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The Art of Encounter
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Making of CAD 180116
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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)
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Processus de création dans mon atelier!
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Painting process
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Art process. The painting is done with acrylic paints on canvas.
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Few shots and fragments from working process.
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Making of Dreamscape #4
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My studio. Working process. I am painting a still life with aloe.
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The process of making a mosaic
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Meet our Artists
Artwork Anna Kostritskaya - Subjektiv.art
Anna Kostritskaya - Subjektiv.art
Anna Kostritskaya
Ukraine
Anna Kostritskaya’s work carries an undeniable urgency, each brushstroke infused with a tension between fragility and defiance. Her art does more than depict; it preserves, resists, and remembers. Born in Ukraine, her creative journey has been deeply intertwined with the turbulence of her homeland. Since the full-scale war began, her work has taken on an even more urgent role, serving as a form of documentation, capturing emotions, losses, and the resilience of her people. Her paintings often feel like open wounds, yet within them lies tenderness, a refusal to let beauty be erased by destruction. Working across multiple mediums - painting, photography, and mixed media, Kostritskaya employs different artistic languages to express the unspeakable. In her portraits, faces emerge from the canvas like whispers, layered with texture, almost as if they are fighting to remain visible. There is a quiet intimacy in her work, a recognition of individual stories otherwise lost within the vastness of war. Much of her practice is rooted in the act of bearing witness. Her work explores displacement, identity, and the intersection of personal and collective history. Her photography, in particular, captures fleeting moments, glimpses of life that feel sacred in their ordinariness, a stark contrast to the overwhelming instability surrounding them. Her creative process is instinctual, driven by emotion rather than rigid intent. She has described it as work that decides its own path, rather than one that is meticulously planned. Yet, despite the weight of her subject matter, her art is about endurance. It embodies the human spirit’s refusal to be silenced. Beneath the layers of grief, there is strength. There is the unbreakable.
Artwork Oleksiy Belusenko - Subjektiv.art
Oleksiy Belusenko - Subjektiv.art
Oleksiy Belusenko
Ukraine
In the quiet, contemplative spaces of Oleksiy Belusenko’s paintings, time feels like it has softened, lingering between memory and the present. Born in Kazakhstan in 1960 and moving to Ukraine as a child, Belusenko has spent a lifetime weaving together history, landscape, and emotion — both as an artist and as a restorer of the past. For 25 years, he worked at the National Scientific Research Restoration Centre in Kyiv, (specialising in polychrome wooden sculpture and decorative carving), breathing life back into centuries-old sculptures and carvings. This intimate relationship with history shaped his artistic eye — his brushstrokes carrying the patience of a restorer, his compositions steeped in reverence for what came before. His works feel like whispers of the past, filtered through a deeply personal lens. While Belusenko’s career spans painting, sculpture, and curation, it is his landscapes that carry his most intimate dialogue with the world. Capturing the quiet poetry of Ukrainian nature, his canvases are imbued with a sense of nostalgia—soft brushwork, muted yet resonant tones, and an ever-present balance between warmth and coolness. His work does not impose itself; rather, it invites you in, allowing you to drift between reality and impression, between what is seen and what is felt. Beyond his artistic practice, Belusenko has also dedicated himself to art education, sharing his knowledge through the BritArt XX lecture series, where he dissects the nuances of 20th-century British art. As a curator and a founding member of the Blue October creative association, he continues to shape and support the contemporary art scene in Ukraine. Today, his works reside in private collections and museums across 30 countries. Yet, despite this global reach, his paintings remain rooted in something deeply personal — his connection to place, to time, and to the quiet beauty of everyday moments.
Artwork Dasha Tsapenko - Subjektiv.art
Dasha Tsapenko - Subjektiv.art
Dasha Tsapenko
Netherlands
Some artists paint. Some sculpt. But Dasha Tsapenko grows her art. I remember the first time I encountered her work, it wasn’ just visually striking, it was revolutionary. It blurred the line between creation and cultivation. Dasha doesn’ see herself as the sole author of her works; instead, she collaborates with nature itself. Her textiles, garments, and installations are not merely crafted, they are nurtured. She prepares the foundation, then steps back to allow fungi, fibres, and microorganisms to shape the outcome. What emerges is something completely unique - art that breathes, evolves, and ultimately becomes part of the world in a way that traditional works never could. Her studio is unlike any I’ seen before. It’ not just a workshop, it’ part textile lab, part microbiology station, part experimental farm. A place where science and creativity intertwine seamlessly. She works with living organisms, primarily mycelium, the vast underground network of fungi that connects trees and plants beneath forests. But here, in her hands, mycelium doesn’ just connect nature, it creates. It grows into textiles, forming intricate patterns and textures, embedding itself into the very fabric of her art. It’ a process that is at once scientific and poetic. The unpredictability of working with living materials means that no two pieces are ever the same. She carefully prepares the ground, sometimes weaving or sewing textiles in a particular way to encourage the fungi’ growth in a desired form. But the final result? That’ left to nature.
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