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The Art of Encounter

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SALON, O PRIMEIRO

SALON, O PRIMEIRO

41 artworks •

Curated by Subjektiv, Francisco Duarte Coelho

First Art Encounter

First Art Encounter

75 artworks •

Curated by Subjektiv

French Touch

15 artworks •

Curated by Subjektiv

Under the Portuguese Sun

Under the Portuguese Sun

22 artworks •

Curated by Subjektiv

Geometry Speaks

Geometry Speaks

56 artworks •

Curated by Subjektiv

Art Beyond Canvas. Grown, Stitched, Burnt, Bent

Art Beyond Canvas. Grown, Stitched, Burnt, Bent

43 artworks •

Curated by Subjektiv

Kinetic Stillness

Kinetic Stillness

28 artworks •

Curated by Subjektiv

Art That Breathes

Art That Breathes

31 artworks •

Curated by Subjektiv

Echoes and Visions

Echoes and Visions

50 artworks •

Curated by ArtShield

Instytut Avtomatyky

Instytut Avtomatyky

31 artworks •

Curated by Instytut Avtomatyky

Myroslava's Mosaic

Myroslava's Mosaic

13 artworks •

Curated by Subjektiv

Мистецтво Жити

Мистецтво Жити

103 artworks •

Curated by Subjektiv

Featured Selections

SALON, O PRIMEIRO

SALON, O PRIMEIRO

41 artworks •

Curated by Subjektiv, Francisco Duarte Coelho

First Art Encounter

First Art Encounter

75 artworks •

Curated by Subjektiv

French Touch

15 artworks •

Curated by Subjektiv

Under the Portuguese Sun

Under the Portuguese Sun

22 artworks •

Curated by Subjektiv

Geometry Speaks

Geometry Speaks

56 artworks •

Curated by Subjektiv

Art Beyond Canvas. Grown, Stitched, Burnt, Bent

Art Beyond Canvas. Grown, Stitched, Burnt, Bent

43 artworks •

Curated by Subjektiv

Kinetic Stillness

Kinetic Stillness

28 artworks •

Curated by Subjektiv

Art That Breathes

Art That Breathes

31 artworks •

Curated by Subjektiv

Echoes and Visions

Echoes and Visions

50 artworks •

Curated by ArtShield

Instytut Avtomatyky

Instytut Avtomatyky

31 artworks •

Curated by Instytut Avtomatyky

Myroslava's Mosaic

Myroslava's Mosaic

13 artworks •

Curated by Subjektiv

Мистецтво Жити

Мистецтво Жити

103 artworks •

Curated by Subjektiv

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Making of CAD 180116

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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)

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Maria R Saunders

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Processus de création dans mon atelier!

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Painting process

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Art process. The painting is done with acrylic paints on canvas.

Eugene Pokutnev

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Few shots and fragments from working process.

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Making of Dreamscape #4

Carolina Sardinha

@carolinasardinha

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My studio. Working process. I am painting a still life with aloe.

Artem Andreichuk

@artemandreichukartist

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The process of making a mosaic

Volodymyr Mamchur

@mamchur_volodymyr_art

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Process of Leopard

Oksana Fedchyshyn

@dearoksanafedchyshyn

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Painting - Subjektiv.art

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Street Art paintings

Pop Art paintings - Subjektiv.art

Pop Art paintings

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Meet our Artists

Artwork Eugene Pokutnev - Subjektiv.art

Eugene Pokutnev

That night, I couldn’ sleep. Outside my window, the street lay in pitch-black silence, as if the world itself was holding its breath. In my mind, a scene played out like a film noir—the quiet raised a revolver, cocked it with an ironic smile, and fired a single shot into the sky. Smoke curled, lingering, twisting into shapes. Thoughts exploded in my head, each one a stream of colour racing toward an unseen finish line. They tangled, danced, and in that restless moment, these are the words Eugene said on his creative process. It was then that I understood something, Eugene Pokutnev’ paintings feel exactly like this. I first saw Eugene’ work in Berlin, without knowing his name. His paintings weren’ just compositions of colour - they were movements. They seemed to shift before my eyes, pulling me in, disorienting me in the best way. Later, I learned his secret: ‘-black’ a rare Japanese paint so dense that it absorbs nearly all light, creating an illusion of infinite depth. He orders it from a master in Japan, layering it alongside vibrant colour, bending space itself on the canvas. When you stand before his work, it’ as if you’ falling into the painting, moving between its layers, losing balance for just a second. His journey into art was as unexpected as the effect of his work. Growing up in Dnipro (coincidentally my home town), a career in art was never considered an option. He spent his days sketching intricate patterns but, like many others in his city, he needed stability. So he became a policeman. And yet, fate has its way of rewriting stories. One day, while investigating a burglary, his colleague casually showed the apartment owner some of Eugene’ sketches. The man, a businessman with an eye for art, was so captivated that he made an offer on the spot: “ the police. I’ fund you.” And just like that, Eugene left law enforcement behind.

