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The Art of Encounter
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Making of CAD 180116
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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)
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Processus de création dans mon atelier!
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Painting process
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Art process. The painting is done with acrylic paints on canvas.
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Few shots and fragments from working process.
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Making of Dreamscape #4
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My studio. Working process. I am painting a still life with aloe.
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The process of making a mosaic
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Meet our Artists
Artwork Taras Sereda - Subjektiv.art
Taras Sereda - Subjektiv.art
Taras Sereda
Born in Ukraine in 1991, Taras Sereda’s artistic journey is one of evolution, both in geography and expression. Beginning with a foundation in Industrial Design at the State Academy of Arts and Design in Kharkiv, he was trained to see structure, balance, and function. But art was never just about function for Taras, it was about feeling. In 2011, his path took an unexpected turn when he moved to New York City, a transition that reshaped both his worldview and his artistic language. In the charged energy of New York, his work began to shift. While his early practice was rooted in classical objectivism, his artistic language became more fluid, intuitive, and personal. He embraced charcoal and watercolour that allowed both precision and spontaneity — creating delicate yet bold line drawings that exist in a space between stillness and movement. His paintings often feel like echoes of fleeting emotions, subtle and restrained, yet profoundly impactful. Occasionally, he steps into oil painting, where the contrast is striking. Here, his work transforms — brighter, more visceral, with thick, expressive brushstrokes. If his charcoal and watercolours are whispers, his oil paintings are declarations. This duality is what defines Taras’s artistic approach: restraint and release, control and chaos, simplicity and depth. His themes are deeply personal—reflections of relationships, self-portraits, quiet observations of still life. His subjects seem caught in moments of introspection, mirroring the artist’s own exploration of identity and experience. The tension between intimacy and distance is a constant, giving his work a quiet but persistent resonance. Now based between Paris and Berlin, Taras has taken his art to international audiences. His works have been exhibited in major European art capitals, featured in auctions, and collected by those who are drawn to their quiet power.
Artwork Dzvinya Podlyashetska  - Subjektiv.art
Dzvinya Podlyashetska  - Subjektiv.art
Dzvinya Podlyashetska
Born in Lviv, Ukraine, based in Vienna, Dzvinya Podlyashetska is an artist whose work moves between the playful and the profound. Her art is a vibrant mix of comic-like figures, bold colours, and surreal compositions, capturing emotions that are often felt but rarely seen. She transforms the ordinary into something magical - people, animals, and everyday objects take on new meaning in her world, where naivety and sarcasm, love and chaos, laughter and melancholy exist in fragile harmony. Dzvinya’s journey into art began with a deep fascination for illustration and printmaking. She studied graphic design at the Ivan Trush Lviv State College of Decorative and Applied Arts before continuing her fine arts education at the Ukrainian Printmaking Academy. She has shaped a distinctive voice, one that blends storytelling with visual poetry. Her art is a reflection of human relationships, inner dialogues, and the constant push and pull between personal identity and external influences. Mental health is a key theme in her work, expressed through dynamic, exaggerated forms and rich textures that echo the complexities of emotion. Each piece is an invitation to pause, to look deeper, and to rediscover the joy of simplicity that is often lost in the rush of modern life. Exhibited across Europe and the United States, from the National Museum of Ukraine in Kyiv to the Volkskunde Museum in Vienna and the 17 Frost Gallery in New York. When You Don’t Expect at Breach Miami, have cemented her reputation as a rising force in contemporary art. Dzvinya doesn’t just create images, she creates experiences. Her art is a space where emotions take shape, where nostalgia meets the surreal, and where viewers are encouraged to embrace both the beauty and the chaos of existence.
Artwork Nataliia  Brichuk - Subjektiv.art
Nataliia  Brichuk - Subjektiv.art
Nataliia Brichuk
Natasha Brichuk, known as Notuko, paints in the language of memory. Raised in Rivne, Ukraine, she grew up surrounded by the vivid patterns of embroidered tablecloths, the warmth of painted ceramics, and the quiet grandeur of old Ukrainian architecture. These objects weren’t just decoration—they were stories, passed down through generations, whispering of heritage, resilience, and identity. But tradition, as she saw it, was not static. It pulsed with life, adapting, shifting, existing between past and present. It is this in-between space that Notuko inhabits as an artist. She pursued decorative and applied arts, specialising in ceramics, but painting became her true medium for storytelling. What began as a simple fascination evolved into a bold artistic language - where folk motifs meet abstraction, where Byzantine echoes intertwine with modern fluidity. Her figures emerge as symbols rather than individuals, their forms at times dissolving into textured layers of colour, as if caught between reality and memory. Improvisation is at the heart of her process. She embraces instinct, letting her brushwork capture fleeting emotions and intangible histories. Her compositions often feel like fragments of a grander, unseen whole — inviting viewers to reconnect with traditions, not as relics, but as living, breathing experiences. Notuko’s works have traveled far beyond her hometown, exhibited across Ukraine, Europe, and the UK. Yet, her essence remains rooted in the stories of home — the unspoken ties between past generations and those still to come. Her art is a conversation between centuries, a delicate balance of structure and spontaneity, of inherited symbols and contemporary expression. To experience Notuko’s work is to step into a world where tradition doesn’t belong to the past—it evolves, just like us.
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