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Блакиті Мить

Блакиті Мить

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Silent Stories

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Where Memory Feels Like Home

Where Memory Feels Like Home

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Meet our Artists

Artwork Lisette van Hoogenhuyze - Subjektiv.art

Lisette van Hoogenhuyze

Lisette van Hoogenhuyze (1991), was born in The Hague, Netherlands. She graduated Art History at the UvA before she finished her degree in Fine Art in 2019 at the University of Arts Utrecht. She now lives and works in Lisbon. Lisette is a multimedia artist who developed a particular interest in a combination of textile, paint and printmaking. She has exhibited in Museum Ijssellstein, Torch Gallery (Amsterdam) and Saatchi gallery (London) among other institutions. Her work is in the KPMG art collection, the Büyükkusoglu collection, the collection of the National government of The Netherlands and in various private collections in New York, Slovakia, Italy and the Netherlands.

Artwork Elnara Nasirli - Subjektiv.art

As an artist rooted in environmental technology, I draw inspiration from the intersection of biotechnology and mixed media. My work transcends conventional boundaries, weaving together painting, sculpture, collage, and installation to construct boundless biomorphic realms. Guided by the Greek roots of 'bios' (life) and 'morphe' (form), my visual language evokes the essence of organic shapes and forms. Each space I craft beckons viewers into immersive audio-visual odysseys, inviting exploration of diverse facets of the human experience, self-expression, and the natural world. Through this journey, I aspire to cultivate emotional healing and deepen environmental awareness. My artistic mission extends beyond mere aesthetics; it's a profound exploration of the transformative potential inherent in creative expression. By engaging with my art, both myself and the audience embark on a journey of neural transformation, discovering the resilience and liberation that can arise from confronting and overcoming life's challenges.

Artwork Artem Andreichuk - Subjektiv.art

Artem Andreichuk

Tucked away in his studio, a space bursting with pigments and canvases in mid-creation, Artem Andreichuk welcomes visitors with the same vibrant energy that radiates from his work. The walls pulse with colour: lush, unapologetic, and raw. Here, the naked human form is not just a subject but a manifesto. Stripped of status, regalia, or pretence, his figures exist in perfect equilibrium with nature, unashamed, inviting, free. Artem’ journey as an artist is deeply tied to this pursuit of authenticity. Born in 1983, he has remained in Ukraine, shaping his artistic voice amid the ever-changing landscape of his homeland. His fascination with the human body is more than aesthetic—it’ philosophical. In a world layered with masks, he paints what remains when all is shed. Sensual yet unembellished, his figures embody a radical honesty, one that refuses to be confined. Yet, Andreichuk is not just about the body; he’ about the thrill of expression. On another wall, his minimalist works stand in stark contrast to the sensuality of his figurative pieces - youthful, witty, and exuding a rebellious charm. Layers of electrifying colours seem to wink at the viewer, as if daring them to embrace the absurdity and joy of existence. “ should be fun,” he says with a knowing smile, and his art ensures that it is. Beyond the canvas, Artem's creative spirit has always stretched into multiple realms. Music has been a lifelong companion, and as a former bassist for the indie band Blake Maloka, he has translated rhythm into brushstrokes, movement into stillness. His paintings, much like a well-played bass-line, carry an energy that hums beneath the surface; sometimes wild, sometimes restrained, but always present. To step into Artem Andreichuk’ world is to be reminded of life’ fundamental pleasures: skin meeting sun, laughter ringing through colour, rebellion found in joy. His work doesn’ just ask to be seen, it demands to be felt.

Artwork Danya Shulipa - Subjektiv.art

Danya Shulipa, born in 1998, is a multidisciplinary artist based in Kyiv, Ukraine. His work spans various mediums including painting, graphics, sculptures, digital art, and design. Shulipa's artistic practice revolves around exploring life and personal reflections through art. His work often delves into symbolism, cultural codes, and urban motifs, blending elements of mass culture, retro, and punk aesthetics. Drawing inspiration from pop culture and childhood influences, particularly figures like Basquiat and Warhol, Shulipa's art aims to create a personal context and reflect his worldview. With a background in design, Shulipa integrates his vision into various projects, including collaborations with clothing brands and music merchandise, as well as designing album covers and fonts for musicians. His artistic journey is characterized by a blend of personal history, preferences, and cultural influences, ultimately aiming to create a reality in which others can immerse themselves.

Artwork Carlos Barradas - Subjektiv.art

Carlos Barradas

Photographer with a PhD in anthropology, I have been producing photographic and textual essays on issues such as territory, colonialism and post-colonialism, disability, new masculinities and sustainability. Considered by GUP Magazine as one of the 100 European photography talents (2020). My work, described as magic documentalism, has already been exhibited in Brazil, France, Italy and Portugal. I exhibited collectively at the Rencontres d'Arles 2019 & 2023 (promoted by the British Journal of Photography and Der Greif) and at the International Center of Photography, in New York. Winner of the “Cities in the City” initiative at PhotoEspaña and the Porto Photography Biennial '21 and recently guest artist in residence at Encontros da Imagem 2023 edition. Co-creator and co-editor of the online contemporary photography magazine SOPA and editor of the photography platform Lenscratch , based in Los Angeles. Part of my artistic practice is developed around personal work, but also the development of free workshops for the communities I work with, always resulting in fanzines, collective exhibitions or other types of artistic products, as has happened in my work in Campanhã , in Porto, São Tomé and Príncipe or Namibia. I believe that through these joint initiatives and community participation, the visual production and local cultural mapping will be richer the greater their engagement.

