Creolisation refers to the process of cultures coming together and mixing to form new hybrid cultures. It draws its name from Creole languages, but transcends cultural boundaries, sparking a blend of practices, beliefs, and artistic endeavors. Creolisation emerges from the intermingling of ethnic, racial, and social groups and reflects dynamic cultural transformations that stem from the intersections of differing cultures, common in the Caribbean, Louisiana, and Brazil. Creolisation has typically been noted during the colonial era where European cultures mixed with African, Indigenous American and Asian cultures in collision and intermingling with each other. The outcome of this mixture, resulted in unique cultural representation and identity. Some examples of this representation are the Caribbean music styles, Reggae and Calypso, along with Creole food which is a mix of different culinary styles. In visual art, creolisation has encouraged the artist to delve into hybrid, identity and cultural interculturality. Some of the most notable practitioners are Wifredo Lam, a Cuban painter who blended European modernism with Afro-Cuban imagery, and Isaac Julien, a British filmmaker dealing with race, sexuality and post-colonialism. They prove that the creolisation of art is possible. In summary, creolisation reflects the beauty and intricate reality of cultural interrelations emphasizing the impact of cultural fusion and change in the global context.