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Making of CAD 180116
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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)
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Processus de création dans mon atelier!
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Painting process
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Art process. The painting is done with acrylic paints on canvas.
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Few shots and fragments from working process.
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Making of Dreamscape #4
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My studio. Working process. I am painting a still life with aloe.
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The process of making a mosaic
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Artwork Myroslava Perevalska - Subjektiv.art
Myroslava Perevalska - Subjektiv.art
Myroslava Perevalska
Ukraine
Some artists paint what they see. Others paint what they dream. Myroslava Perevalska paints what she feels, and, more importantly, what she fears losing. In a world rushing forward, she is an artist who asks us to slow down, to breathe, to see before the colours fade, before the emotions slip away, before time moves beyond our grasp. When we spoke, she described her connection to art in a way I had never heard before. “ think of myself as a fish,” she told me. “ fish that doesn’ question the water, that doesn’ think about how deep it swims. It just exists.” Art is her element, her lifeblood, and her way of understanding the world. It’ why, even as war reshapes the reality around her, she continues to create, not just as a form of resistance but as a way to document the truth as she experiences it. Her paintings are immediately recognisable, figures emerging from bold, urgent strokes of red, white, and black. Red, she told me, is the colour of life, of passion, of survival. It pulses through her work, a constant heartbeat. But it is also the colour she fears losing. “ greatest happiness,” she said, referencing Borges, “ when a blind man dreams of red.” The idea of losing that sensation, of not being able to feel the depth of colour, is her deepest fear. But instead of running from it, she embraces it, pours it into her canvases, ensuring that even if time erodes memory, the intensity of her vision remains. As we talked, her thoughts spiralled outward - philosophy, history, technology, even the fate of humanity. “ are all on the Titanic,” she told me. “ comfortable but unaware of what’ coming.” The world is changing too quickly. Wars, pandemics, artificial intelligence, isolation. She fears we are forgetting how to truly be present. That people are becoming less human. She sees this loss reflected in modern art, how simple narratives and raw emotion are disappearing, replaced by a detachment from the soul of creation.
Artwork Liudmila Davydenko - Subjektiv.art
Liudmila Davydenko - Subjektiv.art
Liudmila Davydenko
Ukraine
Some artists speak through colours, others through form, but with Liudmila Davydenko, it’ something more - something beneath the surface, beneath even the layers of paint she so meticulously applies to her canvases. I first came across her work at an exhibition in Vienna, where her paintings, rich in texture and introspection, seemed to hold something unseen, something just out of reach. I knew then that I needed to understand her process, to see her world through her own eyes. Our visit to her studio in Lviv was planned after a long working session with my co-founders. It was a chance to engage directly with an artist whose work had left an impression on me. When we arrived, the setting was unexpectedly cinematic, her studio was nestled inside an old Soviet industrial building, its long, dimly lit corridors stretching endlessly like something out of Kubrick’ The Shining. There was a strange stillness in the air, a kind of suspended time, which somehow made the vibrancy of her paintings even more striking. Stepping into her workspace, I was immediately met with the scent of oil paint and the quiet discipline of an artist deeply immersed in her craft. Liudmila belongs to a generation of artists for whom patience and precision are second nature. Her early training as a sculptor is evident in the way she approaches her paintings - not as flat compositions, but as something three-dimensional, something that carries weight and substance. She doesn’ simply paint; she constructs. Every piece undergoes an intricate layering process, sometimes up to eight layers deep, giving the final work a sense of depth that feels almost geological, as if revealing different strata of meaning.
Artwork Darina Smolkina - Subjektiv.art
Darina Smolkina - Subjektiv.art
Darina Smolkina
Portugal
In a world governed by rules—both written and unspoken—Darina Smolkina’s art whispers of quiet rebellion. Born in Kyiv, Ukraine, now based in Lisbon, she crafts paintings that feel like echoes of a theatrical performance, where characters linger in a suspended moment, caught between societal expectations and personal truths. Her work is a stage, and every canvas is a scene unfolding. Darina’s journey began in a traditional family, where expectations were clear—but her fascination with the surreal led her beyond the familiar. She started art school at six, mastering techniques that shaped her unique visual language. While studying graphic design in Kyiv, Darina found her true voice in painting — a space where boundaries blurred and deeper narratives emerged. At 19, she moved to Lisbon, an experience that shaped her perspective as an outsider navigating an unfamiliar world. Her art became a reflection of identity, isolation, and the quiet weight of societal expectations. From Schönhausen Palace Museum in Berlin to New York’s 17frost Gallery, her work speaks to a universal struggle — the tension between conformity and self-expression. Whether in the dreamlike haze of New Dream World or the raw intimacy of My First Diary, Darina’s paintings invite viewers to step into a moment of self-reflection, where emotions take form and meaning unfolds. Darina doesn’t just paint figures — she paints questions. Her art asks: Who are we, beyond the expectations placed upon us? What do we reveal, and what do we conceal? Her world is one where the symbolic and the surreal merge, reflecting not just her own journey, but the collective search for meaning in a world full of invisible walls.
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