Kinetic Art is a special kind of art that blends movement into its form. It emerged in existence during the 20th century's mid section; from the 50's to 60's, Kinetic Art aimed to help spectators participate through motion, art, or any perceived movement. Artists in this genre often employ mechanical or technological devices to design a sculpture that moves, rotates, or transforms over time. These changes can be caused by motors, wind, or even natural elements, making these works more playful and active. A significant feature in the history of Kinetic Art includes the unique exhibition “Le Mouvement” which was staged in 1955 in Paris. Featured were paintings of the renowned Jean Tinguely, Alexander Calder, and Victor Vasarely. They were some of the forerunners of Kinetic Art and helped to emerge from the conventional framework of the static and motionless artworks. These contemporaries of theirs invented new ways of art and motion design which glorified and integrated the notion of contemporaneity which was outlandish to dream of for an artist. The definitive qualities of Kinetic Art consist of an emphasis on interactivity, the exploration of light and shadow, and the presence of sound in some works. Julio Le Parc and Yaacov Agam added new dimensions to Kinetic Art by crafting optical illusions and participatory spaces. Kinetic Art dissolves the border between the art object and the viewer, thus encouraging the audience to take part in a lively and multi-dimensional experience. This approach goes beyond the rigid boundaries of conventional artworks.