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The Art of Encounter
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Find art that mirrors your emotions and values through our innovative mood-matching feature. Whether you’re feeling hopeful, introspective, or bold, we’ve got art that connects deeply with you.
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Artwork preview
Making of CAD 180116
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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)
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Processus de création dans mon atelier!
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Painting process
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Art process. The painting is done with acrylic paints on canvas.
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Few shots and fragments from working process.
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Making of Dreamscape #4
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My studio. Working process. I am painting a still life with aloe.
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The process of making a mosaic
Reflections Hub
Discover what others felt—and share your own moments of connection, emotion, and meaning through art.
Devil's fingers Alena Kuznetsova - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
The way that sculpture stands out against the snow is just so cool!! It's like it belongs to some Lovecraftian horror story, but because it's so small, it's more captivating than creepy. It's like it's got this mysterious charm to it.
valya shaf
Apple orchard Yehor Dulin - Subjektiv.art
Were you transported somewhere by this artwork?
I am transported back to my childhood in my grandparents' garden picking apples and fruits from the trees... Sweet memories literally :)
Tahina Le Goff
Sunset Artem Andreichuk - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
The path. Easy, calm, and full of wisdom - through the prairie, listening to the trees and wind whispering. Someone could have been there before, or maybe no one had? Silence and calm. Gorgeous !
Illia Ishchenko
Dried tulips Julia Chemerys - Subjektiv.art
Were you transported somewhere by this artwork?
A timeless tableau of fragility and beauty. The once vibrant petals, now muted hues, whisper tales of life's fleeting nature. A poignant reminder of the ephemeral, captured in a moment of eternal stillness.
Vlad Soloviov
Covered Danya Shulipa - Subjektiv.art
Whose work did this artwork remind you of?
I want to be him. Anyone can silence the world out there by taking a bath and covering his own face, but doing so in style? Only for the selected few. Which I why I can only assume that yellow barrier is an extra layer of distance, ensuring all the noise, negativity of the outside world stay right there, outside. What a guy.
Manuel Medeiros
Green Light Olena Ryzhykh - Subjektiv.art
Whose work did this artwork remind you of?
Love the natural earthy colours. Reminds me of a lizard emerging from its cave at dusk
Maximilian Kaessens
Arbres Muriel Evangelista - Subjektiv.art
Were you transported somewhere by this artwork?
What is your opinion on what contemporary art should be...more for intelectual interpretations... or more sensitively towards our emocional !?
Mario Miranda
Clockwork #3 Socia Socia - Subjektiv.art
What do you see in this artwork?
For me it’s the perfect interplay between music and visual art. I see it like an abstract dance, the raw interpretation of our inner world and emotions, organized chaos. Blurry somehow yet bold and at times very assertive.
Tahina Le Goff
Kyiv Skyline Series. Light Through The Darkness Ganna Kryvolap - Subjektiv.art
Whose work did this artwork remind you of?
There is always light in the midst of darkness. This painting and its title speak for themselves: hope, perseverance, and resilience
Cristina Freitas
Still life with peonies Artem Andreichuk - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
Incredible composition! It is somehow so dynamic and perfectly balanced. A pure joy to look at!
Yehor Serdiuk
Mentality Sestry Feldman - Subjektiv.art
What do you see in this artwork?
This artwork immediately brings memories about my childhood in Dnipro, Eastern Ukraine. I remember the men in sporty adidas leggings and without shirts (гопнікі), speaking weirdly in heavy jargon. They were the antipodes of the old ladies sitting on the benches, complaining and broadcasting Soviet narratives. The interiors of flats with “eurodesign”, the tacky exteriors of banners and ads — results of the chaos of unregulated trade — those were visual symbols of my childhood. And this artwork creates a perfect memory. It accepts fully the absurdity and chaos that I was born into but instead of dramatising it makes fun of it. It makes me smile. It is a sweat ironic reminder of where I am from without making any predictions about where I am heading to.
Kateryna Serdiuk
Almost freedom Eugene Pokutnev - Subjektiv.art
How do you feel when you look at this artwork?
