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The Art of Encounter

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SALON, O PRIMEIRO

SALON, O PRIMEIRO

41 artworks •

Curated by Subjektiv

Echoes and Visions

Echoes and Visions

50 artworks •

Curated by ArtShield

Instytut Avtomatyky

Instytut Avtomatyky

30 artworks •

Curated by Instytut Avtomatyky

Myroslava's Mosaic

Myroslava's Mosaic

13 artworks •

Curated by Subjektiv

Мистецтво Жити

Мистецтво Жити

104 artworks •

Curated by Subjektiv

Featured Selections

SALON, O PRIMEIRO

SALON, O PRIMEIRO

41 artworks •

Curated by Subjektiv

Echoes and Visions

Echoes and Visions

50 artworks •

Curated by ArtShield

Instytut Avtomatyky

Instytut Avtomatyky

30 artworks •

Curated by Instytut Avtomatyky

Myroslava's Mosaic

Myroslava's Mosaic

13 artworks •

Curated by Subjektiv

Мистецтво Жити

Мистецтво Жити

104 artworks •

Curated by Subjektiv

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Making of CAD 180116

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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)

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Maria R Saunders

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Processus de création dans mon atelier!

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Painting process

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Art process. The painting is done with acrylic paints on canvas.

Eugene Pokutnev

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Few shots and fragments from working process.

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Making of Dreamscape #4

Carolina Sardinha

@carolinasardinha

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My studio. Working process. I am painting a still life with aloe.

Artem Andreichuk

@artemandreichukartist

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The process of making a mosaic

Volodymyr Mamchur

@mamchur_volodymyr_art

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Process of Leopard

Oksana Fedchyshyn

@dearoksanafedchyshyn

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Painting - Subjektiv.art

Drawing - Subjektiv.art

Sculpture - Subjektiv.art

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Street Art paintings

Pop Art paintings - Subjektiv.art

Pop Art paintings

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Abstract paintings

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Artwork Eugene Pokutnev - Subjektiv.art

Eugene Pokutnev

That night, I couldn’ sleep. Outside my window, the street lay in pitch-black silence, as if the world itself was holding its breath. In my mind, a scene played out like a film noir—the quiet raised a revolver, cocked it with an ironic smile, and fired a single shot into the sky. Smoke curled, lingering, twisting into shapes. Thoughts exploded in my head, each one a stream of colour racing toward an unseen finish line. They tangled, danced, and in that restless moment, these are the words Eugene said on his creative process. It was then that I understood something, Eugene Pokutnev’ paintings feel exactly like this. I first saw Eugene’ work in Berlin, without knowing his name. His paintings weren’ just compositions of colour - they were movements. They seemed to shift before my eyes, pulling me in, disorienting me in the best way. Later, I learned his secret: ‘-black’ a rare Japanese paint so dense that it absorbs nearly all light, creating an illusion of infinite depth. He orders it from a master in Japan, layering it alongside vibrant colour, bending space itself on the canvas. When you stand before his work, it’ as if you’ falling into the painting, moving between its layers, losing balance for just a second. His journey into art was as unexpected as the effect of his work. Growing up in Dnipro (coincidentally my home town), a career in art was never considered an option. He spent his days sketching intricate patterns but, like many others in his city, he needed stability. So he became a policeman. And yet, fate has its way of rewriting stories. One day, while investigating a burglary, his colleague casually showed the apartment owner some of Eugene’ sketches. The man, a businessman with an eye for art, was so captivated that he made an offer on the spot: “ the police. I’ fund you.” And just like that, Eugene left law enforcement behind.

