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Hyphen Dash. Polina

Hyphen Dash. Polina

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Hyphen Dash. Yevhen

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Hyphen Dash. Myshko

Hyphen Dash. Myshko

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Art x Movement

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Vibe by Yakoho.bisa media

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Summer Solstice 2025

Summer Solstice 2025

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Lisbon Event

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First Art Encounter

First Art Encounter

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French Touch

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Geometry Speaks

Geometry Speaks

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Art Beyond Canvas. Grown, Stitched, Burnt, Bent

Art Beyond Canvas. Grown, Stitched, Burnt, Bent

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Kinetic Stillness

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Artwork Alena Kuznetsova - Subjektiv.art

Big Horizon (Familiar Ground series)

by Alena Kuznetsova

Artwork Oleksandr Topchyi - Subjektiv.art

Nudeman is drunk and sleeping

by Oleksandr Topchyi

Artwork Oleksandr Topchyi - Subjektiv.art

House in the forest

by Oleksandr Topchyi

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Meet our Artists

Artwork Sophie Le Gendre - Subjektiv.art

Sophie Le Gendre

Based in Paris and passionate about images, Sophie le Gendre is recognised by the Fine Art photography community as a woman with innovative talents. Always in search of a new graphic dimension, the French photographer shares with us her universe where resonant Breaths sparkle. Her works, on one hand decorative and on the other transcendental, illuminate our eyes, and without warning, they shake and pierce our intimate memories. Each photo is a poem, an ode to life, an unfailing optimism. Sophie assumes her role as guardian of the light. Accustomed to rewards, in France and abroad, Sophie won the prestigious contest « Objectif femmes » (Paris, 2019) , the first prize for Photography at the Florence Biennale (Italy, 2021) and a New York press prize. Her works are regularly published in renowned magazines such as Open Eye magazine / Elle International / Clam Magazine / Art Newspaper Daily.

Artwork Carlos Barradas - Subjektiv.art

Carlos Barradas

Photographer with a PhD in anthropology, I have been producing photographic and textual essays on issues such as territory, colonialism and post-colonialism, disability, new masculinities and sustainability. Considered by GUP Magazine as one of the 100 European photography talents (2020). My work, described as magic documentalism, has already been exhibited in Brazil, France, Italy and Portugal. I exhibited collectively at the Rencontres d'Arles 2019 & 2023 (promoted by the British Journal of Photography and Der Greif) and at the International Center of Photography, in New York. Winner of the “Cities in the City” initiative at PhotoEspaña and the Porto Photography Biennial '21 and recently guest artist in residence at Encontros da Imagem 2023 edition. Co-creator and co-editor of the online contemporary photography magazine SOPA and editor of the photography platform Lenscratch , based in Los Angeles. Part of my artistic practice is developed around personal work, but also the development of free workshops for the communities I work with, always resulting in fanzines, collective exhibitions or other types of artistic products, as has happened in my work in Campanhã , in Porto, São Tomé and Príncipe or Namibia. I believe that through these joint initiatives and community participation, the visual production and local cultural mapping will be richer the greater their engagement.

Artwork Carolina Sardinha - Subjektiv.art

Carolina Sardinha

Carolina Sardinha born in 1982, lives and works in Lisbon. Academic training: . Drawing Development Year at The Royal Drawing School, London (2024-ongoing); . Opened her own Studio, devoting herself entirely to her practise since then (2020); . Tutorial Scheme at Sociedade Nacional de Belas Artes, Lisbon (2018 - 2020); . Aquatint Training at Galeria Diferença, Lisbon (2014 - 2015); . Engraving Techiniques Training at Taller José Rincón Gallery, Madrid (2013 - 2014); . Drawing Education at CIEAM, Faculdade de Belas Artes, Lisbon (2009 - 2010); . Wood block Printmaking Training at the National Print Museum, Dublin (2008 - 2009); . Socrates Erasmus Program, Università Degli Studi di Roma “La Sapienza”, Rome (2003 - 2004); . Degree in Architecture from Instituto Superior Técnico, Lisbon (2006). Selected Individual Exhibitions: . Matter | Mist, Azenhas do Mar (2023); . Reallocated, CCSL Advogados, Lisbon (2020); . Ageing Series, OH | OS, Lisbon (2019); . Essay on Ma, Ler Devagar Bookshop, Lisbon (2019); . La piel de las Cosas, Taller José Rincón Gallery, Madrid (2015). Selected Group Exhibitions: . Group Show at Livraria Sá da Costa, Lisbon (2022); . Finalists Exhibition, Sociedade Nacional de Belas Artes, Lisbon (2019); . Printmaking Exhibition, Galeria Diferença, Lisbon (2016); . Selected Artists Exhibition, Casa de La Moneda, Madrid (2015); . Printmaking Artists Exhibition, Casa de Cultura del Ayuntamiento de Carmona, Carmona (2014). Prizes: . Selected Artist for Collection “The Mediterranean”, The Curators (2020); . Jóvenes Creadores de Calcografía Nacional Prize from the Real Academia de Belas Artes de de San Fernando de Madrid (2014). Collections: Her work is represented in private collections in Portugal and abroad.

