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Maisa Champalimaud
Portugal
Igor Selemenev
Ukraine
Serhii Hrekh
Ukraine
Sophie Le Gendre
France
Artem Andreichuk
Ukraine
Lisette van Hoogenhuyze
Portugal
Vês Três
Portugal
Maísa Champalimaud (1987) é uma artista plástica luso-brasileira.
Iniciou sua carreira profissional com o retratista Luís Guimarães e, desde então, participou em residências, partilhando atelier com outros artistas contemporâneos. Desde 2011 dedicou-se a expor individual e coletivamente, envolvendo-se também em projetos que incluem exposições em Lisboa, Braga, Seia, Gaia, Tavira, Faro.
Desenvolveu diversos murais para restaurantes, produtoras de cinema e edifícios de luxo, além de intervencionar espaços públicos - de casas de banho à Mupi. Colaborou com algumas marcas - de roupa (Monarte; YOM), de vinho (Xutos e Pontapés) , além de fazer o cartaz para um filme nacional (Salgueiro Maia). Participou de inúmeros leilões solidários e iniciativas de cunho social.
Hoje (e cada vez mais) muitas das suas obras pertencem a coleções privadas integrando em Portugal o acervo da CCA Advogados, SRS Advogados, Abreu advogados, Fundação PT, Edge-Group Espaço Amoreiras, Private Lawyers, Fundação AMI, Skydreams, PARTAC S.G.P.S. Internacionalmente tem peças espalhadas pelo mundo afora: Brasil, Angola, Moçambique, Londres, Bruxelas, Estados Unidos - incluindo na Casa Branca.
"I care about personal connection, but only the one where each of us pays attention to each other. I don't work with galleries. I express myself through my works but happy to have a conversation with you. We are too lonely, too atomised.
I am deeply inspired by David Hopper and Vermeer as well as Hieronymus Bosch. The colours, the light and the human condition in-between."
Igor Selemenev (b. 1972, Ukraine)
is a multidisciplinary artist who explores themes of existence and transition. "My works are not about escaping into emptiness, but about crossing it," he explains, emphasizing the depth of his artistic intent.
Selemenev primarily works with monochrome, figurative lithography, referring to himself as
a "labourer" in the creative process. He favours offset ink and has experimented with different mediums, including scanning and enlarging his works into pixelated forms on felt cardboard, and craft paper for exhibitions. In addition
to printmaking, Selemenev also works with ceramics. He finds deep inspiration in the works of Vermeer and Hieronymus Bosch.
“I care about personal connection, but only the one where each of us pays attention to each other. We are too atomised. The colours, the light can help to alleviate the human condition”.
Feros (Serhii Hrekh) is a contemporary artist working in Ukraine. In his early career, he used the cityscape of Lviv, Ukraine as a canvas, creating graffiti works known for their bold use of color and shape.
His raw and rebellious style gained recognition locally and beyond, with each mural telling a unique story inspired by personal experiences and societal issues. As Feros evolved as an artist, he transitioned from graffiti to abstraction and figurative surrealism. His works create alternate realities, distorting familiar forms to offer viewers a unique perspective on the world, and continue to evolve with enhanced sophistication and complexity.
Each color choice is intentional, evoking specific emotions and narratives. His work mirrors his personal experiences and background and presents a powerful commentary on society, culture, and the human condition.
Based in Paris and passionate about images, Sophie le Gendre
is recognised by the Fine Art photography community as a woman
with innovative talents.
Always in search of a new graphic dimension, the French
photographer shares with us her universe where resonant
Breaths sparkle. Her works, on one hand decorative and on the other transcendental, illuminate our eyes, and without warning, they shake and pierce our intimate memories.
Each photo is a poem, an ode to life, an unfailing optimism. Sophie assumes her role as guardian of the light.
Accustomed to rewards, in France and abroad, Sophie won the prestigious
contest « Objectif femmes » (Paris, 2019) , the first prize for Photography
at the Florence Biennale (Italy, 2021) and a New York press prize. Her works are regularly published in renowned magazines such as Open Eye magazine / Elle International / Clam Magazine / Art Newspaper Daily.