Artwork Vês Três - Subjektiv.art

VÊS.TRÊS is a collective project composed of emerging artists Ana Malta, Madalena Pequito and Maria de Brito Matias. The collaboration began in 2018, after they finished their respective degrees in Painting at the Faculty of Fine Arts of the University of Lisbon. The desire to continue close work as colleagues encouraged the creation of joint works where pictorial harmony creates a game of seeing and recognizing. The question that remains will always be: "Do you see three"? Three forms of expression, three styles, three color palettes. It emerged as a movement of mutual support, a dialogue of experiences and a space for sharing social issues as women artists. The collective aims to convey to the viewer the importance of bringing together practices and minds for the development of human life. We are social beings and by coming together we sharpen our senses - in this case 3 times more sensitive - creating this element - Vês.Três - which, as a singular artist, has the presence of three independent artists who want to leave their mark through a colorful language that is accessible to anyone. All three intervene in the same way and at the same time in all created works. Mostra "Palavra proibida" no Café Local, 2023 Caldas da Rainha; "Running Riot", Galeria Augustine, 2023 Lisboa; "It's Crystal Clear", LxLapa, Lisboa; "piquenique", Oficinas de Aljustrel, 2022 Alentejo; "Sobre tentativas de (re)mover", atmosfera m, 2021 Lisboa; "Papel de Parede", Espaço Mercês, 2021 Príncipe Real; "Vês.Três", EGEU, 2020 Arroios; "EMER.GENTE", Associação Recreativa da Moita Redonda, 2020 Fátima;

Artwork Solomiia Ortynska - Subjektiv.art

Solomiia Ortynska

Solomiia works with oil and acrylic paints, adding lines with coloured pencils, a combination that showcases her love of lines and strokes. Addressing psychological strife in her work, she strives to find a "place of strength" - where one can gather energy and keep moving. For many this place is their home. As home, as she knows it has been stolen, she has shifted her focus to childhood memories that serve as a shelter for the inner child. She sees memories of childhood as a means to reduce stress and enhance emotional healing.

Artwork Anna Bulkina - Subjektiv.art

Artwork Darina Smolkina - Subjektiv.art

Darina Smolkina

In a world governed by rules—both written and unspoken—Darina Smolkina’s art whispers of quiet rebellion. Born in Kyiv, Ukraine, now based in Lisbon, she crafts paintings that feel like echoes of a theatrical performance, where characters linger in a suspended moment, caught between societal expectations and personal truths. Her work is a stage, and every canvas is a scene unfolding. Darina’s journey began in a traditional family, where expectations were clear—but her fascination with the surreal led her beyond the familiar. She started art school at six, mastering techniques that shaped her unique visual language. While studying graphic design in Kyiv, Darina found her true voice in painting — a space where boundaries blurred and deeper narratives emerged. At 19, she moved to Lisbon, an experience that shaped her perspective as an outsider navigating an unfamiliar world. Her art became a reflection of identity, isolation, and the quiet weight of societal expectations. From Schönhausen Palace Museum in Berlin to New York’s 17frost Gallery, her work speaks to a universal struggle — the tension between conformity and self-expression. Whether in the dreamlike haze of New Dream World or the raw intimacy of My First Diary, Darina’s paintings invite viewers to step into a moment of self-reflection, where emotions take form and meaning unfolds. Darina doesn’t just paint figures — she paints questions. Her art asks: Who are we, beyond the expectations placed upon us? What do we reveal, and what do we conceal? Her world is one where the symbolic and the surreal merge, reflecting not just her own journey, but the collective search for meaning in a world full of invisible walls.

Artwork David Sharashydze - Subjektiv.art

David Sharashydze

For Davyd Sharashydze, art is not just a visual expression— it is a bridge between cultures, histories, and emotions. Born into the rich artistic heritage of Ukraine and Georgia, he carries the essence of both lands in his work, blending the strength of one with the poetry of the other. His artistic journey began in the early 1990s, a turbulent era that saw the collapse of the Soviet Union and the reawakening of national identities. As the world around him shifted, so did his approach to painting. Inspired by the old masters but driven by a desire to break form, he developed a style that exists between classical and contemporary, between precision and freedom. Moving to Kyiv in 1993, Sharashydze immersed himself in the artistic fabric of the city, becoming a key figure in its creative community. His work spans painting, gesso, and graphics, but what remains constant is his ability to capture the fleeting nature of human experience—whether through textured surfaces, layered compositions, or the interplay of light and shadow. Exhibiting since 1991, he has showcased his works across Ukraine, Finland, Norway, Georgia, Australia, the USA, and Mediterranean countries, finding collectors in some of the world’s most prestigious galleries. His membership in the UNESCO International Federation of Artists is a testament to his global artistic impact. Sharashydze’s paintings feel like fragments of dreams, echoes of forgotten myths, glimpses of a world that exists just beyond reach. Whether in the soft contours of a portrait, the weathered textures of his gesso work, or the intricate lines of his graphics, his pieces invite viewers into a space of reflection — where past and present, memory and sensation converge. To experience Davyd Sharashydze’s art is to travel through time, to feel the weight of history and the pulse of the present, all captured in a single brushstroke.

