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The Art of Encounter

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SALON, O PRIMEIRO

SALON, O PRIMEIRO

41 artworks •

Curated by Subjektiv, Francisco Duarte Coelho

First Art Encounter

First Art Encounter

75 artworks •

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French Touch

15 artworks •

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Geometry Speaks

Geometry Speaks

56 artworks •

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Art Beyond Canvas. Grown, Stitched, Burnt, Bent

Art Beyond Canvas. Grown, Stitched, Burnt, Bent

43 artworks •

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Kinetic Stillness

Kinetic Stillness

28 artworks •

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Art That Breathes

Art That Breathes

31 artworks •

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Echoes and Visions

Echoes and Visions

50 artworks •

Curated by ArtShield

Instytut Avtomatyky

Instytut Avtomatyky

31 artworks •

Curated by Instytut Avtomatyky

Myroslava's Mosaic

Myroslava's Mosaic

13 artworks •

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Мистецтво Жити

Мистецтво Жити

103 artworks •

Curated by Subjektiv

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SALON, O PRIMEIRO

SALON, O PRIMEIRO

41 artworks •

Curated by Subjektiv, Francisco Duarte Coelho

First Art Encounter

First Art Encounter

75 artworks •

Curated by Subjektiv

French Touch

15 artworks •

Curated by Subjektiv

Geometry Speaks

Geometry Speaks

56 artworks •

Curated by Subjektiv

Art Beyond Canvas. Grown, Stitched, Burnt, Bent

Art Beyond Canvas. Grown, Stitched, Burnt, Bent

43 artworks •

Curated by Subjektiv

Kinetic Stillness

Kinetic Stillness

28 artworks •

Curated by Subjektiv

Art That Breathes

Art That Breathes

31 artworks •

Curated by Subjektiv

Echoes and Visions

Echoes and Visions

50 artworks •

Curated by ArtShield

Instytut Avtomatyky

Instytut Avtomatyky

31 artworks •

Curated by Instytut Avtomatyky

Myroslava's Mosaic

Myroslava's Mosaic

13 artworks •

Curated by Subjektiv

Мистецтво Жити

Мистецтво Жити

103 artworks •

Curated by Subjektiv

Art That Resonates With Your Emotions

Find art that mirrors your emotions and values through our innovative mood-matching feature. Whether you’re feeling hopeful, introspective, or bold, we’ve got art that connects deeply with you.

Joyful

Curated by Subjektiv

Dark

Curated by Subjektiv

Erotic

Curated by Subjektiv

Romantic

Curated by Subjektiv

Empowering

Curated by Subjektiv

Mysterious

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Playful

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Making of CAD 180116

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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)

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Maria R Saunders

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Processus de création dans mon atelier!

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Painting process

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Art process. The painting is done with acrylic paints on canvas.

Eugene Pokutnev

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Few shots and fragments from working process.

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Making of Dreamscape #4

Carolina Sardinha

@carolinasardinha

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My studio. Working process. I am painting a still life with aloe.

Artem Andreichuk

@artemandreichukartist

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The process of making a mosaic

Volodymyr Mamchur

@mamchur_volodymyr_art

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Process of Leopard

Oksana Fedchyshyn

@dearoksanafedchyshyn

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Painting - Subjektiv.art

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Street Art paintings

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Meet our Artists

Artwork Elnara Nasirli - Subjektiv.art

As an artist rooted in environmental technology, I draw inspiration from the intersection of biotechnology and mixed media. My work transcends conventional boundaries, weaving together painting, sculpture, collage, and installation to construct boundless biomorphic realms. Guided by the Greek roots of 'bios' (life) and 'morphe' (form), my visual language evokes the essence of organic shapes and forms. Each space I craft beckons viewers into immersive audio-visual odysseys, inviting exploration of diverse facets of the human experience, self-expression, and the natural world. Through this journey, I aspire to cultivate emotional healing and deepen environmental awareness. My artistic mission extends beyond mere aesthetics; it's a profound exploration of the transformative potential inherent in creative expression. By engaging with my art, both myself and the audience embark on a journey of neural transformation, discovering the resilience and liberation that can arise from confronting and overcoming life's challenges.

Artwork Myroslav Pivtoranis - Subjektiv.art

Myroslav Pivtoranis

An abstract artist, based in Lviv, Ukraine. His art is a mix of colors, shapes, compositions. Edges, lines and planes. Floating forms, reductive and asymmetrical. Wonky geometry. Dynamics and harmony. "When I create, I don't impose, but l give a choice for feelings and thoughts." "I give the viewer the opportunity to interpret my work as they see it. And I try to extend my art receiver imagination by transmitting an impulse. It is not necessary for the observer to follow my way of projection as it could eliminate new nteresting points of view. Every interpretation of my art is meaningful for "There is the space and time in my paintings, they need to radiate great power and ranquility as completed works of art."

