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The Art of Encounter
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Find art that mirrors your emotions and values through our innovative mood-matching feature. Whether you’re feeling hopeful, introspective, or bold, we’ve got art that connects deeply with you.
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Artwork preview
Making of CAD 180116
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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)
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Processus de création dans mon atelier!
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Painting process
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Art process. The painting is done with acrylic paints on canvas.
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Few shots and fragments from working process.
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Making of Dreamscape #4
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My studio. Working process. I am painting a still life with aloe.
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The process of making a mosaic
Reflections Hub
Discover what others felt—and share your own moments of connection, emotion, and meaning through art.
Devil's fingers Alena Kuznetsova - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
The way that sculpture stands out against the snow is just so cool!! It's like it belongs to some Lovecraftian horror story, but because it's so small, it's more captivating than creepy. It's like it's got this mysterious charm to it.
valya shaf
Apple orchard Yehor Dulin - Subjektiv.art
Were you transported somewhere by this artwork?
I am transported back to my childhood in my grandparents' garden picking apples and fruits from the trees... Sweet memories literally :)
Tahina Le Goff
Sunset Artem Andreichuk - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
The path. Easy, calm, and full of wisdom - through the prairie, listening to the trees and wind whispering. Someone could have been there before, or maybe no one had? Silence and calm. Gorgeous !
Illia Ishchenko
Dried tulips Julia Chemerys - Subjektiv.art
Were you transported somewhere by this artwork?
A timeless tableau of fragility and beauty. The once vibrant petals, now muted hues, whisper tales of life's fleeting nature. A poignant reminder of the ephemeral, captured in a moment of eternal stillness.
Vlad Soloviov
Covered Danya Shulipa - Subjektiv.art
Whose work did this artwork remind you of?
I want to be him. Anyone can silence the world out there by taking a bath and covering his own face, but doing so in style? Only for the selected few. Which I why I can only assume that yellow barrier is an extra layer of distance, ensuring all the noise, negativity of the outside world stay right there, outside. What a guy.
Manuel Medeiros
Green Light Olena Ryzhykh - Subjektiv.art
Whose work did this artwork remind you of?
Love the natural earthy colours. Reminds me of a lizard emerging from its cave at dusk
Maximilian Kaessens
Arbres Muriel Evangelista - Subjektiv.art
Were you transported somewhere by this artwork?
What is your opinion on what contemporary art should be...more for intelectual interpretations... or more sensitively towards our emocional !?
Mario Miranda
Clockwork #3 Socia Socia - Subjektiv.art
What do you see in this artwork?
For me it’s the perfect interplay between music and visual art. I see it like an abstract dance, the raw interpretation of our inner world and emotions, organized chaos. Blurry somehow yet bold and at times very assertive.
Tahina Le Goff
Kyiv Skyline Series. Light Through The Darkness Ganna Kryvolap - Subjektiv.art
Whose work did this artwork remind you of?
There is always light in the midst of darkness. This painting and its title speak for themselves: hope, perseverance, and resilience
Cristina Freitas
Still life with peonies Artem Andreichuk - Subjektiv.art
Stare at the artwork for 20 seconds. What comes to mind?
Incredible composition! It is somehow so dynamic and perfectly balanced. A pure joy to look at!
Yehor Serdiuk
Mentality Sestry Feldman - Subjektiv.art
What do you see in this artwork?
This artwork immediately brings memories about my childhood in Dnipro, Eastern Ukraine. I remember the men in sporty adidas leggings and without shirts (гопнікі), speaking weirdly in heavy jargon. They were the antipodes of the old ladies sitting on the benches, complaining and broadcasting Soviet narratives. The interiors of flats with “eurodesign”, the tacky exteriors of banners and ads — results of the chaos of unregulated trade — those were visual symbols of my childhood. And this artwork creates a perfect memory. It accepts fully the absurdity and chaos that I was born into but instead of dramatising it makes fun of it. It makes me smile. It is a sweat ironic reminder of where I am from without making any predictions about where I am heading to.
Kateryna Serdiuk
Almost freedom Eugene Pokutnev - Subjektiv.art
How do you feel when you look at this artwork?
An endless weaving of forms, a search for images and evidence... perhaps it’s just mine, or our confusion is breaking free
Rost Borsch
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Meet our Artists
Artwork Liudmila Davydenko - Subjektiv.art
Liudmila Davydenko - Subjektiv.art
Liudmila Davydenko
Ukraine
Some artists speak through colours, others through form, but with Liudmila Davydenko, it’ something more - something beneath the surface, beneath even the layers of paint she so meticulously applies to her canvases. I first came across her work at an exhibition in Vienna, where her paintings, rich in texture and introspection, seemed to hold something unseen, something just out of reach. I knew then that I needed to understand her process, to see her world through her own eyes. Our visit to her studio in Lviv was planned after a long working session with my co-founders. It was a chance to engage directly with an artist whose work had left an impression on me. When we arrived, the setting was unexpectedly cinematic, her studio was nestled inside an old Soviet industrial building, its long, dimly lit corridors stretching endlessly like something out of Kubrick’ The Shining. There was a strange stillness in the air, a kind of suspended time, which somehow made the vibrancy of her paintings even more striking. Stepping into her workspace, I was immediately met with the scent of oil paint and the quiet discipline of an artist deeply immersed in her craft. Liudmila belongs to a generation of artists for whom patience and precision are second nature. Her early training as a sculptor is evident in the way she approaches her paintings - not as flat compositions, but as something three-dimensional, something that carries weight and substance. She doesn’ simply paint; she constructs. Every piece undergoes an intricate layering process, sometimes up to eight layers deep, giving the final work a sense of depth that feels almost geological, as if revealing different strata of meaning.
