An Insufficient Response
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An Insufficient Response
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Artwork details
In my work, and more specifically so in this one, "An Insufficient
Response" - a title that comes from Luigi Ghirri's famous Aperture
text, Kodachrome -, I engage with ambiguity. I position my photographs
in a liminal state, an anthropological concept that refers to an
intermediate phase or condition in a given rite of passage. My
intention is that the photographs become a receptacle in which people
deposit their narratives. In that sense, they are transformed into a
habitable space, where emotional statuses, memories, and social and
cultural values come into play, defining one’s interpretation of the
image. In other words, I make incomplete photographs. My strategy for
this latest work is to expand my artistic practice by including
fictional texts, adding new layers of meaning and complexity. I intend
to publish it as a photobook.
For the photobook , I have two options that are still not quite
definite: either publish four different versions of the book, with the
same set of photographs, but four different short stories; or instead
to bring together four different books, with four different texts
(loosely related to one another, such as a similar story from
different narrative viewpoints) and bind them in a case together. The
choice will be taken according to the one that generates a stronger
experience of mystery for the reader.
One of the texts is as follows:
"You know, this is actually the first time I have ever sat on one of
these couches. I never imagined they were so comfortable. Maybe
there’s a purpose in all of it, right?
This fabric. It reminds me of the overcoat that I once had and was
wearing on that night that I told you about.
Back then, I couldn't believe what had happened. The odds and the
circumstances were so unlikely, and I wish there was some way I could
have acted differently. I remember perfectly when I had the chance to
do it. But I didn't. It doesn't matter now, what is done is done.
During the events, even the sharpest vision wouldn’t allow me to see
or think clearly, I assure you. A windy, windy day. A kind of smoke,
or dust, all over my face. It felt like the end of time. But let me go
back for a moment. It all started with the annoying, repetitive noise
of the security guard fiddling with his keys. The whispering, followed
by those screeching sounds got me started. I still thought, you know,
“I’ll smile” and maybe it will get noticed and will stop. It didn’t
work."
Category
PhotographyDimensions (WxHxD)
40cm x 60cm x 5cm
Materials
Style
Fine ArtSubject
People and portraitsYear
2020
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