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Komorebi

Curated by Varvara Barto

Fire and Water

Curated by Geri Takacs, filipa carneiro

Unfinished Shelter

Unfinished Shelter

Curated by Olha Baturevych, jonathan morales

Apple Cure

Curated by Yevhenii Volodchenko, Dina Chmuzh

Secret Garden

Curated by Anastasiia Tymus

The 2025 Sovereign Portuguese Art Prize

The 2025 Sovereign Portuguese Art Prize

Curated by Sovereign Art Foundation

Блакиті Мить

Блакиті Мить

Curated by Subjektiv

Silent Stories

Curated by Oleh Dikal

Where Memory Feels Like Home

Where Memory Feels Like Home

Curated by Volodymyr Zavadiuk

Summer Solstice 2025

Summer Solstice 2025

Curated by Subjektiv

First Art Encounter

First Art Encounter

Curated by Subjektiv

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1868 artworks

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158 artworks

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154 artworks

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175 artworks

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64 artworks

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128 artworks

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41 artworks

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37 artworks

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Meet our Artists

Artwork by Muriel Evangelista

Muriel Evangelista

Beaux Arts Paris 1983-1990

Artwork by Serhii Hrekh

Feros (Serhii Hrekh) is a contemporary artist working in Ukraine. In his early career, he used the cityscape of Lviv, Ukraine as a canvas, creating graffiti works known for their bold use of color and shape. His raw and rebellious style gained recognition locally and beyond, with each mural telling a unique story inspired by personal experiences and societal issues. As Feros evolved as an artist, he transitioned from graffiti to abstraction and figurative surrealism. His works create alternate realities, distorting familiar forms to offer viewers a unique perspective on the world, and continue to evolve with enhanced sophistication and complexity. Each color choice is intentional, evoking specific emotions and narratives. His work mirrors his personal experiences and background and presents a powerful commentary on society, culture, and the human condition.

Artwork by Liudmila Davydenko

Liudmila Davydenko

Some artists speak through colours, others through form, but with Liudmila Davydenko, it’ something more - something beneath the surface, beneath even the layers of paint she so meticulously applies to her canvases. I first came across her work at an exhibition in Vienna, where her paintings, rich in texture and introspection, seemed to hold something unseen, something just out of reach. I knew then that I needed to understand her process, to see her world through her own eyes. Our visit to her studio in Lviv was planned after a long working session with my co-founders. It was a chance to engage directly with an artist whose work had left an impression on me. When we arrived, the setting was unexpectedly cinematic, her studio was nestled inside an old Soviet industrial building, its long, dimly lit corridors stretching endlessly like something out of Kubrick’ The Shining. There was a strange stillness in the air, a kind of suspended time, which somehow made the vibrancy of her paintings even more striking. Stepping into her workspace, I was immediately met with the scent of oil paint and the quiet discipline of an artist deeply immersed in her craft. Liudmila belongs to a generation of artists for whom patience and precision are second nature. Her early training as a sculptor is evident in the way she approaches her paintings - not as flat compositions, but as something three-dimensional, something that carries weight and substance. She doesn’ simply paint; she constructs. Every piece undergoes an intricate layering process, sometimes up to eight layers deep, giving the final work a sense of depth that feels almost geological, as if revealing different strata of meaning.

Artwork by Oksana Fedchyshyn

Oksana Fedchyshyn

Oksana Fedchyshyn (b. 1999, Ukraine) is an artist based in Ukraine. Graduated in Painting at Lviv State College of Decorative and Applied Arts Ivan Trush and in Graphic Design at Lviv National Academy of Arts. Fedchyshy is inspired by folk art, mythology, and people. She often turns to the topic of the human connection with nature and the metamorphosis of bodies. Her art becomes a dialogue between inner and outer worlds, where humans and animals coexist in harmony, sometimes merging with each other to reveal deeper truths about who we are. In her work, Fedchyshy often turns to simple naive motifs, images of various fictional, often zoomorphic characters. Such visual images easily arose from poems rich in aphorisms and metaphors. Works of their kind conduct a constant dialogue with poetry. In 2018, she was awarded the Index Mariusz Kazana competition prize and held her first solo exhibition. Since then, she has exhibited her work in solo and group shows across Ukraine, Poland, and Germany.