Artwork Anna Kostritskaya - Subjektiv.art

Anna Kostritskaya

Anna Kostritskaya’s work carries an undeniable urgency, each brushstroke infused with a tension between fragility and defiance. Her art does more than depict; it preserves, resists, and remembers. Born in Ukraine, her creative journey has been deeply intertwined with the turbulence of her homeland. Since the full-scale war began, her work has taken on an even more urgent role, serving as a form of documentation, capturing emotions, losses, and the resilience of her people. Her paintings often feel like open wounds, yet within them lies tenderness, a refusal to let beauty be erased by destruction. Working across multiple mediums - painting, photography, and mixed media, Kostritskaya employs different artistic languages to express the unspeakable. In her portraits, faces emerge from the canvas like whispers, layered with texture, almost as if they are fighting to remain visible. There is a quiet intimacy in her work, a recognition of individual stories otherwise lost within the vastness of war. Much of her practice is rooted in the act of bearing witness. Her work explores displacement, identity, and the intersection of personal and collective history. Her photography, in particular, captures fleeting moments, glimpses of life that feel sacred in their ordinariness, a stark contrast to the overwhelming instability surrounding them. Her creative process is instinctual, driven by emotion rather than rigid intent. She has described it as work that decides its own path, rather than one that is meticulously planned. Yet, despite the weight of her subject matter, her art is about endurance. It embodies the human spirit’s refusal to be silenced. Beneath the layers of grief, there is strength. There is the unbreakable.

Artwork Oleksiy Belusenko - Subjektiv.art

Oleksiy Belusenko

In the quiet, contemplative spaces of Oleksiy Belusenko’s paintings, time feels like it has softened, lingering between memory and the present. Born in Kazakhstan in 1960 and moving to Ukraine as a child, Belusenko has spent a lifetime weaving together history, landscape, and emotion — both as an artist and as a restorer of the past. For 25 years, he worked at the National Scientific Research Restoration Centre in Kyiv, (specialising in polychrome wooden sculpture and decorative carving), breathing life back into centuries-old sculptures and carvings. This intimate relationship with history shaped his artistic eye — his brushstrokes carrying the patience of a restorer, his compositions steeped in reverence for what came before. His works feel like whispers of the past, filtered through a deeply personal lens. While Belusenko’s career spans painting, sculpture, and curation, it is his landscapes that carry his most intimate dialogue with the world. Capturing the quiet poetry of Ukrainian nature, his canvases are imbued with a sense of nostalgia—soft brushwork, muted yet resonant tones, and an ever-present balance between warmth and coolness. His work does not impose itself; rather, it invites you in, allowing you to drift between reality and impression, between what is seen and what is felt. Beyond his artistic practice, Belusenko has also dedicated himself to art education, sharing his knowledge through the BritArt XX lecture series, where he dissects the nuances of 20th-century British art. As a curator and a founding member of the Blue October creative association, he continues to shape and support the contemporary art scene in Ukraine. Today, his works reside in private collections and museums across 30 countries. Yet, despite this global reach, his paintings remain rooted in something deeply personal — his connection to place, to time, and to the quiet beauty of everyday moments.

Artwork Egor Guschin - Subjektiv.art

Egor Guschin was born in 1988 in Kharkiv,Ukraine, graduated from the Kharkiv University of Construction and Architecture with a degree in Organizational Management. He worked in his specialty for a while, then moved into the food service industry for a long time before finding his true passion in photography. Egor's work has been featured in publications such as Vogue Ukraine and exhibited in various galleries in Lviv, Kharkiv and Kyiv. This is how his career as an artist began in 2023. Now he is a member of the MYPH school of conceptual and fine art photography. Works with analog photography, mainly using the multiple exposure technique. Inspired by surrealism and loves experiments with expired film.

Artwork Yuuko Suzuki - Subjektiv.art

French artist born in Osaka, Japan. Line art, direct expression of the state of mind, this has been the essence of her artistic creation since the first years of her life, as she started Japanese calligraphy at the age of 6 with renowned masters. In 1987 she moved to Paris, where she was in charge of the Japanese art and Buddhist art workshops at the Musée Guimet from 2002 to 2011. In parallel, the in-depth studies and rich experiences in France in audiovisual art, flourish today in her digital art. The main topic she explores: Śūnyatā - Non-duality, Peace. Silence, voice of the Universe.

Artwork Eugene Pokutnev - Subjektiv.art

Eugene Pokutnev

Eugene's paintings aren't just compositions of colour - they are movements. They seemed to shift before your eyes, pulling you in, disorienting in the best way. His secret? ‘-black’ - a rare Japanese paint so dense that it absorbs nearly all light, creating an illusion of infinite depth. He orders it from a master in Japan, layering it alongside vibrant colour, bending space itself on the canvas. When you stand before his work, it’ as if you’ falling into the painting, moving between its layers, losing balance for just a second. His journey into art was as unexpected as the effect of his work. Growing up in a small city near Dnipro, a career in art was never considered an option. He spent his days sketching intricate patterns but, like many others in his city, he needed stability. So he became a policeman. And yet, fate has its way of rewriting stories. One day, while investigating a burglary, his colleague casually showed the apartment owner some of Eugene’ sketches. The man, a businessman with an eye for art, was so captivated that he made an offer on the spot: “ the police. I’ fund you.” And just like that, Eugene left law enforcement behind.

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