Artwork Myroslava Perevalska - Subjektiv.art

Myroslava Perevalska

Some artists paint what they see. Others paint what they dream. Myroslava Perevalska paints what she feels, and, more importantly, what she fears losing. In a world rushing forward, she is an artist who asks us to slow down, to breathe, to see before the colours fade, before the emotions slip away, before time moves beyond our grasp. When we spoke, she described her connection to art in a way I had never heard before. “ think of myself as a fish,” she told me. “ fish that doesn’ question the water, that doesn’ think about how deep it swims. It just exists.” Art is her element, her lifeblood, and her way of understanding the world. It’ why, even as war reshapes the reality around her, she continues to create, not just as a form of resistance but as a way to document the truth as she experiences it. Her paintings are immediately recognisable, figures emerging from bold, urgent strokes of red, white, and black. Red, she told me, is the colour of life, of passion, of survival. It pulses through her work, a constant heartbeat. But it is also the colour she fears losing. “ greatest happiness,” she said, referencing Borges, “ when a blind man dreams of red.” The idea of losing that sensation, of not being able to feel the depth of colour, is her deepest fear. But instead of running from it, she embraces it, pours it into her canvases, ensuring that even if time erodes memory, the intensity of her vision remains. As we talked, her thoughts spiralled outward - philosophy, history, technology, even the fate of humanity. “ are all on the Titanic,” she told me. “ comfortable but unaware of what’ coming.” The world is changing too quickly. Wars, pandemics, artificial intelligence, isolation. She fears we are forgetting how to truly be present. That people are becoming less human. She sees this loss reflected in modern art, how simple narratives and raw emotion are disappearing, replaced by a detachment from the soul of creation.

Artwork Carlos Barradas - Subjektiv.art

Carlos Barradas

Photographer with a PhD in anthropology, I have been producing photographic and textual essays on issues such as territory, colonialism and post-colonialism, disability, new masculinities and sustainability. Considered by GUP Magazine as one of the 100 European photography talents (2020). My work, described as magic documentalism, has already been exhibited in Brazil, France, Italy and Portugal. I exhibited collectively at the Rencontres d'Arles 2019 & 2023 (promoted by the British Journal of Photography and Der Greif) and at the International Center of Photography, in New York. Winner of the “Cities in the City” initiative at PhotoEspaña and the Porto Photography Biennial '21 and recently guest artist in residence at Encontros da Imagem 2023 edition. Co-creator and co-editor of the online contemporary photography magazine SOPA and editor of the photography platform Lenscratch , based in Los Angeles. Part of my artistic practice is developed around personal work, but also the development of free workshops for the communities I work with, always resulting in fanzines, collective exhibitions or other types of artistic products, as has happened in my work in Campanhã , in Porto, São Tomé and Príncipe or Namibia. I believe that through these joint initiatives and community participation, the visual production and local cultural mapping will be richer the greater their engagement.

Artwork Ganna Kryvolap - Subjektiv.art

Since she was a young child, the Ukrainian painter Ganna Kryvolap has been shaped by the creative environment revolving around her family. She comes from a family of artists. Her father Anatoliy Kryvolap, who was famous for his Ukrainian landscape paintings, as well as her mother Zinayida Vasina, also an artist and theatre costume designer, both had a great impact on Ganna Kryvolap. Her works are characterised by brilliant colours, expressionist structure and vibrating energy. They radiate lightness and an incredible luminous intensity. The artist works in series and cycles. She transforms her city series into an abstract and dreamlike language: Kryvolap’s pictures are hybrids that incorporate impressions of real landscapes, intellectual observations and pure fantasy. She contrasts her multi-coloured urban pictures with a colour background that additionally introduces a strong dynamic element.

Artwork Liudmila Davydenko - Subjektiv.art

Liudmila Davydenko

Some artists speak through colours, others through form, but with Liudmila Davydenko, it’ something more - something beneath the surface, beneath even the layers of paint she so meticulously applies to her canvases. I first came across her work at an exhibition in Vienna, where her paintings, rich in texture and introspection, seemed to hold something unseen, something just out of reach. I knew then that I needed to understand her process, to see her world through her own eyes. Our visit to her studio in Lviv was planned after a long working session with my co-founders. It was a chance to engage directly with an artist whose work had left an impression on me. When we arrived, the setting was unexpectedly cinematic, her studio was nestled inside an old Soviet industrial building, its long, dimly lit corridors stretching endlessly like something out of Kubrick’ The Shining. There was a strange stillness in the air, a kind of suspended time, which somehow made the vibrancy of her paintings even more striking. Stepping into her workspace, I was immediately met with the scent of oil paint and the quiet discipline of an artist deeply immersed in her craft. Liudmila belongs to a generation of artists for whom patience and precision are second nature. Her early training as a sculptor is evident in the way she approaches her paintings - not as flat compositions, but as something three-dimensional, something that carries weight and substance. She doesn’ simply paint; she constructs. Every piece undergoes an intricate layering process, sometimes up to eight layers deep, giving the final work a sense of depth that feels almost geological, as if revealing different strata of meaning.

