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The Art of Encounter
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Making of CAD 180116
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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)
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Processus de création dans mon atelier!
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Painting process
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Art process. The painting is done with acrylic paints on canvas.
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Few shots and fragments from working process.
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Making of Dreamscape #4
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My studio. Working process. I am painting a still life with aloe.
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The process of making a mosaic
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Meet our Artists
Artwork Myroslava Perevalska - Subjektiv.art
Myroslava Perevalska - Subjektiv.art
Myroslava Perevalska
Ukraine
Some artists paint what they see. Others paint what they dream. Myroslava Perevalska paints what she feels, and, more importantly, what she fears losing. In a world rushing forward, she is an artist who asks us to slow down, to breathe, to see before the colours fade, before the emotions slip away, before time moves beyond our grasp. When we spoke, she described her connection to art in a way I had never heard before. “ think of myself as a fish,” she told me. “ fish that doesn’ question the water, that doesn’ think about how deep it swims. It just exists.” Art is her element, her lifeblood, and her way of understanding the world. It’ why, even as war reshapes the reality around her, she continues to create, not just as a form of resistance but as a way to document the truth as she experiences it. Her paintings are immediately recognisable, figures emerging from bold, urgent strokes of red, white, and black. Red, she told me, is the colour of life, of passion, of survival. It pulses through her work, a constant heartbeat. But it is also the colour she fears losing. “ greatest happiness,” she said, referencing Borges, “ when a blind man dreams of red.” The idea of losing that sensation, of not being able to feel the depth of colour, is her deepest fear. But instead of running from it, she embraces it, pours it into her canvases, ensuring that even if time erodes memory, the intensity of her vision remains. As we talked, her thoughts spiralled outward - philosophy, history, technology, even the fate of humanity. “ are all on the Titanic,” she told me. “ comfortable but unaware of what’ coming.” The world is changing too quickly. Wars, pandemics, artificial intelligence, isolation. She fears we are forgetting how to truly be present. That people are becoming less human. She sees this loss reflected in modern art, how simple narratives and raw emotion are disappearing, replaced by a detachment from the soul of creation.
Artwork Dasha Tsapenko - Subjektiv.art
Dasha Tsapenko - Subjektiv.art
Dasha Tsapenko
Netherlands
Some artists paint. Some sculpt. But Dasha Tsapenko grows her art. I remember the first time I encountered her work, it wasn’ just visually striking, it was revolutionary. It blurred the line between creation and cultivation. Dasha doesn’ see herself as the sole author of her works; instead, she collaborates with nature itself. Her textiles, garments, and installations are not merely crafted, they are nurtured. She prepares the foundation, then steps back to allow fungi, fibres, and microorganisms to shape the outcome. What emerges is something completely unique - art that breathes, evolves, and ultimately becomes part of the world in a way that traditional works never could. Her studio is unlike any I’ seen before. It’ not just a workshop, it’ part textile lab, part microbiology station, part experimental farm. A place where science and creativity intertwine seamlessly. She works with living organisms, primarily mycelium, the vast underground network of fungi that connects trees and plants beneath forests. But here, in her hands, mycelium doesn’ just connect nature, it creates. It grows into textiles, forming intricate patterns and textures, embedding itself into the very fabric of her art. It’ a process that is at once scientific and poetic. The unpredictability of working with living materials means that no two pieces are ever the same. She carefully prepares the ground, sometimes weaving or sewing textiles in a particular way to encourage the fungi’ growth in a desired form. But the final result? That’ left to nature.
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