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The Art of Encounter
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Find art that mirrors your emotions and values through our innovative mood-matching feature. Whether you’re feeling hopeful, introspective, or bold, we’ve got art that connects deeply with you.
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Artwork preview
Making of CAD 180116
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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)
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Processus de création dans mon atelier!
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Painting process
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Art process. The painting is done with acrylic paints on canvas.
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Few shots and fragments from working process.
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Making of Dreamscape #4
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My studio. Working process. I am painting a still life with aloe.
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The process of making a mosaic
Reflections Hub
Discover what others felt—and share your own moments of connection, emotion, and meaning through art.
Devil's fingers Alena Kuznetsova - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
The way that sculpture stands out against the snow is just so cool!! It's like it belongs to some Lovecraftian horror story, but because it's so small, it's more captivating than creepy. It's like it's got this mysterious charm to it.
valya shaf
Apple orchard Yehor Dulin - Subjektiv.art
Were you transported somewhere by this artwork?
I am transported back to my childhood in my grandparents' garden picking apples and fruits from the trees... Sweet memories literally :)
Tahina Le Goff
Sunset Artem Andreichuk - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
The path. Easy, calm, and full of wisdom - through the prairie, listening to the trees and wind whispering. Someone could have been there before, or maybe no one had? Silence and calm. Gorgeous !
Illia Ishchenko
Dried tulips Julia Chemerys - Subjektiv.art
Were you transported somewhere by this artwork?
A timeless tableau of fragility and beauty. The once vibrant petals, now muted hues, whisper tales of life's fleeting nature. A poignant reminder of the ephemeral, captured in a moment of eternal stillness.
Vlad Soloviov
Covered Danya Shulipa - Subjektiv.art
Whose work did this artwork remind you of?
I want to be him. Anyone can silence the world out there by taking a bath and covering his own face, but doing so in style? Only for the selected few. Which I why I can only assume that yellow barrier is an extra layer of distance, ensuring all the noise, negativity of the outside world stay right there, outside. What a guy.
Manuel Medeiros
Green Light Olena Ryzhykh - Subjektiv.art
Whose work did this artwork remind you of?
Love the natural earthy colours. Reminds me of a lizard emerging from its cave at dusk
Maximilian Kaessens
Arbres Muriel Evangelista - Subjektiv.art
Were you transported somewhere by this artwork?
What is your opinion on what contemporary art should be...more for intelectual interpretations... or more sensitively towards our emocional !?
Mario Miranda
Clockwork #3 Socia Socia - Subjektiv.art
What do you see in this artwork?
For me it’s the perfect interplay between music and visual art. I see it like an abstract dance, the raw interpretation of our inner world and emotions, organized chaos. Blurry somehow yet bold and at times very assertive.
Tahina Le Goff
Kyiv Skyline Series. Light Through The Darkness Ganna Kryvolap - Subjektiv.art
Whose work did this artwork remind you of?
There is always light in the midst of darkness. This painting and its title speak for themselves: hope, perseverance, and resilience
Cristina Freitas
Still life with peonies Artem Andreichuk - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
Incredible composition! It is somehow so dynamic and perfectly balanced. A pure joy to look at!
Yehor Serdiuk
Mentality Sestry Feldman - Subjektiv.art
What do you see in this artwork?
This artwork immediately brings memories about my childhood in Dnipro, Eastern Ukraine. I remember the men in sporty adidas leggings and without shirts (гопнікі), speaking weirdly in heavy jargon. They were the antipodes of the old ladies sitting on the benches, complaining and broadcasting Soviet narratives. The interiors of flats with “eurodesign”, the tacky exteriors of banners and ads — results of the chaos of unregulated trade — those were visual symbols of my childhood. And this artwork creates a perfect memory. It accepts fully the absurdity and chaos that I was born into but instead of dramatising it makes fun of it. It makes me smile. It is a sweat ironic reminder of where I am from without making any predictions about where I am heading to.
Kateryna Serdiuk
Almost freedom Eugene Pokutnev - Subjektiv.art
How do you feel when you look at this artwork?
An endless weaving of forms, a search for images and evidence... perhaps it’s just mine, or our confusion is breaking free
Rost Borsch
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Meet our Artists
Artwork David Sharashydze - Subjektiv.art
David Sharashydze - Subjektiv.art
David Sharashydze
Ukraine
For Davyd Sharashydze, art is not just a visual expression— it is a bridge between cultures, histories, and emotions. Born into the rich artistic heritage of Ukraine and Georgia, he carries the essence of both lands in his work, blending the strength of one with the poetry of the other. His artistic journey began in the early 1990s, a turbulent era that saw the collapse of the Soviet Union and the reawakening of national identities. As the world around him shifted, so did his approach to painting. Inspired by the old masters but driven by a desire to break form, he developed a style that exists between classical and contemporary, between precision and freedom. Moving to Kyiv in 1993, Sharashydze immersed himself in the artistic fabric of the city, becoming a key figure in its creative community. His work spans painting, gesso, and graphics, but what remains constant is his ability to capture the fleeting nature of human experience—whether through textured surfaces, layered compositions, or the interplay of light and shadow. Exhibiting since 1991, he has showcased his works across Ukraine, Finland, Norway, Georgia, Australia, the USA, and Mediterranean countries, finding collectors in some of the world’s most prestigious galleries. His membership in the UNESCO International Federation of Artists is a testament to his global artistic impact. Sharashydze’s paintings feel like fragments of dreams, echoes of forgotten myths, glimpses of a world that exists just beyond reach. Whether in the soft contours of a portrait, the weathered textures of his gesso work, or the intricate lines of his graphics, his pieces invite viewers into a space of reflection — where past and present, memory and sensation converge. To experience Davyd Sharashydze’s art is to travel through time, to feel the weight of history and the pulse of the present, all captured in a single brushstroke.
