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Carlos Barradas
Artist from Portugal
Photographer with a PhD in anthropology, I have been producing photographic and textual essays on issues such as territory, colonialism and post-colonialism, disability, new masculinities and sustainability. Considered by GUP Magazine as one of the 100 European photography talents (2020). My work, described as magic documentalism, has already been exhibited in Brazil, France, Italy and Portugal. I exhibited collectively at the Rencontres d'Arles 2019 & 2023 (promoted by the British Journal of Photography and Der Greif) and at the International Center of Photography, in New York. Winner of the “Cities in the City” initiative at PhotoEspaña and the Porto Photography Biennial '21 and recently guest artist in residence at Encontros da Imagem 2023 edition. Co-creator and co-editor of the online contemporary photography magazine SOPA and editor of the photography platform Lenscratch , based in Los Angeles.
Part of my artistic practice is developed around personal work, but also the development of free workshops for the communities I work with, always resulting in fanzines, collective exhibitions or other types of artistic products, as has happened in my work in Campanhã , in Porto, São Tomé and Príncipe or Namibia. I believe that through these joint initiatives and community participation, the visual production and local cultural mapping will be richer the greater their engagement.

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Carlos Barradas
Artist from Portugal
Photographer with a PhD in anthropology, I have been producing photographic and textual essays on issues such as territory, colonialism and post-colonialism, disability, new masculinities and sustainability. Considered by GUP Magazine as one of the 100 European photography talents (2020). My work, described as magic documentalism, has already been exhibited in Brazil, France, Italy and Portugal. I exhibited collectively at the Rencontres d'Arles 2019 & 2023 (promoted by the British Journal of Photography and Der Greif) and at the International Center of Photography, in New York. Winner of the “Cities in the City” initiative at PhotoEspaña and the Porto Photography Biennial '21 and recently guest artist in residence at Encontros da Imagem 2023 edition. Co-creator and co-editor of the online contemporary photography magazine SOPA and editor of the photography platform Lenscratch , based in Los Angeles.
Part of my artistic practice is developed around personal work, but also the development of free workshops for the communities I work with, always resulting in fanzines, collective exhibitions or other types of artistic products, as has happened in my work in Campanhã , in Porto, São Tomé and Príncipe or Namibia. I believe that through these joint initiatives and community participation, the visual production and local cultural mapping will be richer the greater their engagement.

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An Insufficient Response
Photography by Carlos Barradas
40 x 60 cm • Fine art paper
Location:
Porto, Portugal
In my work, and more specifically so in this one, "An Insufficient
Response" - a title that comes from Luigi Ghirri's famous Aperture
text, Kodachrome -, I engage with ambiguity. I position my photographs
in a liminal state, an anthropological concept that refers to an
intermediate phase or condition in a given rite of passage. My
intention is that the photographs become a receptacle in which people
deposit their narratives. In that sense, they are transformed into a
habitable space, where emotional statuses, memories, and social and
cultural values come into play, defining one’s interpretation of the
image. In other words, I make incomplete photographs. My strategy for
this latest work is to expand my artistic practice by including
fictional texts, adding new layers of meaning and complexity. I intend
to publish it as a photobook.
For the photobook , I have two options that are still not quite
definite: either publish four different versions of the book, with the
same set of photographs, but four different short stories; or instead
to bring together four different books, with four different texts
(loosely related to one another, such as a similar story from
different narrative viewpoints) and bind them in a case together. The
choice will be taken according to the one that generates a stronger
experience of mystery for the reader.
One of the texts is as follows:
"You know, this is actually the first time I have ever sat on one of
these couches. I never imagined they were so comfortable. Maybe
there’s a purpose in all of it, right?
This fabric. It reminds me of the overcoat that I once had and was
wearing on that night that I told you about.
Back then, I couldn't believe what had happened. The odds and the
circumstances were so unlikely, and I wish there was some way I could
have acted differently. I remember perfectly when I had the chance to
do it. But I didn't. It doesn't matter now, what is done is done.
During the events, even the sharpest vision wouldn’t allow me to see
or think clearly, I assure you. A windy, windy day. A kind of smoke,
or dust, all over my face. It felt like the end of time. But let me go
back for a moment. It all started with the annoying, repetitive noise
of the security guard fiddling with his keys. The whispering, followed
by those screeching sounds got me started. I still thought, you know,
“I’ll smile” and maybe it will get noticed and will stop. It didn’t
work."
Location:
Porto, Portugal
About the artist
Carlos Barradas
Artist from Portugal
Photographer with a PhD in anthropology, I have been producing photographic and textual essays on issues such as territory, colonialism and post-colonialism, disability, new masculinities and sustainability. Considered by GUP Magazine as one of the 100 European photography talents (2020). My work, described as magic documentalism, has already been exhibited in Brazil, France, Italy and Portugal. I exhibited collectively at the Rencontres d'Arles 2019 & 2023 (promoted by the British Journal of Photography and Der Greif) and at the International Center of Photography, in New York. Winner of the “Cities in the City” initiative at PhotoEspaña and the Porto Photography Biennial '21 and recently guest artist in residence at Encontros da Imagem 2023 edition. Co-creator and co-editor of the online contemporary photography magazine SOPA and editor of the photography platform Lenscratch , based in Los Angeles.
Part of my artistic practice is developed around personal work, but also the development of free workshops for the communities I work with, always resulting in fanzines, collective exhibitions or other types of artistic products, as has happened in my work in Campanhã , in Porto, São Tomé and Príncipe or Namibia. I believe that through these joint initiatives and community participation, the visual production and local cultural mapping will be richer the greater their engagement.

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