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The Art of Encounter
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Find art that mirrors your emotions and values through our innovative mood-matching feature. Whether you’re feeling hopeful, introspective, or bold, we’ve got art that connects deeply with you.
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Artwork preview
Making of CAD 180116
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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)
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Processus de création dans mon atelier!
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Painting process
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Art process. The painting is done with acrylic paints on canvas.
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Few shots and fragments from working process.
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Making of Dreamscape #4
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My studio. Working process. I am painting a still life with aloe.
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The process of making a mosaic
Reflections Hub
Discover what others felt—and share your own moments of connection, emotion, and meaning through art.
La chute Pierre Freneau - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
I feel how powerful one single tool can be—symbolized by a metal chain—capable of toppling pillars that have long been established throughout history. These pillars, though once strong, now show signs of weakness, fragmented and each standing with its own perspective. The young blood, represented by the hand, holds the potential to create something new—sometimes even dismantling the old pillars, but always with respect.
Danylo Pavenko
Almost freedom Eugene Pokutnev - Subjektiv.art
How do you feel when you look at this artwork?
An endless weaving of forms, a search for images and evidence... perhaps it’s just mine, or our confusion is breaking free
Rost Borsch
With flower Liliya Nebera - Subjektiv.art
What do you see in this artwork?
Cold empty space, a fragile barely noticeable chair that it seems is about to disappear, depriving her of her only point of support... she is focused and collected, as if she has stopped breathing and held her heart in order to return balance, peace and acceptance to her gaze... In some parallel dimension, she has already turned into a flower sprouting roots in nothingness, in order to blossom again and incarnate inspite of the ethereal reality, incarnate with new strength and new hope... this time... as always.
Rost Borsch
Mentality Sestry Feldman - Subjektiv.art
What do you see in this artwork?
This artwork immediately brings memories about my childhood in Dnipro, Eastern Ukraine. I remember the men in sporty adidas leggings and without shirts (гопнікі), speaking weirdly in heavy jargon. They were the antipodes of the old ladies sitting on the benches, complaining and broadcasting Soviet narratives. The interiors of flats with “eurodesign”, the tacky exteriors of banners and ads — results of the chaos of unregulated trade — those were visual symbols of my childhood. And this artwork creates a perfect memory. It accepts fully the absurdity and chaos that I was born into but instead of dramatising it makes fun of it. It makes me smile. It is a sweat ironic reminder of where I am from without making any predictions about where I am heading to.
Kateryna Serdiuk
Still life with peonies Artem Andreichuk - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
Incredible composition! It is somehow so dynamic and perfectly balanced. A pure joy to look at!
Yehor Serdiuk
Arbres Muriel Evangelista - Subjektiv.art
Were you transported somewhere by this artwork?
What is your opinion on what contemporary art should be...more for intelectual interpretations... or more sensitively towards our emocional !?
Mario Miranda
Green Light Olena Ryzhykh - Subjektiv.art
Whose work did this artwork remind you of?
Love the natural earthy colours. Reminds me of a lizard emerging from its cave at dusk
Maximilian Kaessens
Blue woman (from the series Line) Nataliia  Brichuk - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
Evokes both vulnerability and strength at the same time
Maximilian Kaessens
"Waiting for..." Bohdan Burenko - Subjektiv.art
Whose work did this artwork remind you of?
This artwork looks bold! Like how the rough lines and strong colors lead to serious mood
Vlad Soloviov
Kyiv Skyline Series. Light Through The Darkness Ganna Kryvolap - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
It may be Kyiv but this version could be pictured by Murakami.
Manuel Medeiros
Clockwork #12 Socia Socia - Subjektiv.art
How do you feel when you look at this artwork?
I see death and cigarettes. Maybe cotton as well, a dangerous combination. But just abstract enough to know they'd belong in a Lynch film altogether
Manuel Medeiros
Covered Danya Shulipa - Subjektiv.art
Whose work did this artwork remind you of?
I want to be him. Anyone can silence the world out there by taking a bath and covering his own face, but doing so in style? Only for the selected few. Which I why I can only assume that yellow barrier is an extra layer of distance, ensuring all the noise, negativity of the outside world stay right there, outside. What a guy.