An endless weaving of forms, a search for images and evidence... perhaps it’s just mine, or our confusion is breaking free
Rost Borsch
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Meet our Artists
Artwork Liudmila Davydenko - Subjektiv.art
Liudmila Davydenko - Subjektiv.art
Liudmila Davydenko
Ukraine
Some artists speak through colours, others through form, but with Liudmila Davydenko, it’ something more - something beneath the surface, beneath even the layers of paint she so meticulously applies to her canvases. I first came across her work at an exhibition in Vienna, where her paintings, rich in texture and introspection, seemed to hold something unseen, something just out of reach. I knew then that I needed to understand her process, to see her world through her own eyes. Our visit to her studio in Lviv was planned after a long working session with my co-founders. It was a chance to engage directly with an artist whose work had left an impression on me. When we arrived, the setting was unexpectedly cinematic, her studio was nestled inside an old Soviet industrial building, its long, dimly lit corridors stretching endlessly like something out of Kubrick’ The Shining. There was a strange stillness in the air, a kind of suspended time, which somehow made the vibrancy of her paintings even more striking. Stepping into her workspace, I was immediately met with the scent of oil paint and the quiet discipline of an artist deeply immersed in her craft. Liudmila belongs to a generation of artists for whom patience and precision are second nature. Her early training as a sculptor is evident in the way she approaches her paintings - not as flat compositions, but as something three-dimensional, something that carries weight and substance. She doesn’ simply paint; she constructs. Every piece undergoes an intricate layering process, sometimes up to eight layers deep, giving the final work a sense of depth that feels almost geological, as if revealing different strata of meaning.
Artwork Darina Smolkina - Subjektiv.art
Darina Smolkina - Subjektiv.art
Darina Smolkina
Portugal
In a world governed by rules—both written and unspoken—Darina Smolkina’s art whispers of quiet rebellion. Born in Kyiv, Ukraine, now based in Lisbon, she crafts paintings that feel like echoes of a theatrical performance, where characters linger in a suspended moment, caught between societal expectations and personal truths. Her work is a stage, and every canvas is a scene unfolding. Darina’s journey began in a traditional family, where expectations were clear—but her fascination with the surreal led her beyond the familiar. She started art school at six, mastering techniques that shaped her unique visual language. While studying graphic design in Kyiv, Darina found her true voice in painting — a space where boundaries blurred and deeper narratives emerged. At 19, she moved to Lisbon, an experience that shaped her perspective as an outsider navigating an unfamiliar world. Her art became a reflection of identity, isolation, and the quiet weight of societal expectations. From Schönhausen Palace Museum in Berlin to New York’s 17frost Gallery, her work speaks to a universal struggle — the tension between conformity and self-expression. Whether in the dreamlike haze of New Dream World or the raw intimacy of My First Diary, Darina’s paintings invite viewers to step into a moment of self-reflection, where emotions take form and meaning unfolds. Darina doesn’t just paint figures — she paints questions. Her art asks: Who are we, beyond the expectations placed upon us? What do we reveal, and what do we conceal? Her world is one where the symbolic and the surreal merge, reflecting not just her own journey, but the collective search for meaning in a world full of invisible walls.
Artwork Dasha Tsapenko - Subjektiv.art
Dasha Tsapenko - Subjektiv.art
Dasha Tsapenko
Netherlands
Some artists paint. Some sculpt. But Dasha Tsapenko grows her art. I remember the first time I encountered her work, it wasn’ just visually striking, it was revolutionary. It blurred the line between creation and cultivation. Dasha doesn’ see herself as the sole author of her works; instead, she collaborates with nature itself. Her textiles, garments, and installations are not merely crafted, they are nurtured. She prepares the foundation, then steps back to allow fungi, fibres, and microorganisms to shape the outcome. What emerges is something completely unique - art that breathes, evolves, and ultimately becomes part of the world in a way that traditional works never could. Her studio is unlike any I’ seen before. It’ not just a workshop, it’ part textile lab, part microbiology station, part experimental farm. A place where science and creativity intertwine seamlessly. She works with living organisms, primarily mycelium, the vast underground network of fungi that connects trees and plants beneath forests. But here, in her hands, mycelium doesn’ just connect nature, it creates. It grows into textiles, forming intricate patterns and textures, embedding itself into the very fabric of her art. It’ a process that is at once scientific and poetic. The unpredictability of working with living materials means that no two pieces are ever the same. She carefully prepares the ground, sometimes weaving or sewing textiles in a particular way to encourage the fungi’ growth in a desired form. But the final result? That’ left to nature.