Artwork Muriel Evangelista - Subjektiv.art

Muriel Evangelista

Beaux Arts Paris 1983-1990

Artwork Sestry Feldman - Subjektiv.art

Twin sisters Michel and Nicol Feldman, known as Sestry Feldman, have never followed convention. Born in Dnipro in 1996, their artistic journey began at the age of eight, driven by an innate curiosity and a family that valued freedom, self-expression, and resilience. Their father—a political prisoner under the Kuchma regime—remained an unseen figure until they were eight. But when they sent him a childhood portrait, his reply was simple yet profound: “It’s a masterpiece.” That single phrase became their silent manifesto—a sign that art was their destiny. From Kyiv’s subway walls to global exhibitions in Paris, Brussels, and Tel Aviv, their work is a fearless mix of street art, political satire, and electrifying visual storytelling. Their murals, bursting with modernised Cossacks, surreal talismans, and raw emotion, are not just paintings—they are acts of defiance, echoes of history, and visions of the future. Their five-episode animated series "Yoyo", initially meant as a yoga guide for children, turned into a satirical take on AI and humanity’s future, blending humour and dystopian vision. With no formal training, their education comes from cinema, techno beats, and the streets. Their art pulses with movement, rebellion, and energy—a world where vibrant colors meet stark realities, where every piece demands attention. Their art isn’t just seen—it’s felt, lived, and encountered.

Artwork Lisette van Hoogenhuyze - Subjektiv.art

Lisette van Hoogenhuyze

Lisette van Hoogenhuyze (1991), was born in The Hague, Netherlands. She graduated Art History at the UvA before she finished her degree in Fine Art in 2019 at the University of Arts Utrecht. She now lives and works in Lisbon. Lisette is a multimedia artist who developed a particular interest in a combination of textile, paint and printmaking. She has exhibited in Museum Ijssellstein, Torch Gallery (Amsterdam) and Saatchi gallery (London) among other institutions. Her work is in the KPMG art collection, the Büyükkusoglu collection, the collection of the National government of The Netherlands and in various private collections in New York, Slovakia, Italy and the Netherlands.

Artwork Dasha Tsapenko - Subjektiv.art

Some artists paint. Some sculpt. But Dasha Tsapenko grows her art. I remember the first time I encountered her work, it wasn’ just visually striking, it was revolutionary. It blurred the line between creation and cultivation. Dasha doesn’ see herself as the sole author of her works; instead, she collaborates with nature itself. Her textiles, garments, and installations are not merely crafted, they are nurtured. She prepares the foundation, then steps back to allow fungi, fibres, and microorganisms to shape the outcome. What emerges is something completely unique - art that breathes, evolves, and ultimately becomes part of the world in a way that traditional works never could. Her studio is unlike any I’ seen before. It’ not just a workshop, it’ part textile lab, part microbiology station, part experimental farm. A place where science and creativity intertwine seamlessly. She works with living organisms, primarily mycelium, the vast underground network of fungi that connects trees and plants beneath forests. But here, in her hands, mycelium doesn’ just connect nature, it creates. It grows into textiles, forming intricate patterns and textures, embedding itself into the very fabric of her art. It’ a process that is at once scientific and poetic. The unpredictability of working with living materials means that no two pieces are ever the same. She carefully prepares the ground, sometimes weaving or sewing textiles in a particular way to encourage the fungi’ growth in a desired form. But the final result? That’ left to nature.

Artwork Vês Três - Subjektiv.art

VÊS.TRÊS is a collective project composed of emerging artists Ana Malta, Madalena Pequito and Maria de Brito Matias. The collaboration began in 2018, after they finished their respective degrees in Painting at the Faculty of Fine Arts of the University of Lisbon. The desire to continue close work as colleagues encouraged the creation of joint works where pictorial harmony creates a game of seeing and recognizing. The question that remains will always be: "Do you see three"? Three forms of expression, three styles, three color palettes. It emerged as a movement of mutual support, a dialogue of experiences and a space for sharing social issues as women artists. The collective aims to convey to the viewer the importance of bringing together practices and minds for the development of human life. We are social beings and by coming together we sharpen our senses - in this case 3 times more sensitive - creating this element - Vês.Três - which, as a singular artist, has the presence of three independent artists who want to leave their mark through a colorful language that is accessible to anyone. All three intervene in the same way and at the same time in all created works. Mostra "Palavra proibida" no Café Local, 2023 Caldas da Rainha; "Running Riot", Galeria Augustine, 2023 Lisboa; "It's Crystal Clear", LxLapa, Lisboa; "piquenique", Oficinas de Aljustrel, 2022 Alentejo; "Sobre tentativas de (re)mover", atmosfera m, 2021 Lisboa; "Papel de Parede", Espaço Mercês, 2021 Príncipe Real; "Vês.Três", EGEU, 2020 Arroios; "EMER.GENTE", Associação Recreativa da Moita Redonda, 2020 Fátima;

Artwork Anna Bulkina - Subjektiv.art

Artwork Solomiia Ortynska - Subjektiv.art

Solomiia Ortynska

Solomiia works with oil and acrylic paints, adding lines with coloured pencils, a combination that showcases her love of lines and strokes. Addressing psychological strife in her work, she strives to find a "place of strength" - where one can gather energy and keep moving. For many this place is their home. As home, as she knows it has been stolen, she has shifted her focus to childhood memories that serve as a shelter for the inner child. She sees memories of childhood as a means to reduce stress and enhance emotional healing.

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