Artwork Muriel Evangelista - Subjektiv.art

Muriel Evangelista

Beaux Arts Paris 1983-1990

Artwork Sestry Feldman - Subjektiv.art

Twin sisters Mishel and Nicol Feldman, known as Sestry Feldman, have never followed convention. Born in Dnipro in 1996, their artistic journey began at the age of eight, driven by an innate curiosity and a family that valued freedom, self-expression, and resilience. Their father—a political prisoner under the Kuchma regime—remained an unseen figure until they were eight. But when they sent him a childhood portrait, his reply was simple yet profound: “It’s a masterpiece.” That single phrase became their silent manifesto—a sign that art was their destiny. From Kyiv’s subway walls to global exhibitions in Paris, Brussels, and Tel Aviv, their work is a fearless mix of street art, political satire, and electrifying visual storytelling. Their murals, bursting with modernised Cossacks, surreal talismans, and raw emotion, are not just paintings—they are acts of defiance, echoes of history, and visions of the future. Their five-episode animated series "Yoyo", initially meant as a yoga guide for children, turned into a satirical take on AI and humanity’s future, blending humour and dystopian vision. With no formal training, their education comes from cinema, techno beats, and the streets. Their art pulses with movement, rebellion, and energy—a world where vibrant colors meet stark realities, where every piece demands attention. Their art isn’t just seen—it’s felt, lived, and encountered.

Artwork Liudmila Davydenko - Subjektiv.art

Liudmila Davydenko

Some artists speak through colours, others through form, but with Liudmila Davydenko, it’ something more - something beneath the surface, beneath even the layers of paint she so meticulously applies to her canvases. I first came across her work at an exhibition in Vienna, where her paintings, rich in texture and introspection, seemed to hold something unseen, something just out of reach. I knew then that I needed to understand her process, to see her world through her own eyes. Our visit to her studio in Lviv was planned after a long working session with my co-founders. It was a chance to engage directly with an artist whose work had left an impression on me. When we arrived, the setting was unexpectedly cinematic, her studio was nestled inside an old Soviet industrial building, its long, dimly lit corridors stretching endlessly like something out of Kubrick’ The Shining. There was a strange stillness in the air, a kind of suspended time, which somehow made the vibrancy of her paintings even more striking. Stepping into her workspace, I was immediately met with the scent of oil paint and the quiet discipline of an artist deeply immersed in her craft. Liudmila belongs to a generation of artists for whom patience and precision are second nature. Her early training as a sculptor is evident in the way she approaches her paintings - not as flat compositions, but as something three-dimensional, something that carries weight and substance. She doesn’ simply paint; she constructs. Every piece undergoes an intricate layering process, sometimes up to eight layers deep, giving the final work a sense of depth that feels almost geological, as if revealing different strata of meaning.

Artwork Svitlana Ahranovska - Subjektiv.art

Svitlana Ahranovska

Artwork Carlos Barradas - Subjektiv.art

Carlos Barradas

Photographer with a PhD in anthropology, I have been producing photographic and textual essays on issues such as territory, colonialism and post-colonialism, disability, new masculinities and sustainability. Considered by GUP Magazine as one of the 100 European photography talents (2020). My work, described as magic documentalism, has already been exhibited in Brazil, France, Italy and Portugal. I exhibited collectively at the Rencontres d'Arles 2019 & 2023 (promoted by the British Journal of Photography and Der Greif) and at the International Center of Photography, in New York. Winner of the “Cities in the City” initiative at PhotoEspaña and the Porto Photography Biennial '21 and recently guest artist in residence at Encontros da Imagem 2023 edition. Co-creator and co-editor of the online contemporary photography magazine SOPA and editor of the photography platform Lenscratch , based in Los Angeles. Part of my artistic practice is developed around personal work, but also the development of free workshops for the communities I work with, always resulting in fanzines, collective exhibitions or other types of artistic products, as has happened in my work in Campanhã , in Porto, São Tomé and Príncipe or Namibia. I believe that through these joint initiatives and community participation, the visual production and local cultural mapping will be richer the greater their engagement.