Artwork Eugene Pokutnev - Subjektiv.art
Eugene Pokutnev - Subjektiv.art
Eugene Pokutnev
Ukraine
That night, I couldn’ sleep. Outside my window, the street lay in pitch-black silence, as if the world itself was holding its breath. In my mind, a scene played out like a film noir—the quiet raised a revolver, cocked it with an ironic smile, and fired a single shot into the sky. Smoke curled, lingering, twisting into shapes. Thoughts exploded in my head, each one a stream of colour racing toward an unseen finish line. They tangled, danced, and in that restless moment, these are the words Eugene said on his creative process. It was then that I understood something, Eugene Pokutnev’ paintings feel exactly like this. I first saw Eugene’ work in Berlin, without knowing his name. His paintings weren’ just compositions of colour - they were movements. They seemed to shift before my eyes, pulling me in, disorienting me in the best way. Later, I learned his secret: ‘-black’ a rare Japanese paint so dense that it absorbs nearly all light, creating an illusion of infinite depth. He orders it from a master in Japan, layering it alongside vibrant colour, bending space itself on the canvas. When you stand before his work, it’ as if you’ falling into the painting, moving between its layers, losing balance for just a second. His journey into art was as unexpected as the effect of his work. Growing up in Dnipro (coincidentally my home town), a career in art was never considered an option. He spent his days sketching intricate patterns but, like many others in his city, he needed stability. So he became a policeman. And yet, fate has its way of rewriting stories. One day, while investigating a burglary, his colleague casually showed the apartment owner some of Eugene’ sketches. The man, a businessman with an eye for art, was so captivated that he made an offer on the spot: “ the police. I’ fund you.” And just like that, Eugene left law enforcement behind.
Artwork David Sharashydze - Subjektiv.art
David Sharashydze - Subjektiv.art
David Sharashydze
Ukraine
For Davyd Sharashydze, art is not just a visual expression— it is a bridge between cultures, histories, and emotions. Born into the rich artistic heritage of Ukraine and Georgia, he carries the essence of both lands in his work, blending the strength of one with the poetry of the other. His artistic journey began in the early 1990s, a turbulent era that saw the collapse of the Soviet Union and the reawakening of national identities. As the world around him shifted, so did his approach to painting. Inspired by the old masters but driven by a desire to break form, he developed a style that exists between classical and contemporary, between precision and freedom. Moving to Kyiv in 1993, Sharashydze immersed himself in the artistic fabric of the city, becoming a key figure in its creative community. His work spans painting, gesso, and graphics, but what remains constant is his ability to capture the fleeting nature of human experience—whether through textured surfaces, layered compositions, or the interplay of light and shadow. Exhibiting since 1991, he has showcased his works across Ukraine, Finland, Norway, Georgia, Australia, the USA, and Mediterranean countries, finding collectors in some of the world’s most prestigious galleries. His membership in the UNESCO International Federation of Artists is a testament to his global artistic impact. Sharashydze’s paintings feel like fragments of dreams, echoes of forgotten myths, glimpses of a world that exists just beyond reach. Whether in the soft contours of a portrait, the weathered textures of his gesso work, or the intricate lines of his graphics, his pieces invite viewers into a space of reflection — where past and present, memory and sensation converge. To experience Davyd Sharashydze’s art is to travel through time, to feel the weight of history and the pulse of the present, all captured in a single brushstroke.
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