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Hyphen Dash. Myshko

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Summer Solstice 2025

Summer Solstice 2025

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First Art Encounter

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Geometry Speaks

Geometry Speaks

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Art Beyond Canvas. Grown, Stitched, Burnt, Bent

Art Beyond Canvas. Grown, Stitched, Burnt, Bent

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Artwork Joana Mollet - Subjektiv.art

Ermelinda/Migas: Do passado só restam migalhas

by Joana Mollet

Artwork Sobral Centeno - Subjektiv.art

by Sobral Centeno

Artwork Daniela Krtsch - Subjektiv.art

by Daniela Krtsch

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Meet our Artists

Artwork Svitlana Ahranovska - Subjektiv.art

Svitlana Ahranovska

Artwork Darina Smolkina - Subjektiv.art

Darina Smolkina

In a world governed by rules—both written and unspoken—Darina Smolkina’s art whispers of quiet rebellion. Born in Kyiv, Ukraine, now based in Lisbon, she crafts paintings that feel like echoes of a theatrical performance, where characters linger in a suspended moment, caught between societal expectations and personal truths. Her work is a stage, and every canvas is a scene unfolding. Darina’s journey began in a traditional family, where expectations were clear—but her fascination with the surreal led her beyond the familiar. She started art school at six, mastering techniques that shaped her unique visual language. While studying graphic design in Kyiv, Darina found her true voice in painting — a space where boundaries blurred and deeper narratives emerged. At 19, she moved to Lisbon, an experience that shaped her perspective as an outsider navigating an unfamiliar world. Her art became a reflection of identity, isolation, and the quiet weight of societal expectations. From Schönhausen Palace Museum in Berlin to New York’s 17frost Gallery, her work speaks to a universal struggle — the tension between conformity and self-expression. Whether in the dreamlike haze of New Dream World or the raw intimacy of My First Diary, Darina’s paintings invite viewers to step into a moment of self-reflection, where emotions take form and meaning unfolds. Darina doesn’t just paint figures — she paints questions. Her art asks: Who are we, beyond the expectations placed upon us? What do we reveal, and what do we conceal? Her world is one where the symbolic and the surreal merge, reflecting not just her own journey, but the collective search for meaning in a world full of invisible walls.

Artwork Agnes Tiollier - Subjektiv.art

Agnès Tiollier est née à Lyon, issue d’une famille tournée vers l’art. Après des études d’Arts Appliqués, elle choisit d’exprimer ses ressentis à travers la peinture. « Mon travail est basé sur la couleur, la lumière et la transparence » Cette artiste peintre aime surtout transmettre son bonheur d’observer la nature grâce à l’intensité lumineuse de ses couleurs, que ce soit à la peinture à l'huile ou bien au pastel, médium d'une grande richesse. Ses thèmes de prédilection : les jardins et paysages sans oublier le monde floral. Ses oeuvres font partie de nombreuses collections en France et à l'étranger.

Artwork Oksana Fedchyshyn - Subjektiv.art

Oksana Fedchyshyn

Oksana Fedchyshyn (b. 1999, Ukraine) is an artist based in Ukraine. Graduated in Painting at Lviv State College of Decorative and Applied Arts Ivan Trush and in Graphic Design at Lviv National Academy of Arts. Fedchyshy is inspired by folk art, mythology, and people. She often turns to the topic of the human connection with nature and the metamorphosis of bodies. Her art becomes a dialogue between inner and outer worlds, where humans and animals coexist in harmony, sometimes merging with each other to reveal deeper truths about who we are. In her work, Fedchyshy often turns to simple naive motifs, images of various fictional, often zoomorphic characters. Such visual images easily arose from poems rich in aphorisms and metaphors. Works of their kind conduct a constant dialogue with poetry. In 2018, she was awarded the Index Mariusz Kazana competition prize and held her first solo exhibition. Since then, she has exhibited her work in solo and group shows across Ukraine, Poland, and Germany.

Artwork Dzvinya Podlyashetska - Subjektiv.art

Dzvinya Podlyashetska

Born in Lviv, Ukraine, based in Vienna, Dzvinya Podlyashetska is an artist whose work moves between the playful and the profound. Her art is a vibrant mix of comic-like figures, bold colours, and surreal compositions, capturing emotions that are often felt but rarely seen. She transforms the ordinary into something magical - people, animals, and everyday objects take on new meaning in her world, where naivety and sarcasm, love and chaos, laughter and melancholy exist in fragile harmony. Dzvinya’s journey into art began with a deep fascination for illustration and printmaking. She studied graphic design at the Ivan Trush Lviv State College of Decorative and Applied Arts before continuing her fine arts education at the Ukrainian Printmaking Academy. She has shaped a distinctive voice, one that blends storytelling with visual poetry. Her art is a reflection of human relationships, inner dialogues, and the constant push and pull between personal identity and external influences. Mental health is a key theme in her work, expressed through dynamic, exaggerated forms and rich textures that echo the complexities of emotion. Each piece is an invitation to pause, to look deeper, and to rediscover the joy of simplicity that is often lost in the rush of modern life. Exhibited across Europe and the United States, from the National Museum of Ukraine in Kyiv to the Volkskunde Museum in Vienna and the 17 Frost Gallery in New York. When You Don’t Expect at Breach Miami, have cemented her reputation as a rising force in contemporary art. Dzvinya doesn’t just create images, she creates experiences. Her art is a space where emotions take shape, where nostalgia meets the surreal, and where viewers are encouraged to embrace both the beauty and the chaos of existence.