Artwork IRYDIY Iryna Dzyndra - Subjektiv.art

IRYDIY Iryna Dzyndra

A representative of modern trends of the fine and decorative arts artist. In her works, Iryna places emphasis on the process of creating an image, on the interdependence of the artist and the painting and vice versa. The themes of the authors artistic expression most often are revealed in a landscape, her own vision of the landscape and space where it spreads with all the finest nuances of its emotional colouring. Contemplation, dialogue, and meditation are the priority principles of the contextual filling of the artist’s works' picturesqueness. Born in Lurtsk, Ukraine

Artwork Yuriy Musatov - Subjektiv.art

Yuriy Musatov. Ukrainian artist. Born in 1981. Sience 2017 member UNESCO International Academy of Ceramics in Geneva (IAC) and National Union of Artists of Ukraine. In 2008 graduated Lviv National Academy of Arts. In the years 2012-2023 I had 20 solo projects and exhibitions, including «Explosion», Helen Ritz Gallery. Valencia, Spain; «My Explosion», Kahan Art Space Budapest, Mudapest, Hungary; «Invasion», Triptych: Global Arts Workshop, Kyiv. Ukraine. I have also participated in more than 100 group exhibitions worldwide, including: Phoenix Rising. GroupeExhibition of Ukrainian Contemporary Art. Forsa Contemporary Art Gallery. Cromwell Place. London; «Migration(s)» Musée Ariana – Swiss Museum for Ceramics and Glass Avenue de la Paix Genève. Switzerland; Yingge IAC Members’ Exhibition - New Orientalia. New Taipei City Yingge Ceramics Museum / New Taipei City. Taiwan (2018). 18 Biennal de Ceramica D’esplugues (Spain); XII Biennial Artistic Ceramics (Portugal). During the last seven years, a number of my ceramic artworks have been taquired by world- renowned museums and collections including: Musée Ariana – Swiss Museum for Ceramics and Glass Avenue de la Paix Genève. Switzerland; Ceramics Museum in Ludwigsburg, Grmany. FuLe International Ceramic Art Museum (FLICAM), National Museum of Slovenia, National Cultural Collection of Anadolu University, Aveiro Municipal Museum, National Open-air Museum of Ukrainian Pottery.

Artwork Misha Piskur - Subjektiv.art

Mykhailo Piskur (b. 1995, Ukraine), is an artist an artist who splits his time between Rivne and Kyiv. Piskur’s work is centred around themes human relationships, self-belief, and the diverse positioning of individuals in society. A recurring concept in his art is internal stigma, which he explores through simple, almost naive imagery. His style evokes a childlike perception, marked by sensitivity and a quest to uncover the good in every person.

Artwork Myroslav Pivtoranis - Subjektiv.art

Myroslav Pivtoranis

An abstract artist, based in Lviv, Ukraine. His art is a mix of colors, shapes, compositions. Edges, lines and planes. Floating forms, reductive and asymmetrical. Wonky geometry. Dynamics and harmony. "When I create, I don't impose, but l give a choice for feelings and thoughts." "I give the viewer the opportunity to interpret my work as they see it. And I try to extend my art receiver imagination by transmitting an impulse. It is not necessary for the observer to follow my way of projection as it could eliminate new nteresting points of view. Every interpretation of my art is meaningful for "There is the space and time in my paintings, they need to radiate great power and ranquility as completed works of art."

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SALON, O PRIMEIRO exhibition

Salon, O Primeiro marks Subjektiv's debut in Portugal, introducing a fresh perspective on contemporary art engagement.

05/05/25 • 2 min read

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10/04/25 • 5 min read

Мистецтво Жити: Виставка з 02 по 27 Квітня

Запрошуємо відчути роботи сучасних митців створені після початку повномасштабного вторгнення.

01/04/25 • 1 min read

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