Artwork Nataliia  Brichuk - Subjektiv.art
Nataliia  Brichuk - Subjektiv.art
Nataliia Brichuk
Ukraine
Natasha Brichuk, known as Notuko, paints in the language of memory. Raised in Rivne, Ukraine, she grew up surrounded by the vivid patterns of embroidered tablecloths, the warmth of painted ceramics, and the quiet grandeur of old Ukrainian architecture. These objects weren’t just decoration—they were stories, passed down through generations, whispering of heritage, resilience, and identity. But tradition, as she saw it, was not static. It pulsed with life, adapting, shifting, existing between past and present. It is this in-between space that Notuko inhabits as an artist. She pursued decorative and applied arts, specialising in ceramics, but painting became her true medium for storytelling. What began as a simple fascination evolved into a bold artistic language - where folk motifs meet abstraction, where Byzantine echoes intertwine with modern fluidity. Her figures emerge as symbols rather than individuals, their forms at times dissolving into textured layers of colour, as if caught between reality and memory. Improvisation is at the heart of her process. She embraces instinct, letting her brushwork capture fleeting emotions and intangible histories. Her compositions often feel like fragments of a grander, unseen whole — inviting viewers to reconnect with traditions, not as relics, but as living, breathing experiences. Notuko’s works have traveled far beyond her hometown, exhibited across Ukraine, Europe, and the UK. Yet, her essence remains rooted in the stories of home — the unspoken ties between past generations and those still to come. Her art is a conversation between centuries, a delicate balance of structure and spontaneity, of inherited symbols and contemporary expression. To experience Notuko’s work is to step into a world where tradition doesn’t belong to the past—it evolves, just like us.
Artwork Myroslava Perevalska - Subjektiv.art
Myroslava Perevalska - Subjektiv.art
Myroslava Perevalska
Ukraine
Some artists paint what they see. Others paint what they dream. Myroslava Perevalska paints what she feels, and, more importantly, what she fears losing. In a world rushing forward, she is an artist who asks us to slow down, to breathe, to see before the colours fade, before the emotions slip away, before time moves beyond our grasp. When we spoke, she described her connection to art in a way I had never heard before. “ think of myself as a fish,” she told me. “ fish that doesn’ question the water, that doesn’ think about how deep it swims. It just exists.” Art is her element, her lifeblood, and her way of understanding the world. It’ why, even as war reshapes the reality around her, she continues to create, not just as a form of resistance but as a way to document the truth as she experiences it. Her paintings are immediately recognisable, figures emerging from bold, urgent strokes of red, white, and black. Red, she told me, is the colour of life, of passion, of survival. It pulses through her work, a constant heartbeat. But it is also the colour she fears losing. “ greatest happiness,” she said, referencing Borges, “ when a blind man dreams of red.” The idea of losing that sensation, of not being able to feel the depth of colour, is her deepest fear. But instead of running from it, she embraces it, pours it into her canvases, ensuring that even if time erodes memory, the intensity of her vision remains. As we talked, her thoughts spiralled outward - philosophy, history, technology, even the fate of humanity. “ are all on the Titanic,” she told me. “ comfortable but unaware of what’ coming.” The world is changing too quickly. Wars, pandemics, artificial intelligence, isolation. She fears we are forgetting how to truly be present. That people are becoming less human. She sees this loss reflected in modern art, how simple narratives and raw emotion are disappearing, replaced by a detachment from the soul of creation.
Artwork Dasha Tsapenko - Subjektiv.art
Dasha Tsapenko - Subjektiv.art
Dasha Tsapenko
Netherlands
Some artists paint. Some sculpt. But Dasha Tsapenko grows her art. I remember the first time I encountered her work, it wasn’ just visually striking, it was revolutionary. It blurred the line between creation and cultivation. Dasha doesn’ see herself as the sole author of her works; instead, she collaborates with nature itself. Her textiles, garments, and installations are not merely crafted, they are nurtured. She prepares the foundation, then steps back to allow fungi, fibres, and microorganisms to shape the outcome. What emerges is something completely unique - art that breathes, evolves, and ultimately becomes part of the world in a way that traditional works never could. Her studio is unlike any I’ seen before. It’ not just a workshop, it’ part textile lab, part microbiology station, part experimental farm. A place where science and creativity intertwine seamlessly. She works with living organisms, primarily mycelium, the vast underground network of fungi that connects trees and plants beneath forests. But here, in her hands, mycelium doesn’ just connect nature, it creates. It grows into textiles, forming intricate patterns and textures, embedding itself into the very fabric of her art. It’ a process that is at once scientific and poetic. The unpredictability of working with living materials means that no two pieces are ever the same. She carefully prepares the ground, sometimes weaving or sewing textiles in a particular way to encourage the fungi’ growth in a desired form. But the final result? That’ left to nature.
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