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The Art of Encounter
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Find art that mirrors your emotions and values through our innovative mood-matching feature. Whether you’re feeling hopeful, introspective, or bold, we’ve got art that connects deeply with you.
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Artwork preview
Making of CAD 180116
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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)
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Processus de création dans mon atelier!
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Painting process
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Art process. The painting is done with acrylic paints on canvas.
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Few shots and fragments from working process.
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Making of Dreamscape #4
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My studio. Working process. I am painting a still life with aloe.
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The process of making a mosaic
Reflections Hub
Discover what others felt—and share your own moments of connection, emotion, and meaning through art.
"Waiting for..." Bohdan Burenko - Subjektiv.art
Whose work did this artwork remind you of?
This artwork looks bold! Like how the rough lines and strong colors lead to serious mood
Vlad Soloviov
With flower Liliya Nebera - Subjektiv.art
What do you see in this artwork?
Cold empty space, a fragile barely noticeable chair that it seems is about to disappear, depriving her of her only point of support... she is focused and collected, as if she has stopped breathing and held her heart in order to return balance, peace and acceptance to her gaze... In some parallel dimension, she has already turned into a flower sprouting roots in nothingness, in order to blossom again and incarnate inspite of the ethereal reality, incarnate with new strength and new hope... this time... as always.
Rost Borsch
Devil's fingers Alena Kuznetsova - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
The way that sculpture stands out against the snow is just so cool!! It's like it belongs to some Lovecraftian horror story, but because it's so small, it's more captivating than creepy. It's like it's got this mysterious charm to it.
valya shaf
Care Myroslava Perevalska - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
I like that the technique is somewhat polygonal. It reminds me of machine vision, of test footage from a robot or a self-driving car, compiling many layers of information at different spectrum so that it has the best chance of interpreting the situation correctly. I don't think the robot would do a good job here though. It will be perplexed, the true meaning of care is reserved for humans only.
Yehor Serdiuk
Almost freedom Eugene Pokutnev - Subjektiv.art
How do you feel when you look at this artwork?
An endless weaving of forms, a search for images and evidence... perhaps it’s just mine, or our confusion is breaking free
Rost Borsch
Kyiv Skyline Series. Light Through The Darkness Ganna Kryvolap - Subjektiv.art
Whose work did this artwork remind you of?
There is always light in the midst of darkness. This painting and its title speak for themselves: hope, perseverance, and resilience
Cristina Freitas
Sunset Artem Andreichuk - Subjektiv.art
How do you feel when you look at this artwork?
I feel peace, serenity, calmness and freshness!
Sofia Blonska
Ouroboros Sestry Feldman - Subjektiv.art
What do you see in this artwork?
Surreal imagery, blending elements of nature, mysticism, and fantasy into a vivid dreamscape. There’s a kind of chaotic harmony at play— elements that should feel unsettling instead feel alive and interconnected, as if this world follows its own logic. Makes one question perception and reality, urging to embrace the bizarre, the mystical, and the unknown. Perhaps, the extraordinary is simply the natural order of things.
Anshul Punhani
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Meet our Artists
Artwork Vês Três - Subjektiv.art
Vês Três - Subjektiv.art
Vês Três
Portugal
VÊS.TRÊS is a collective project composed of emerging artists Ana Malta, Madalena Pequito and Maria de Brito Matias. The collaboration began in 2018, after they finished their respective degrees in Painting at the Faculty of Fine Arts of the University of Lisbon. The desire to continue close work as colleagues encouraged the creation of joint works where pictorial harmony creates a game of seeing and recognizing. The question that remains will always be: "Do you see three"? Three forms of expression, three styles, three color palettes. ​ It emerged as a movement of mutual support, a dialogue of experiences and a space for sharing social issues as women artists. The collective aims to convey to the viewer the importance of bringing together practices and minds for the development of human life. We are social beings and by coming together we sharpen our senses - in this case 3 times more sensitive - creating this element - Vês.Três - which, as a singular artist, has the presence of three independent artists who want to leave their mark through a colorful language that is accessible to anyone. All three intervene in the same way and at the same time in all created works. Mostra "Palavra proibida" no Café Local, 2023 Caldas da Rainha; ​ "Running Riot", Galeria Augustine, 2023 Lisboa; ​ "It's Crystal Clear", LxLapa, Lisboa; ​ "piquenique", Oficinas de Aljustrel, 2022 Alentejo; ​ "Sobre tentativas de (re)mover", atmosfera m, 2021 Lisboa; ​ "Papel de Parede", Espaço Mercês, 2021 Príncipe Real; ​ "Vês.Três", EGEU, 2020 Arroios; ​ "EMER.GENTE", Associação Recreativa da Moita Redonda, 2020 Fátima;
Artwork Liudmila Davydenko - Subjektiv.art
Liudmila Davydenko - Subjektiv.art
Liudmila Davydenko
Ukraine
Some artists speak through colours, others through form, but with Liudmila Davydenko, it’ something more - something beneath the surface, beneath even the layers of paint she so meticulously applies to her canvases. I first came across her work at an exhibition in Vienna, where her paintings, rich in texture and introspection, seemed to hold something unseen, something just out of reach. I knew then that I needed to understand her process, to see her world through her own eyes. Our visit to her studio in Lviv was planned after a long working session with my co-founders. It was a chance to engage directly with an artist whose work had left an impression on me. When we arrived, the setting was unexpectedly cinematic, her studio was nestled inside an old Soviet industrial building, its long, dimly lit corridors stretching endlessly like something out of Kubrick’ The Shining. There was a strange stillness in the air, a kind of suspended time, which somehow made the vibrancy of her paintings even more striking. Stepping into her workspace, I was immediately met with the scent of oil paint and the quiet discipline of an artist deeply immersed in her craft. Liudmila belongs to a generation of artists for whom patience and precision are second nature. Her early training as a sculptor is evident in the way she approaches her paintings - not as flat compositions, but as something three-dimensional, something that carries weight and substance. She doesn’ simply paint; she constructs. Every piece undergoes an intricate layering process, sometimes up to eight layers deep, giving the final work a sense of depth that feels almost geological, as if revealing different strata of meaning.
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