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The Art of Encounter
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Find art that mirrors your emotions and values through our innovative mood-matching feature. Whether you’re feeling hopeful, introspective, or bold, we’ve got art that connects deeply with you.
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Artwork preview
Making of CAD 180116
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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)
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Processus de création dans mon atelier!
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Painting process
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Art process. The painting is done with acrylic paints on canvas.
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Few shots and fragments from working process.
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Making of Dreamscape #4
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My studio. Working process. I am painting a still life with aloe.
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The process of making a mosaic
Reflections Hub
Discover what others felt—and share your own moments of connection, emotion, and meaning through art.
Devil's fingers Alena Kuznetsova - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
The way that sculpture stands out against the snow is just so cool!! It's like it belongs to some Lovecraftian horror story, but because it's so small, it's more captivating than creepy. It's like it's got this mysterious charm to it.
valya shaf
Apple orchard Yehor Dulin - Subjektiv.art
Were you transported somewhere by this artwork?
I am transported back to my childhood in my grandparents' garden picking apples and fruits from the trees... Sweet memories literally :)
Tahina Le Goff
Sunset Artem Andreichuk - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
The path. Easy, calm, and full of wisdom - through the prairie, listening to the trees and wind whispering. Someone could have been there before, or maybe no one had? Silence and calm. Gorgeous !
Illia Ishchenko
Dried tulips Julia Chemerys - Subjektiv.art
Were you transported somewhere by this artwork?
A timeless tableau of fragility and beauty. The once vibrant petals, now muted hues, whisper tales of life's fleeting nature. A poignant reminder of the ephemeral, captured in a moment of eternal stillness.
Vlad Soloviov
Covered Danya Shulipa - Subjektiv.art
Whose work did this artwork remind you of?
I want to be him. Anyone can silence the world out there by taking a bath and covering his own face, but doing so in style? Only for the selected few. Which I why I can only assume that yellow barrier is an extra layer of distance, ensuring all the noise, negativity of the outside world stay right there, outside. What a guy.
Manuel Medeiros
Green Light Olena Ryzhykh - Subjektiv.art
Whose work did this artwork remind you of?
Love the natural earthy colours. Reminds me of a lizard emerging from its cave at dusk
Maximilian Kaessens
Arbres Muriel Evangelista - Subjektiv.art
Were you transported somewhere by this artwork?
What is your opinion on what contemporary art should be...more for intelectual interpretations... or more sensitively towards our emocional !?
Mario Miranda
Clockwork #3 Socia Socia - Subjektiv.art
What do you see in this artwork?
For me it’s the perfect interplay between music and visual art. I see it like an abstract dance, the raw interpretation of our inner world and emotions, organized chaos. Blurry somehow yet bold and at times very assertive.
Tahina Le Goff
Kyiv Skyline Series. Light Through The Darkness Ganna Kryvolap - Subjektiv.art
Whose work did this artwork remind you of?
There is always light in the midst of darkness. This painting and its title speak for themselves: hope, perseverance, and resilience
Cristina Freitas
Still life with peonies Artem Andreichuk - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
Incredible composition! It is somehow so dynamic and perfectly balanced. A pure joy to look at!
Yehor Serdiuk
Mentality Sestry Feldman - Subjektiv.art
What do you see in this artwork?
This artwork immediately brings memories about my childhood in Dnipro, Eastern Ukraine. I remember the men in sporty adidas leggings and without shirts (гопнікі), speaking weirdly in heavy jargon. They were the antipodes of the old ladies sitting on the benches, complaining and broadcasting Soviet narratives. The interiors of flats with “eurodesign”, the tacky exteriors of banners and ads — results of the chaos of unregulated trade — those were visual symbols of my childhood. And this artwork creates a perfect memory. It accepts fully the absurdity and chaos that I was born into but instead of dramatising it makes fun of it. It makes me smile. It is a sweat ironic reminder of where I am from without making any predictions about where I am heading to.
Kateryna Serdiuk
Almost freedom Eugene Pokutnev - Subjektiv.art
How do you feel when you look at this artwork?