Artwork Carolina Sardinha - Subjektiv.art

Carolina Sardinha

Carolina Sardinha born in 1982, lives and works in Lisbon. Academic training: . Drawing Development Year at The Royal Drawing School, London (2024-ongoing); . Opened her own Studio, devoting herself entirely to her practise since then (2020); . Tutorial Scheme at Sociedade Nacional de Belas Artes, Lisbon (2018 - 2020); . Aquatint Training at Galeria Diferença, Lisbon (2014 - 2015); . Engraving Techiniques Training at Taller José Rincón Gallery, Madrid (2013 - 2014); . Drawing Education at CIEAM, Faculdade de Belas Artes, Lisbon (2009 - 2010); . Wood block Printmaking Training at the National Print Museum, Dublin (2008 - 2009); . Socrates Erasmus Program, Università Degli Studi di Roma “La Sapienza”, Rome (2003 - 2004); . Degree in Architecture from Instituto Superior Técnico, Lisbon (2006). Selected Individual Exhibitions: . Matter | Mist, Azenhas do Mar (2023); . Reallocated, CCSL Advogados, Lisbon (2020); . Ageing Series, OH | OS, Lisbon (2019); . Essay on Ma, Ler Devagar Bookshop, Lisbon (2019); . La piel de las Cosas, Taller José Rincón Gallery, Madrid (2015). Selected Group Exhibitions: . Group Show at Livraria Sá da Costa, Lisbon (2022); . Finalists Exhibition, Sociedade Nacional de Belas Artes, Lisbon (2019); . Printmaking Exhibition, Galeria Diferença, Lisbon (2016); . Selected Artists Exhibition, Casa de La Moneda, Madrid (2015); . Printmaking Artists Exhibition, Casa de Cultura del Ayuntamiento de Carmona, Carmona (2014). Prizes: . Selected Artist for Collection “The Mediterranean”, The Curators (2020); . Jóvenes Creadores de Calcografía Nacional Prize from the Real Academia de Belas Artes de de San Fernando de Madrid (2014). Collections: Her work is represented in private collections in Portugal and abroad.

Artwork Yehor Hrybovych - Subjektiv.art

Yehor Hrybovych

For Yehor Hrybovych, painting is not about perfection—it’s about the tension between control and surrender. Born in 1995 in Kryvyi Rih, Ukraine, Yehor grew up in a city defined by its raw industrial landscape, a setting that naturally seeped into his artistic language. From an early age, he was drawn to the immediacy of creation, where the stroke of a brush—or the spray of a can—could transform a surface into something unpredictable, something alive. His artistic journey began with street art, where walls became both his canvas and his playground. Graffiti taught him to embrace spontaneity, to work with the elements rather than against them. That energy never left his practice. Even as his work evolved from urban expressionism into painting, illustration, and graphic design, it carried with it the same sense of immediacy—of action meeting accident. A graduate of the Faculty of Arts at KNU, Yehor sees his work as an ongoing experiment, a space where order and chaos collide. His paintings are built on layers—thick, textured brushstrokes meet delicate, almost hesitant lines. Abstract forms dissolve into figurative elements, only to blur once more, leaving room for interpretation. His aesthetic is rough, unpolished, and intentionally careless—a visual language that invites the viewer to complete the narrative. One of his defining themes is imperfection as beauty. His works carry a rawness that resists easy categorization. Every drip, every unintended stroke, every contrast between softness and aggression serves a purpose. He is interested in the fragility of balance—the moments where instinct overrides precision. Through exhibitions in Ukraine and beyond, Yehor’s art continues to challenge how we see both chaos and control. His paintings are not just visual statements; they are conversations in motion, shifting and reshaping with each viewing.

Artwork Vês Três - Subjektiv.art

VÊS.TRÊS is a collective project composed of emerging artists Ana Malta, Madalena Pequito and Maria de Brito Matias. The collaboration began in 2018, after they finished their respective degrees in Painting at the Faculty of Fine Arts of the University of Lisbon. The desire to continue close work as colleagues encouraged the creation of joint works where pictorial harmony creates a game of seeing and recognizing. The question that remains will always be: "Do you see three"? Three forms of expression, three styles, three color palettes. It emerged as a movement of mutual support, a dialogue of experiences and a space for sharing social issues as women artists. The collective aims to convey to the viewer the importance of bringing together practices and minds for the development of human life. We are social beings and by coming together we sharpen our senses - in this case 3 times more sensitive - creating this element - Vês.Três - which, as a singular artist, has the presence of three independent artists who want to leave their mark through a colorful language that is accessible to anyone. All three intervene in the same way and at the same time in all created works. Mostra "Palavra proibida" no Café Local, 2023 Caldas da Rainha; "Running Riot", Galeria Augustine, 2023 Lisboa; "It's Crystal Clear", LxLapa, Lisboa; "piquenique", Oficinas de Aljustrel, 2022 Alentejo; "Sobre tentativas de (re)mover", atmosfera m, 2021 Lisboa; "Papel de Parede", Espaço Mercês, 2021 Príncipe Real; "Vês.Três", EGEU, 2020 Arroios; "EMER.GENTE", Associação Recreativa da Moita Redonda, 2020 Fátima;

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Learn and Be Inspired

Explore recent press coverage, media features, and public mentions highlighting Subjektiv.art's innovative approach to connecting artists, collectors, and experts in the contemporary art world

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