing, replaced by a detachment from the soul of creation.

Artwork Myroslav Pivtoranis - Subjektiv.art

Myroslav Pivtoranis

An abstract artist, based in Lviv, Ukraine. His art is a mix of colors, shapes, compositions. Edges, lines and planes. Floating forms, reductive and asymmetrical. Wonky geometry. Dynamics and harmony. "When I create, I don't impose, but l give a choice for feelings and thoughts." "I give the viewer the opportunity to interpret my work as they see it. And I try to extend my art receiver imagination by transmitting an impulse. It is not necessary for the observer to follow my way of projection as it could eliminate new nteresting points of view. Every interpretation of my art is meaningful for "There is the space and time in my paintings, they need to radiate great power and ranquility as completed works of art."

Artwork Misha Piskur - Subjektiv.art

Mykhailo Piskur (b. 1995, Ukraine), is an artist an artist who splits his time between Rivne and Kyiv. Piskur’s work is centred around themes human relationships, self-belief, and the diverse positioning of individuals in society. A recurring concept in his art is internal stigma, which he explores through simple, almost naive imagery. His style evokes a childlike perception, marked by sensitivity and a quest to uncover the good in every person.

Artwork Liudmila Davydenko - Subjektiv.art

Liudmila Davydenko

Some artists speak through colours, others through form, but with Liudmila Davydenko, it’ something more - something beneath the surface, beneath even the layers of paint she so meticulously applies to her canvases. I first came across her work at an exhibition in Vienna, where her paintings, rich in texture and introspection, seemed to hold something unseen, something just out of reach. I knew then that I needed to understand her process, to see her world through her own eyes. Our visit to her studio in Lviv was planned after a long working session with my co-founders. It was a chance to engage directly with an artist whose work had left an impression on me. When we arrived, the setting was unexpectedly cinematic, her studio was nestled inside an old Soviet industrial building, its long, dimly lit corridors stretching endlessly like something out of Kubrick’ The Shining. There was a strange stillness in the air, a kind of suspended time, which somehow made the vibrancy of her paintings even more striking. Stepping into her workspace, I was immediately met with the scent of oil paint and the quiet discipline of an artist deeply immersed in her craft. Liudmila belongs to a generation of artists for whom patience and precision are second nature. Her early training as a sculptor is evident in the way she approaches her paintings - not as flat compositions, but as something three-dimensional, something that carries weight and substance. She doesn’ simply paint; she constructs. Every piece undergoes an intricate layering process, sometimes up to eight layers deep, giving the final work a sense of depth that feels almost geological, as if revealing different strata of meaning.

Artwork Maria R Saunders - Subjektiv.art

Maria R Saunders

Graduated from the Faculty of Fine Arts in Lisbon, a semester in Accademia di Brera Milan, Master in Fine Arts at the Chelsea College of Art & Design UAL, London. Maria has been working exclusively at her studio for the past ten years, showing her work in London, Lisbon and Oporto in several group and individual exhibitions. It's in the studio that she finds her identity and works to justify her existence. It's also here that she compulsively reads, writes and paints. Her work draws significant inspiration from literature, aiming to reflect on the duality of woman's life - the contrast between the profession and the domestic role as a family caregiver. She explores the contemporary female experience, celebrating the boldness of womanhood. Saunders has received recognition as a Signature Art Prize Finalist at Old Spitafields Market in London and was the finalist for São ou Não at Galeria São Mamede in Lisbon. More recently, she has been expanding her studio work and working as a Montessori Art Guide at Kairos Montessori School, with children between 6 and 12 years old.

Artwork Ganna Kryvolap - Subjektiv.art

Since she was a young child, the Ukrainian painter Ganna Kryvolap has been shaped by the creative environment revolving around her family. She comes from a family of artists. Her father Anatoliy Kryvolap, who was famous for his Ukrainian landscape paintings, as well as her mother Zinayida Vasina, also an artist and theatre costume designer, both had a great impact on Ganna Kryvolap. Her works are characterised by brilliant colours, expressionist structure and vibrating energy. They radiate lightness and an incredible luminous intensity. The artist works in series and cycles. She transforms her city series into an abstract and dreamlike language: Kryvolap’s pictures are hybrids that incorporate impressions of real landscapes, intellectual observations and pure fantasy. She contrasts her multi-coloured urban pictures with a colour background that additionally introduces a strong dynamic element.

Artwork Solomiia Ortynska - Subjektiv.art

Solomiia Ortynska

Solomiia works with oil and acrylic paints, adding lines with coloured pencils, a combination that showcases her love of lines and strokes. Addressing psychological strife in her work, she strives to find a "place of strength" - where one can gather energy and keep moving. For many this place is their home. As home, as she knows it has been stolen, she has shifted her focus to childhood memories that serve as a shelter for the inner child. She sees memories of childhood as a means to reduce stress and enhance emotional healing.

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