Artwork by Sophie Le Gendre

Sophie Le Gendre

Based in Paris and passionate about images, Sophie le Gendre is recognised by the Fine Art photography community as a woman with innovative talents. Always in search of a new graphic dimension, the French photographer shares with us her universe where resonant Breaths sparkle. Her works, on one hand decorative and on the other transcendental, illuminate our eyes, and without warning, they shake and pierce our intimate memories. Each photo is a poem, an ode to life, an unfailing optimism. Sophie assumes her role as guardian of the light. Accustomed to rewards, in France and abroad, Sophie won the prestigious contest « Objectif femmes » (Paris, 2019) , the first prize for Photography at the Florence Biennale (Italy, 2021) and a New York press prize. Her works are regularly published in renowned magazines such as Open Eye magazine / Elle International / Clam Magazine / Art Newspaper Daily.

Artwork by Artur Soletskyi

Artur Soletskyi

Artwork by Egor Guschin

Egor Guschin was born in 1988 in Kharkiv,Ukraine, graduated from the Kharkiv University of Construction and Architecture with a degree in Organizational Management. He worked in his specialty for a while, then moved into the food service industry for a long time before finding his true passion in photography. Egor's work has been featured in publications such as Vogue Ukraine and exhibited in various galleries in Lviv, Kharkiv and Kyiv. This is how his career as an artist began in 2023. Now he is a member of the MYPH school of conceptual and fine art photography. Works with analog photography, mainly using the multiple exposure technique. Inspired by surrealism and loves experiments with expired film.

Artwork by Agnes Tiollier

Agnès Tiollier est née à Lyon, issue d’une famille tournée vers l’art. Après des études d’Arts Appliqués, elle choisit d’exprimer ses ressentis à travers la peinture. « Mon travail est basé sur la couleur, la lumière et la transparence » Cette artiste peintre aime surtout transmettre son bonheur d’observer la nature grâce à l’intensité lumineuse de ses couleurs, que ce soit à la peinture à l'huile ou bien au pastel, médium d'une grande richesse. Ses thèmes de prédilection : les jardins et paysages sans oublier le monde floral. Ses oeuvres font partie de nombreuses collections en France et à l'étranger.

Artwork by Myroslava Perevalska

Myroslava Perevalska

Some artists paint what they see. Others paint what they dream. Myroslava Perevalska paints what she feels, and, more importantly, what she fears losing. In a world rushing forward, she is an artist who asks us to slow down, to breathe, to see before the colours fade, before the emotions slip away, before time moves beyond our grasp. When we spoke, she described her connection to art in a way I had never heard before. “ think of myself as a fish,” she told me. “ fish that doesn’ question the water, that doesn’ think about how deep it swims. It just exists.” Art is her element, her lifeblood, and her way of understanding the world. It’ why, even as war reshapes the reality around her, she continues to create, not just as a form of resistance but as a way to document the truth as she experiences it. Her paintings are immediately recognisable, figures emerging from bold, urgent strokes of red, white, and black. Red, she told me, is the colour of life, of passion, of survival. It pulses through her work, a constant heartbeat. But it is also the colour she fears losing. “ greatest happiness,” she said, referencing Borges, “ when a blind man dreams of red.” The idea of losing that sensation, of not being able to feel the depth of colour, is her deepest fear. But instead of running from it, she embraces it, pours it into her canvases, ensuring that even if time erodes memory, the intensity of her vision remains. As we talked, her thoughts spiralled outward - philosophy, history, technology, even the fate of humanity. “ are all on the Titanic,” she told me. “ comfortable but unaware of what’ coming.” The world is changing too quickly. Wars, pandemics, artificial intelligence, isolation. She fears we are forgetting how to truly be present. That people are becoming less human. She sees this loss reflected in modern art, how simple narratives and raw emotion are disappearing, replaced by a detachment from the soul of creation.

Artwork by Karine Bartoli

L’artiste sélectionne minutieusement ses motifs parmis des photos issues de ses propres shooting où se trouvent des interactions entre les personnages dans des territoires ensoleillés. Elle représente ces clichés en peinture à l’huile sur toile, en les recadrant et sélectionnant ses couleurs. Sa touche est emprunte de ce que sa vue a digéré, son ressenti à filtré. S’établit un processus créatif pour traduire la lumière et les mouvements des personnages. Dans ses œuvres la lumière a fonction de composition. La peintre décrit la lumière et le mouvement de façon radicale. Elle théâtralise, sacralise une réalité d’apparence banale. L’univers pictural de Fairfeld Porter l’inspire dans la recherche du motif et de la composition de ses peintures. Son geste est dans la lignée de celui de peintres néo expressionnistes allemands des années 80, caractérisé par une franche liberté d’expression. Le médium peinture ne s’éfface pas derrière le motif. Il est garant d’un choix subjectif qu’elle établit face à son modèle.

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