Artwork Carolina Sardinha - Subjektiv.art
Carolina Sardinha - Subjektiv.art
Carolina Sardinha
Portugal
Carolina Sardinha born in 1982, lives and works in Lisbon. Academic training: . Drawing Development Year at The Royal Drawing School, London (2024-ongoing); . Opened her own Studio, devoting herself entirely to her practise since then (2020); . Tutorial Scheme at Sociedade Nacional de Belas Artes, Lisbon (2018 - 2020); . Aquatint Training at Galeria Diferença, Lisbon (2014 - 2015); . Engraving Techiniques Training at Taller José Rincón Gallery, Madrid (2013 - 2014); . Drawing Education at CIEAM, Faculdade de Belas Artes, Lisbon (2009 - 2010); . Wood block Printmaking Training at the National Print Museum, Dublin (2008 - 2009); . Socrates Erasmus Program, Università Degli Studi di Roma “La Sapienza”, Rome (2003 - 2004); . Degree in Architecture from Instituto Superior Técnico, Lisbon (2006). Selected Individual Exhibitions: . Matter | Mist, Azenhas do Mar (2023); . Reallocated, CCSL Advogados, Lisbon (2020); . Ageing Series, OH | OS, Lisbon (2019); . Essay on Ma, Ler Devagar Bookshop, Lisbon (2019); . La piel de las Cosas, Taller José Rincón Gallery, Madrid (2015). Selected Group Exhibitions: . Group Show at Livraria Sá da Costa, Lisbon (2022); . Finalists Exhibition, Sociedade Nacional de Belas Artes, Lisbon (2019); . Printmaking Exhibition, Galeria Diferença, Lisbon (2016); . Selected Artists Exhibition, Casa de La Moneda, Madrid (2015); . Printmaking Artists Exhibition, Casa de Cultura del Ayuntamiento de Carmona, Carmona (2014). Prizes: . Selected Artist for Collection “The Mediterranean”, The Curators (2020); . Jóvenes Creadores de Calcografía Nacional Prize from the Real Academia de Belas Artes de de San Fernando de Madrid (2014). Collections: Her work is represented in private collections in Portugal and abroad.
Artwork Vês Três - Subjektiv.art
Vês Três - Subjektiv.art
Vês Três
Portugal
VÊS.TRÊS is a collective project composed of emerging artists Ana Malta, Madalena Pequito and Maria de Brito Matias. The collaboration began in 2018, after they finished their respective degrees in Painting at the Faculty of Fine Arts of the University of Lisbon. The desire to continue close work as colleagues encouraged the creation of joint works where pictorial harmony creates a game of seeing and recognizing. The question that remains will always be: "Do you see three"? Three forms of expression, three styles, three color palettes. ​ It emerged as a movement of mutual support, a dialogue of experiences and a space for sharing social issues as women artists. The collective aims to convey to the viewer the importance of bringing together practices and minds for the development of human life. We are social beings and by coming together we sharpen our senses - in this case 3 times more sensitive - creating this element - Vês.Três - which, as a singular artist, has the presence of three independent artists who want to leave their mark through a colorful language that is accessible to anyone. All three intervene in the same way and at the same time in all created works. Mostra "Palavra proibida" no Café Local, 2023 Caldas da Rainha; ​ "Running Riot", Galeria Augustine, 2023 Lisboa; ​ "It's Crystal Clear", LxLapa, Lisboa; ​ "piquenique", Oficinas de Aljustrel, 2022 Alentejo; ​ "Sobre tentativas de (re)mover", atmosfera m, 2021 Lisboa; ​ "Papel de Parede", Espaço Mercês, 2021 Príncipe Real; ​ "Vês.Três", EGEU, 2020 Arroios; ​ "EMER.GENTE", Associação Recreativa da Moita Redonda, 2020 Fátima;
Artwork Oleksiy Belusenko - Subjektiv.art
Oleksiy Belusenko - Subjektiv.art
Oleksiy Belusenko
Ukraine
In the quiet, contemplative spaces of Oleksiy Belusenko’s paintings, time feels like it has softened, lingering between memory and the present. Born in Kazakhstan in 1960 and moving to Ukraine as a child, Belusenko has spent a lifetime weaving together history, landscape, and emotion — both as an artist and as a restorer of the past. For 25 years, he worked at the National Scientific Research Restoration Centre in Kyiv, (specialising in polychrome wooden sculpture and decorative carving), breathing life back into centuries-old sculptures and carvings. This intimate relationship with history shaped his artistic eye — his brushstrokes carrying the patience of a restorer, his compositions steeped in reverence for what came before. His works feel like whispers of the past, filtered through a deeply personal lens. While Belusenko’s career spans painting, sculpture, and curation, it is his landscapes that carry his most intimate dialogue with the world. Capturing the quiet poetry of Ukrainian nature, his canvases are imbued with a sense of nostalgia—soft brushwork, muted yet resonant tones, and an ever-present balance between warmth and coolness. His work does not impose itself; rather, it invites you in, allowing you to drift between reality and impression, between what is seen and what is felt. Beyond his artistic practice, Belusenko has also dedicated himself to art education, sharing his knowledge through the BritArt XX lecture series, where he dissects the nuances of 20th-century British art. As a curator and a founding member of the Blue October creative association, he continues to shape and support the contemporary art scene in Ukraine. Today, his works reside in private collections and museums across 30 countries. Yet, despite this global reach, his paintings remain rooted in something deeply personal — his connection to place, to time, and to the quiet beauty of everyday moments.
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