Artwork Dasha Tsapenko - Subjektiv.art

Some artists paint. Some sculpt. But Dasha Tsapenko grows her art. I remember the first time I encountered her work, it wasn’ just visually striking, it was revolutionary. It blurred the line between creation and cultivation. Dasha doesn’ see herself as the sole author of her works; instead, she collaborates with nature itself. Her textiles, garments, and installations are not merely crafted, they are nurtured. She prepares the foundation, then steps back to allow fungi, fibres, and microorganisms to shape the outcome. What emerges is something completely unique - art that breathes, evolves, and ultimately becomes part of the world in a way that traditional works never could. Her studio is unlike any I’ seen before. It’ not just a workshop, it’ part textile lab, part microbiology station, part experimental farm. A place where science and creativity intertwine seamlessly. She works with living organisms, primarily mycelium, the vast underground network of fungi that connects trees and plants beneath forests. But here, in her hands, mycelium doesn’ just connect nature, it creates. It grows into textiles, forming intricate patterns and textures, embedding itself into the very fabric of her art. It’ a process that is at once scientific and poetic. The unpredictability of working with living materials means that no two pieces are ever the same. She carefully prepares the ground, sometimes weaving or sewing textiles in a particular way to encourage the fungi’ growth in a desired form. But the final result? That’ left to nature.

Artwork Yuriy Musatov - Subjektiv.art

Yuriy Musatov. Ukrainian artist. Born in 1981. Sience 2017 member UNESCO International Academy of Ceramics in Geneva (IAC) and National Union of Artists of Ukraine. In 2008 graduated Lviv National Academy of Arts. In the years 2012-2023 I had 20 solo projects and exhibitions, including «Explosion», Helen Ritz Gallery. Valencia, Spain; «My Explosion», Kahan Art Space Budapest, Mudapest, Hungary; «Invasion», Triptych: Global Arts Workshop, Kyiv. Ukraine. I have also participated in more than 100 group exhibitions worldwide, including: Phoenix Rising. GroupeExhibition of Ukrainian Contemporary Art. Forsa Contemporary Art Gallery. Cromwell Place. London; «Migration(s)» Musée Ariana – Swiss Museum for Ceramics and Glass Avenue de la Paix Genève. Switzerland; Yingge IAC Members’ Exhibition - New Orientalia. New Taipei City Yingge Ceramics Museum / New Taipei City. Taiwan (2018). 18 Biennal de Ceramica D’esplugues (Spain); XII Biennial Artistic Ceramics (Portugal). During the last seven years, a number of my ceramic artworks have been taquired by world- renowned museums and collections including: Musée Ariana – Swiss Museum for Ceramics and Glass Avenue de la Paix Genève. Switzerland; Ceramics Museum in Ludwigsburg, Grmany. FuLe International Ceramic Art Museum (FLICAM), National Museum of Slovenia, National Cultural Collection of Anadolu University, Aveiro Municipal Museum, National Open-air Museum of Ukrainian Pottery.

Artwork Myroslava Perevalska - Subjektiv.art

Myroslava Perevalska

Some artists paint what they see. Others paint what they dream. Myroslava Perevalska paints what she feels, and, more importantly, what she fears losing. In a world rushing forward, she is an artist who asks us to slow down, to breathe, to see before the colours fade, before the emotions slip away, before time moves beyond our grasp. When we spoke, she described her connection to art in a way I had never heard before. “ think of myself as a fish,” she told me. “ fish that doesn’ question the water, that doesn’ think about how deep it swims. It just exists.” Art is her element, her lifeblood, and her way of understanding the world. It’ why, even as war reshapes the reality around her, she continues to create, not just as a form of resistance but as a way to document the truth as she experiences it. Her paintings are immediately recognisable, figures emerging from bold, urgent strokes of red, white, and black. Red, she told me, is the colour of life, of passion, of survival. It pulses through her work, a constant heartbeat. But it is also the colour she fears losing. “ greatest happiness,” she said, referencing Borges, “ when a blind man dreams of red.” The idea of losing that sensation, of not being able to feel the depth of colour, is her deepest fear. But instead of running from it, she embraces it, pours it into her canvases, ensuring that even if time erodes memory, the intensity of her vision remains. As we talked, her thoughts spiralled outward - philosophy, history, technology, even the fate of humanity. “ are all on the Titanic,” she told me. “ comfortable but unaware of what’ coming.” The world is changing too quickly. Wars, pandemics, artificial intelligence, isolation. She fears we are forgetting how to truly be present. That people are becoming less human. She sees this loss reflected in modern art, how simple narratives and raw emotion are disappearing, replaced by a detachment from the soul of creation.

Artwork Rina Riga - Subjektiv.art

Artist and tutor from Kharkiv. I work in the genre of painting and installation, exploring the boundaries between reality and imagination through primary sensations, images and processes of transformation. Inspired by the works and life of Čiurlionis - Lithuanian composer and painter. In my practice, I address the themes of instability, transition and finding support in a changing world. A key aspect of my work is memory: its materiality, fragmentation and changeability. It manifests itself in multilayered structures that resemble the processes of birth, decay and rebirth, as if visualizing how memories germinate, collapse and form anew. The corporeality in my works is a carrier of memory. Organic textures hint at roots, flesh or connections that connect us with the environment and the past. Abstract forms and mythological allusions create a space for reflection on how individual and collective memories influence our perception of reality.

Artwork Misha Piskur - Subjektiv.art

Mykhailo Piskur (b. 1995, Ukraine), is an artist an artist who splits his time between Rivne and Kyiv. Piskur’s work is centred around themes human relationships, self-belief, and the diverse positioning of individuals in society. A recurring concept in his art is internal stigma, which he explores through simple, almost naive imagery. His style evokes a childlike perception, marked by sensitivity and a quest to uncover the good in every person.

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