Artwork Karine Bartoli - Subjektiv.art

L’artiste sélectionne minutieusement ses motifs parmis des photos issues de ses propres shooting où se trouvent des interactions entre les personnages dans des territoires ensoleillés. Elle représente ces clichés en peinture à l’huile sur toile, en les recadrant et sélectionnant ses couleurs. Sa touche est emprunte de ce que sa vue a digéré, son ressenti à filtré. S’établit un processus créatif pour traduire la lumière et les mouvements des personnages. Dans ses œuvres la lumière a fonction de composition. La peintre décrit la lumière et le mouvement de façon radicale. Elle théâtralise, sacralise une réalité d’apparence banale. L’univers pictural de Fairfeld Porter l’inspire dans la recherche du motif et de la composition de ses peintures. Son geste est dans la lignée de celui de peintres néo expressionnistes allemands des années 80, caractérisé par une franche liberté d’expression. Le médium peinture ne s’éfface pas derrière le motif. Il est garant d’un choix subjectif qu’elle établit face à son modèle.

Artwork Rina Riga - Subjektiv.art

Artist and tutor from Kharkiv. I work in the genre of painting and installation, exploring the boundaries between reality and imagination through primary sensations, images and processes of transformation. Inspired by the works and life of Čiurlionis - Lithuanian composer and painter. In my practice, I address the themes of instability, transition and finding support in a changing world. A key aspect of my work is memory: its materiality, fragmentation and changeability. It manifests itself in multilayered structures that resemble the processes of birth, decay and rebirth, as if visualizing how memories germinate, collapse and form anew. The corporeality in my works is a carrier of memory. Organic textures hint at roots, flesh or connections that connect us with the environment and the past. Abstract forms and mythological allusions create a space for reflection on how individual and collective memories influence our perception of reality.

Artwork Serhii Hrekh - Subjektiv.art

Feros (Serhii Hrekh) is a contemporary artist working in Ukraine. In his early career, he used the cityscape of Lviv, Ukraine as a canvas, creating graffiti works known for their bold use of color and shape. His raw and rebellious style gained recognition locally and beyond, with each mural telling a unique story inspired by personal experiences and societal issues. As Feros evolved as an artist, he transitioned from graffiti to abstraction and figurative surrealism. His works create alternate realities, distorting familiar forms to offer viewers a unique perspective on the world, and continue to evolve with enhanced sophistication and complexity. Each color choice is intentional, evoking specific emotions and narratives. His work mirrors his personal experiences and background and presents a powerful commentary on society, culture, and the human condition.

Artwork David Sharashydze - Subjektiv.art

David Sharashydze

For Davyd Sharashydze, art is not just a visual expression— it is a bridge between cultures, histories, and emotions. Born into the rich artistic heritage of Ukraine and Georgia, he carries the essence of both lands in his work, blending the strength of one with the poetry of the other. His artistic journey began in the early 1990s, a turbulent era that saw the collapse of the Soviet Union and the reawakening of national identities. As the world around him shifted, so did his approach to painting. Inspired by the old masters but driven by a desire to break form, he developed a style that exists between classical and contemporary, between precision and freedom. Moving to Kyiv in 1993, Sharashydze immersed himself in the artistic fabric of the city, becoming a key figure in its creative community. His work spans painting, gesso, and graphics, but what remains constant is his ability to capture the fleeting nature of human experience—whether through textured surfaces, layered compositions, or the interplay of light and shadow. Exhibiting since 1991, he has showcased his works across Ukraine, Finland, Norway, Georgia, Australia, the USA, and Mediterranean countries, finding collectors in some of the world’s most prestigious galleries. His membership in the UNESCO International Federation of Artists is a testament to his global artistic impact. Sharashydze’s paintings feel like fragments of dreams, echoes of forgotten myths, glimpses of a world that exists just beyond reach. Whether in the soft contours of a portrait, the weathered textures of his gesso work, or the intricate lines of his graphics, his pieces invite viewers into a space of reflection — where past and present, memory and sensation converge. To experience Davyd Sharashydze’s art is to travel through time, to feel the weight of history and the pulse of the present, all captured in a single brushstroke.

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Learn and Be Inspired

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