Artist Appropriation is a form of creativity where an artist ‘borrows’ an existing imagery, idea, or object and ‘repurposes’ it in a new distinctive manner within a different context. Artists reinvent recognizable items by using elements from history, pop art, culture, or daily life to create something that has not been seen before, thereby defying originality and authorship. It often merges creation with reinterpretation by repurposing familiar past influences into comments that shape contemporary cultures. The use of appropriation has been helpful throughout art history in challenging dominant narratives, critiquing consumer culture, and examining identity politics. Duchamp's pioneering of this type of artistic appropriation stemmed from his readymades, like the epithetical Fountain (1917), in which a ‘urinal’ was turned into art ‘made’. This dialogue has been advanced by later artists such as Sherrie Levine and Barbara Kruger who have used appropriation to question the societal constructs of authenticity, media, and gender representation. Apart from complex legal issues which may surround intellectual propriety, cultural heritage, or freedom of artistic expression, Artist appropriation is still a practice debated upon due to many factors. Some people appreciate a work of art as a reproduced tribute or as something that has gone under the knife of a critical re-imagining, while others have major issues with it due to it being fundamentally plagiarism, cultural appropriation, or even exploitation. Aprosrionde from this many societies today has globalization on an even deeper level aroudn it and there interdependence can be noticed which in turns implies that art and culture . is much more unrelated and exercises more liberal approach towards the concept of creativity.