An endless weaving of forms, a search for images and evidence... perhaps it’s just mine, or our confusion is breaking free
Rost Borsch
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Artwork Artem Andreichuk - Subjektiv.art
Artem Andreichuk - Subjektiv.art
Artem Andreichuk
Ukraine
Tucked away in his studio, a space bursting with pigments and canvases in mid-creation, Artem Andreichuk welcomes visitors with the same vibrant energy that radiates from his work. The walls pulse with colour: lush, unapologetic, and raw. Here, the naked human form is not just a subject but a manifesto. Stripped of status, regalia, or pretence, his figures exist in perfect equilibrium with nature, unashamed, inviting, free. Artem’ journey as an artist is deeply tied to this pursuit of authenticity. Born in 1983, he has remained in Ukraine, shaping his artistic voice amid the ever-changing landscape of his homeland. His fascination with the human body is more than aesthetic—it’ philosophical. In a world layered with masks, he paints what remains when all is shed. Sensual yet unembellished, his figures embody a radical honesty, one that refuses to be confined. Yet, Andreichuk is not just about the body; he’ about the thrill of expression. On another wall, his minimalist works stand in stark contrast to the sensuality of his figurative pieces - youthful, witty, and exuding a rebellious charm. Layers of electrifying colours seem to wink at the viewer, as if daring them to embrace the absurdity and joy of existence. “ should be fun,” he says with a knowing smile, and his art ensures that it is. Beyond the canvas, Artem's creative spirit has always stretched into multiple realms. Music has been a lifelong companion, and as a former bassist for the indie band Blake Maloka, he has translated rhythm into brushstrokes, movement into stillness. His paintings, much like a well-played bass-line, carry an energy that hums beneath the surface; sometimes wild, sometimes restrained, but always present. To step into Artem Andreichuk’ world is to be reminded of life’ fundamental pleasures: skin meeting sun, laughter ringing through colour, rebellion found in joy. His work doesn’ just ask to be seen, it demands to be felt.
Artwork David Sharashydze - Subjektiv.art
David Sharashydze - Subjektiv.art
David Sharashydze
Ukraine
For Davyd Sharashydze, art is not just a visual expression— it is a bridge between cultures, histories, and emotions. Born into the rich artistic heritage of Ukraine and Georgia, he carries the essence of both lands in his work, blending the strength of one with the poetry of the other. His artistic journey began in the early 1990s, a turbulent era that saw the collapse of the Soviet Union and the reawakening of national identities. As the world around him shifted, so did his approach to painting. Inspired by the old masters but driven by a desire to break form, he developed a style that exists between classical and contemporary, between precision and freedom. Moving to Kyiv in 1993, Sharashydze immersed himself in the artistic fabric of the city, becoming a key figure in its creative community. His work spans painting, gesso, and graphics, but what remains constant is his ability to capture the fleeting nature of human experience—whether through textured surfaces, layered compositions, or the interplay of light and shadow. Exhibiting since 1991, he has showcased his works across Ukraine, Finland, Norway, Georgia, Australia, the USA, and Mediterranean countries, finding collectors in some of the world’s most prestigious galleries. His membership in the UNESCO International Federation of Artists is a testament to his global artistic impact. Sharashydze’s paintings feel like fragments of dreams, echoes of forgotten myths, glimpses of a world that exists just beyond reach. Whether in the soft contours of a portrait, the weathered textures of his gesso work, or the intricate lines of his graphics, his pieces invite viewers into a space of reflection — where past and present, memory and sensation converge. To experience Davyd Sharashydze’s art is to travel through time, to feel the weight of history and the pulse of the present, all captured in a single brushstroke.
Artwork Myroslava Perevalska - Subjektiv.art
Myroslava Perevalska - Subjektiv.art
Myroslava Perevalska
Ukraine
Some artists paint what they see. Others paint what they dream. Myroslava Perevalska paints what she feels, and, more importantly, what she fears losing. In a world rushing forward, she is an artist who asks us to slow down, to breathe, to see before the colours fade, before the emotions slip away, before time moves beyond our grasp. When we spoke, she described her connection to art in a way I had never heard before. “ think of myself as a fish,” she told me. “ fish that doesn’ question the water, that doesn’ think about how deep it swims. It just exists.” Art is her element, her lifeblood, and her way of understanding the world. It’ why, even as war reshapes the reality around her, she continues to create, not just as a form of resistance but as a way to document the truth as she experiences it. Her paintings are immediately recognisable, figures emerging from bold, urgent strokes of red, white, and black. Red, she told me, is the colour of life, of passion, of survival. It pulses through her work, a constant heartbeat. But it is also the colour she fears losing. “ greatest happiness,” she said, referencing Borges, “ when a blind man dreams of red.” The idea of losing that sensation, of not being able to feel the depth of colour, is her deepest fear. But instead of running from it, she embraces it, pours it into her canvases, ensuring that even if time erodes memory, the intensity of her vision remains. As we talked, her thoughts spiralled outward - philosophy, history, technology, even the fate of humanity. “ are all on the Titanic,” she told me. “ comfortable but unaware of what’ coming.” The world is changing too quickly. Wars, pandemics, artificial intelligence, isolation. She fears we are forgetting how to truly be present. That people are becoming less human. She sees this loss reflected in modern art, how simple narratives and raw emotion are disappearing, replaced by a detachment from the soul of creation.
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