Manuel Medeiros
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Meet our Artists
Artwork Liudmila Davydenko - Subjektiv.art
Liudmila Davydenko - Subjektiv.art
Liudmila Davydenko
Ukraine
Some artists speak through colours, others through form, but with Liudmila Davydenko, it’ something more - something beneath the surface, beneath even the layers of paint she so meticulously applies to her canvases. I first came across her work at an exhibition in Vienna, where her paintings, rich in texture and introspection, seemed to hold something unseen, something just out of reach. I knew then that I needed to understand her process, to see her world through her own eyes. Our visit to her studio in Lviv was planned after a long working session with my co-founders. It was a chance to engage directly with an artist whose work had left an impression on me. When we arrived, the setting was unexpectedly cinematic, her studio was nestled inside an old Soviet industrial building, its long, dimly lit corridors stretching endlessly like something out of Kubrick’ The Shining. There was a strange stillness in the air, a kind of suspended time, which somehow made the vibrancy of her paintings even more striking. Stepping into her workspace, I was immediately met with the scent of oil paint and the quiet discipline of an artist deeply immersed in her craft. Liudmila belongs to a generation of artists for whom patience and precision are second nature. Her early training as a sculptor is evident in the way she approaches her paintings - not as flat compositions, but as something three-dimensional, something that carries weight and substance. She doesn’ simply paint; she constructs. Every piece undergoes an intricate layering process, sometimes up to eight layers deep, giving the final work a sense of depth that feels almost geological, as if revealing different strata of meaning.
Artwork Carolina Sardinha - Subjektiv.art
Carolina Sardinha - Subjektiv.art
Carolina Sardinha
Portugal
Carolina Sardinha born in 1982, lives and works in Lisbon. Academic training: . Drawing Development Year at The Royal Drawing School, London (2024-ongoing); . Opened her own Studio, devoting herself entirely to her practise since then (2020); . Tutorial Scheme at Sociedade Nacional de Belas Artes, Lisbon (2018 - 2020); . Aquatint Training at Galeria Diferença, Lisbon (2014 - 2015); . Engraving Techiniques Training at Taller José Rincón Gallery, Madrid (2013 - 2014); . Drawing Education at CIEAM, Faculdade de Belas Artes, Lisbon (2009 - 2010); . Wood block Printmaking Training at the National Print Museum, Dublin (2008 - 2009); . Socrates Erasmus Program, Università Degli Studi di Roma “La Sapienza”, Rome (2003 - 2004); . Degree in Architecture from Instituto Superior Técnico, Lisbon (2006). Selected Individual Exhibitions: . Matter | Mist, Azenhas do Mar (2023); . Reallocated, CCSL Advogados, Lisbon (2020); . Ageing Series, OH | OS, Lisbon (2019); . Essay on Ma, Ler Devagar Bookshop, Lisbon (2019); . La piel de las Cosas, Taller José Rincón Gallery, Madrid (2015). Selected Group Exhibitions: . Group Show at Livraria Sá da Costa, Lisbon (2022); . Finalists Exhibition, Sociedade Nacional de Belas Artes, Lisbon (2019); . Printmaking Exhibition, Galeria Diferença, Lisbon (2016); . Selected Artists Exhibition, Casa de La Moneda, Madrid (2015); . Printmaking Artists Exhibition, Casa de Cultura del Ayuntamiento de Carmona, Carmona (2014). Prizes: . Selected Artist for Collection “The Mediterranean”, The Curators (2020); . Jóvenes Creadores de Calcografía Nacional Prize from the Real Academia de Belas Artes de de San Fernando de Madrid (2014). Collections: Her work is represented in private collections in Portugal and abroad.
Artwork Anna Kostritskaya - Subjektiv.art
Anna Kostritskaya - Subjektiv.art
Anna Kostritskaya
Ukraine
Anna Kostritskaya’s work carries an undeniable urgency, each brushstroke infused with a tension between fragility and defiance. Her art does more than depict; it preserves, resists, and remembers. Born in Ukraine, her creative journey has been deeply intertwined with the turbulence of her homeland. Since the full-scale war began, her work has taken on an even more urgent role, serving as a form of documentation, capturing emotions, losses, and the resilience of her people. Her paintings often feel like open wounds, yet within them lies tenderness, a refusal to let beauty be erased by destruction. Working across multiple mediums - painting, photography, and mixed media, Kostritskaya employs different artistic languages to express the unspeakable. In her portraits, faces emerge from the canvas like whispers, layered with texture, almost as if they are fighting to remain visible. There is a quiet intimacy in her work, a recognition of individual stories otherwise lost within the vastness of war. Much of her practice is rooted in the act of bearing witness. Her work explores displacement, identity, and the intersection of personal and collective history. Her photography, in particular, captures fleeting moments, glimpses of life that feel sacred in their ordinariness, a stark contrast to the overwhelming instability surrounding them. Her creative process is instinctual, driven by emotion rather than rigid intent. She has described it as work that decides its own path, rather than one that is meticulously planned. Yet, despite the weight of her subject matter, her art is about endurance. It embodies the human spirit’s refusal to be silenced. Beneath the layers of grief, there is strength. There is the unbreakable.
