Assemblage is a three-dimensional artistic technique that involves combining found objects, materials, and unconventional elements to create sculptural compositions. Emerging predominantly in the 20th century, assemblage blurs the boundaries between sculpture, collage, and installation art, transforming everyday materials into visually compelling and conceptually rich artworks. The technique gained prominence in the early 20th century, with artists like Pablo Picasso and Marcel Duchamp incorporating ready-mades and found objects into their works, challenging traditional definitions of artistic creation. Assemblage allows for the juxtaposition of diverse materials, enabling artists to explore themes of consumerism, identity, memory, and social critique. Notable figures such as Louise Nevelson, Robert Rauschenberg, and Jean Dubuffet expanded the practice, using discarded materials to construct immersive and thought-provoking compositions. One of assemblage’s defining characteristics is its ability to evoke meaning through material selection, encouraging viewers to engage with both the physicality and symbolism of the components used. By repurposing everyday objects, assemblage questions notions of beauty, artistic value, and function, inviting audiences to reassess their perceptions of art and reality. As a dynamic and evolving practice, assemblage continues to influence contemporary artists, offering a platform for innovation, storytelling, and conceptual exploration. Whether addressing personal narratives, political issues, or abstract ideas, assemblage challenges traditional artistic norms and fosters a deeper dialogue between materials, form, and meaning.