1 / 5
Avatar
Carlos Barradas
Artist from Portugal
Photographer with a PhD in anthropology, I have been producing photographic and textual essays on issues such as territory, colonialism and post-colonialism, disability, new masculinities and sustainability. Considered by GUP Magazine as one of the 100 European photography talents (2020). My work, described as magic documentalism, has already been exhibited in Brazil, France, Italy and Portugal. I exhibited collectively at the Rencontres d'Arles 2019 & 2023 (promoted by the British Journal of Photography and Der Greif) and at the International Center of Photography, in New York. Winner of the “Cities in the City” initiative at PhotoEspaña and the Porto Photography Biennial '21 and recently guest artist in residence at Encontros da Imagem 2023 edition. Co-creator and co-editor of the online contemporary photography magazine SOPA and editor of the photography platform Lenscratch , based in Los Angeles. Part of my artistic practice is developed around personal work, but also the development of free workshops for the communities I work with, always resulting in fanzines, collective exhibitions or other types of artistic products, as has happened in my work in Campanhã , in Porto, São Tomé and Príncipe or Namibia. I believe that through these joint initiatives and community participation, the visual production and local cultural mapping will be richer the greater their engagement.
Tell what you feel...
What do you see in this artwork?
Avatar
Carlos Barradas
Artist from Portugal
Photographer with a PhD in anthropology, I have been producing photographic and textual essays on issues such as territory, colonialism and post-colonialism, disability, new masculinities and sustainability. Considered by GUP Magazine as one of the 100 European photography talents (2020). My work, described as magic documentalism, has already been exhibited in Brazil, France, Italy and Portugal. I exhibited collectively at the Rencontres d'Arles 2019 & 2023 (promoted by the British Journal of Photography and Der Greif) and at the International Center of Photography, in New York. Winner of the “Cities in the City” initiative at PhotoEspaña and the Porto Photography Biennial '21 and recently guest artist in residence at Encontros da Imagem 2023 edition. Co-creator and co-editor of the online contemporary photography magazine SOPA and editor of the photography platform Lenscratch , based in Los Angeles. Part of my artistic practice is developed around personal work, but also the development of free workshops for the communities I work with, always resulting in fanzines, collective exhibitions or other types of artistic products, as has happened in my work in Campanhã , in Porto, São Tomé and Príncipe or Namibia. I believe that through these joint initiatives and community participation, the visual production and local cultural mapping will be richer the greater their engagement.
Tell what you feel...
What do you see in this artwork?
An Insufficient Response
Photography by Carlos Barradas
40 x 60 cm • Fine art paper
Location:
Porto, Portugal
In my work, and more specifically so in this one, "An Insufficient Response" - a title that comes from Luigi Ghirri's famous Aperture text, Kodachrome -, I engage with ambiguity. I position my photographs in a liminal state, an anthropological concept that refers to an intermediate phase or condition in a given rite of passage. My intention is that the photographs become a receptacle in which people deposit their narratives. In that sense, they are transformed into a habitable space, where emotional statuses, memories, and social and cultural values come into play, defining one’s interpretation of the image. In other words, I make incomplete photographs. My strategy for this latest work is to expand my artistic practice by including fictional texts, adding new layers of meaning and complexity. I intend to publish it as a photobook. For the photobook , I have two options that are still not quite definite: either publish four different versions of the book, with the same set of photographs, but four different short stories; or instead to bring together four different books, with four different texts (loosely related to one another, such as a similar story from different narrative viewpoints) and bind them in a case together. The choice will be taken according to the one that generates a stronger experience of mystery for the reader. One of the texts is as follows: "You know, this is actually the first time I have ever sat on one of these couches. I never imagined they were so comfortable. Maybe there’s a purpose in all of it, right? This fabric. It reminds me of the overcoat that I once had and was wearing on that night that I told you about. Back then, I couldn't believe what had happened. The odds and the circumstances were so unlikely, and I wish there was some way I could have acted differently. I remember perfectly when I had the chance to do it. But I didn't. It doesn't matter now, what is done is done. During the events, even the sharpest vision wouldn’t allow me to see or think clearly, I assure you. A windy, windy day. A kind of smoke, or dust, all over my face. It felt like the end of time. But let me go back for a moment. It all started with the annoying, repetitive noise of the security guard fiddling with his keys. The whispering, followed by those screeching sounds got me started. I still thought, you know, “I’ll smile” and maybe it will get noticed and will stop. It didn’t work."
Avatar
Carlos Barradas
Artist from Portugal
Photographer with a PhD in anthropology, I have been producing photographic and textual essays on issues such as territory, colonialism and post-colonialism, disability, new masculinities and sustainability. Considered by GUP Magazine as one of the 100 European photography talents (2020). My work, described as magic documentalism, has already been exhibited in Brazil, France, Italy and Portugal. I exhibited collectively at the Rencontres d'Arles 2019 & 2023 (promoted by the British Journal of Photography and Der Greif) and at the International Center of Photography, in New York. Winner of the “Cities in the City” initiative at PhotoEspaña and the Porto Photography Biennial '21 and recently guest artist in residence at Encontros da Imagem 2023 edition. Co-creator and co-editor of the online contemporary photography magazine SOPA and editor of the photography platform Lenscratch , based in Los Angeles. Part of my artistic practice is developed around personal work, but also the development of free workshops for the communities I work with, always resulting in fanzines, collective exhibitions or other types of artistic products, as has happened in my work in Campanhã , in Porto, São Tomé and Príncipe or Namibia. I believe that through these joint initiatives and community participation, the visual production and local cultural mapping will be richer the greater their engagement.
Ferry Tales  - Subjektiv.art
Ferry Tales
by Carlos Barradas
€3 300120 × 80 cm
Ferry Tales  - Subjektiv.art
Ferry Tales
by Carlos Barradas
€2 30040 × 60 cm
N/T  - Subjektiv.art
N/T
by Carlos Barradas
€3 900150 × 100 cm
An Insufficient Response Fine Art Photography Carlos Barradas - Subjektiv.art
Tell what you think...
What do you see in this artwork?
More Artworks
More artworks from the Artist and related selections
Paris Event
Subjektiv.art
Backed by
Newsletter
Sign up for our newsletter to explore artist stories, stay updated on events, and discover exciting new artworks in our community.
Backed by