Artwork Myroslava Perevalska - Subjektiv.art
Myroslava Perevalska - Subjektiv.art
Myroslava Perevalska
Ukraine
Some artists paint what they see. Others paint what they dream. Myroslava Perevalska paints what she feels, and, more importantly, what she fears losing. In a world rushing forward, she is an artist who asks us to slow down, to breathe, to see before the colours fade, before the emotions slip away, before time moves beyond our grasp. When we spoke, she described her connection to art in a way I had never heard before. “ think of myself as a fish,” she told me. “ fish that doesn’ question the water, that doesn’ think about how deep it swims. It just exists.” Art is her element, her lifeblood, and her way of understanding the world. It’ why, even as war reshapes the reality around her, she continues to create, not just as a form of resistance but as a way to document the truth as she experiences it. Her paintings are immediately recognisable, figures emerging from bold, urgent strokes of red, white, and black. Red, she told me, is the colour of life, of passion, of survival. It pulses through her work, a constant heartbeat. But it is also the colour she fears losing. “ greatest happiness,” she said, referencing Borges, “ when a blind man dreams of red.” The idea of losing that sensation, of not being able to feel the depth of colour, is her deepest fear. But instead of running from it, she embraces it, pours it into her canvases, ensuring that even if time erodes memory, the intensity of her vision remains. As we talked, her thoughts spiralled outward - philosophy, history, technology, even the fate of humanity. “ are all on the Titanic,” she told me. “ comfortable but unaware of what’ coming.” The world is changing too quickly. Wars, pandemics, artificial intelligence, isolation. She fears we are forgetting how to truly be present. That people are becoming less human. She sees this loss reflected in modern art, how simple narratives and raw emotion are disappearing, replaced by a detachment from the soul of creation.
Artwork Dzvinya Podlyashetska  - Subjektiv.art
Dzvinya Podlyashetska  - Subjektiv.art
Dzvinya Podlyashetska
Ukraine
Born in Lviv, Ukraine, based in Vienna, Dzvinya Podlyashetska is an artist whose work moves between the playful and the profound. Her art is a vibrant mix of comic-like figures, bold colours, and surreal compositions, capturing emotions that are often felt but rarely seen. She transforms the ordinary into something magical - people, animals, and everyday objects take on new meaning in her world, where naivety and sarcasm, love and chaos, laughter and melancholy exist in fragile harmony. Dzvinya’s journey into art began with a deep fascination for illustration and printmaking. She studied graphic design at the Ivan Trush Lviv State College of Decorative and Applied Arts before continuing her fine arts education at the Ukrainian Printmaking Academy. She has shaped a distinctive voice, one that blends storytelling with visual poetry. Her art is a reflection of human relationships, inner dialogues, and the constant push and pull between personal identity and external influences. Mental health is a key theme in her work, expressed through dynamic, exaggerated forms and rich textures that echo the complexities of emotion. Each piece is an invitation to pause, to look deeper, and to rediscover the joy of simplicity that is often lost in the rush of modern life. Exhibited across Europe and the United States, from the National Museum of Ukraine in Kyiv to the Volkskunde Museum in Vienna and the 17 Frost Gallery in New York. When You Don’t Expect at Breach Miami, have cemented her reputation as a rising force in contemporary art. Dzvinya doesn’t just create images, she creates experiences. Her art is a space where emotions take shape, where nostalgia meets the surreal, and where viewers are encouraged to embrace both the beauty and the chaos of existence.
Artwork David Sharashydze - Subjektiv.art
David Sharashydze - Subjektiv.art
David Sharashydze
Ukraine
For Davyd Sharashydze, art is not just a visual expression— it is a bridge between cultures, histories, and emotions. Born into the rich artistic heritage of Ukraine and Georgia, he carries the essence of both lands in his work, blending the strength of one with the poetry of the other. His artistic journey began in the early 1990s, a turbulent era that saw the collapse of the Soviet Union and the reawakening of national identities. As the world around him shifted, so did his approach to painting. Inspired by the old masters but driven by a desire to break form, he developed a style that exists between classical and contemporary, between precision and freedom. Moving to Kyiv in 1993, Sharashydze immersed himself in the artistic fabric of the city, becoming a key figure in its creative community. His work spans painting, gesso, and graphics, but what remains constant is his ability to capture the fleeting nature of human experience—whether through textured surfaces, layered compositions, or the interplay of light and shadow. Exhibiting since 1991, he has showcased his works across Ukraine, Finland, Norway, Georgia, Australia, the USA, and Mediterranean countries, finding collectors in some of the world’s most prestigious galleries. His membership in the UNESCO International Federation of Artists is a testament to his global artistic impact. Sharashydze’s paintings feel like fragments of dreams, echoes of forgotten myths, glimpses of a world that exists just beyond reach. Whether in the soft contours of a portrait, the weathered textures of his gesso work, or the intricate lines of his graphics, his pieces invite viewers into a space of reflection — where past and present, memory and sensation converge. To experience Davyd Sharashydze’s art is to travel through time, to feel the weight of history and the pulse of the present, all captured in a single brushstroke.
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