Tucked away in his studio, a space bursting with pigments and canvases in mid-creation, Artem Andreichuk welcomes visitors with the same vibrant energy that radiates from his work. The walls pulse with colour: lush, unapologetic, and raw. Here, the naked human form is not just a subject but a manifesto. Stripped of status, regalia, or pretence, his figures exist in perfect equilibrium with nature, unashamed, inviting, free.
Artem’ journey as an artist is deeply tied to this pursuit of authenticity. Born in 1983, he has remained in Ukraine, shaping his artistic voice amid the ever-changing landscape of his homeland. His fascination with the human body is more than aesthetic—it’ philosophical. In a world layered with masks, he paints what remains when all is shed. Sensual yet unembellished, his figures embody a radical honesty, one that refuses to be confined.
Yet, Andreichuk is not just about the body; he’ about the thrill of expression. On another wall, his minimalist works stand in stark contrast to the sensuality of his figurative pieces - youthful, witty, and exuding a rebellious charm. Layers of electrifying colours seem to wink at the viewer, as if daring them to embrace the absurdity and joy of existence. “ should be fun,” he says with a knowing smile, and his art ensures that it is.
Beyond the canvas, Artem's creative spirit has always stretched into multiple realms. Music has been a lifelong companion, and as a former bassist for the indie band Blake Maloka, he has translated rhythm into brushstrokes, movement into stillness. His paintings, much like a well-played bass-line, carry an energy that hums beneath the surface; sometimes wild, sometimes restrained, but always present.
To step into Artem Andreichuk’ world is to be reminded of life’ fundamental pleasures: skin meeting sun, laughter ringing through colour, rebellion found in joy. His work doesn’ just ask to be seen, it demands to be felt.
Lisette van Hoogenhuyze (1991), was born in The Hague, Netherlands. She graduated Art History at the UvA before she finished her degree in Fine Art in 2019 at the University of Arts Utrecht. She now lives and works in Lisbon. Lisette is a multimedia artist who developed a particular interest in a combination of textile, paint and printmaking. She has exhibited in Museum Ijssellstein, Torch Gallery (Amsterdam) and Saatchi gallery (London) among other institutions. Her work is in the KPMG art collection, the Büyükkusoglu collection, the collection of the National government of The Netherlands and in various private collections in New York, Slovakia, Italy and the Netherlands.
VÊS.TRÊS is a collective project composed of emerging artists Ana Malta, Madalena Pequito and Maria de Brito Matias. The collaboration began in 2018, after they finished their respective degrees in Painting at the Faculty of Fine Arts of the University of Lisbon. The desire to continue close work as colleagues encouraged the creation of joint works where pictorial harmony creates a game of seeing and recognizing. The question that remains will always be: "Do you see three"? Three forms of expression, three styles, three color palettes.
It emerged as a movement of mutual support, a dialogue of experiences and a space for sharing social issues as women artists. The collective aims to convey to the viewer the importance of bringing together practices and minds for the development of human life. We are social beings and by coming together we sharpen our senses - in this case 3 times more sensitive - creating this element - Vês.Três - which, as a singular artist, has the presence of three independent artists who want to leave their mark through a colorful language that is accessible to anyone. All three intervene in the same way and at the same time in all created works.
Mostra "Palavra proibida" no Café Local, 2023 Caldas da Rainha;
"Running Riot", Galeria Augustine, 2023 Lisboa;
"It's Crystal Clear", LxLapa, Lisboa;
"piquenique", Oficinas de Aljustrel, 2022 Alentejo;
"Sobre tentativas de (re)mover", atmosfera m, 2021 Lisboa;
"Papel de Parede", Espaço Mercês, 2021 Príncipe Real;
"Vês.Três", EGEU, 2020 Arroios;
"EMER.GENTE", Associação Recreativa da Moita Redonda, 2020 Fátima;
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