Spaces | subjektiv.art - the art of encounter

Buy

Discover

Currency: Original

Featured Selections

New this week

Curated by Subjektiv

Komorebi

Curated by Varvara Barto

Fire and Water

Curated by Geri Takacs, filipa carneiro

Unfinished Shelter

Unfinished Shelter

Curated by Olha Baturevych, jonathan morales

Apple Cure

Curated by Yevhenii Volodchenko, Dina Chmuzh

Secret Garden

Curated by Anastasiia Tymus

The 2025 Sovereign Portuguese Art Prize

The 2025 Sovereign Portuguese Art Prize

Curated by Sovereign Art Foundation

Блакиті Мить

Блакиті Мить

Curated by Subjektiv

Silent Stories

Curated by Oleh Dikal

Where Memory Feels Like Home

Where Memory Feels Like Home

Curated by Volodymyr Zavadiuk

Summer Solstice 2025

Summer Solstice 2025

Curated by Subjektiv

First Art Encounter

First Art Encounter

Curated by Subjektiv

Painting

3409 artworks

Drawing

343 artworks

Photography

270 artworks

Sculpture

225 artworks

Ceramic

79 artworks

Engraving

116 artworks

Prints

157 artworks

Mixed media

315 artworks

Recently added

Artwork Anna Varshavska - Subjektiv.art

by Anna Varshavska

Artwork Glib Franko - Subjektiv.art

Rose Garden [Strange Gardens]

Artwork Glib Franko - Subjektiv.art

Sort by Price

Meet our Artists

Artwork by Lisette van Hoogenhuyze

Lisette van Hoogenhuyze

Lisette van Hoogenhuyze (1991), was born in The Hague, Netherlands. She graduated Art History at the UvA before she finished her degree in Fine Art in 2019 at the University of Arts Utrecht. She now lives and works in Lisbon. Lisette is a multimedia artist who developed a particular interest in a combination of textile, paint and printmaking. She has exhibited in Museum Ijssellstein, Torch Gallery (Amsterdam) and Saatchi gallery (London) among other institutions. Her work is in the KPMG art collection, the Büyükkusoglu collection, the collection of the National government of The Netherlands and in various private collections in New York, Slovakia, Italy and the Netherlands.

Artwork by Rina Riga

Artist and tutor from Kharkiv. I work in the genre of painting and installation, exploring the boundaries between reality and imagination through primary sensations, images and processes of transformation. Inspired by the works and life of Čiurlionis - Lithuanian composer and painter. In my practice, I address the themes of instability, transition and finding support in a changing world. A key aspect of my work is memory: its materiality, fragmentation and changeability. It manifests itself in multilayered structures that resemble the processes of birth, decay and rebirth, as if visualizing how memories germinate, collapse and form anew. The corporeality in my works is a carrier of memory. Organic textures hint at roots, flesh or connections that connect us with the environment and the past. Abstract forms and mythological allusions create a space for reflection on how individual and collective memories influence our perception of reality.

Artwork by Artur Soletskyi

Artur Soletskyi

Artwork by Carolina Sardinha

Carolina Sardinha

Carolina Sardinha born in 1982, lives and works in Lisbon. Academic training: . Drawing Development Year at The Royal Drawing School, London (2024-ongoing); . Opened her own Studio, devoting herself entirely to her practise since then (2020); . Tutorial Scheme at Sociedade Nacional de Belas Artes, Lisbon (2018 - 2020); . Aquatint Training at Galeria Diferença, Lisbon (2014 - 2015); . Engraving Techiniques Training at Taller José Rincón Gallery, Madrid (2013 - 2014); . Drawing Education at CIEAM, Faculdade de Belas Artes, Lisbon (2009 - 2010); . Wood block Printmaking Training at the National Print Museum, Dublin (2008 - 2009); . Socrates Erasmus Program, Università Degli Studi di Roma “La Sapienza”, Rome (2003 - 2004); . Degree in Architecture from Instituto Superior Técnico, Lisbon (2006). Selected Individual Exhibitions: . Matter | Mist, Azenhas do Mar (2023); . Reallocated, CCSL Advogados, Lisbon (2020); . Ageing Series, OH | OS, Lisbon (2019); . Essay on Ma, Ler Devagar Bookshop, Lisbon (2019); . La piel de las Cosas, Taller José Rincón Gallery, Madrid (2015). Selected Group Exhibitions: . Group Show at Livraria Sá da Costa, Lisbon (2022); . Finalists Exhibition, Sociedade Nacional de Belas Artes, Lisbon (2019); . Printmaking Exhibition, Galeria Diferença, Lisbon (2016); . Selected Artists Exhibition, Casa de La Moneda, Madrid (2015); . Printmaking Artists Exhibition, Casa de Cultura del Ayuntamiento de Carmona, Carmona (2014). Prizes: . Selected Artist for Collection “The Mediterranean”, The Curators (2020); . Jóvenes Creadores de Calcografía Nacional Prize from the Real Academia de Belas Artes de de San Fernando de Madrid (2014). Collections: Her work is represented in private collections in Portugal and abroad.

Artwork by Myroslav Pivtoranis

Myroslav Pivtoranis

An abstract artist, based in Lviv, Ukraine. His art is a mix of colors, shapes, compositions. Edges, lines and planes. Floating forms, reductive and asymmetrical. Wonky geometry. Dynamics and harmony. "When I create, I don't impose, but l give a choice for feelings and thoughts." "I give the viewer the opportunity to interpret my work as they see it. And I try to extend my art receiver imagination by transmitting an impulse. It is not necessary for the observer to follow my way of projection as it could eliminate new nteresting points of view. Every interpretation of my art is meaningful for "There is the space and time in my paintings, they need to radiate great power and ranquility as completed works of art."

Artwork by Yehor Hrybovych

Yehor Hrybovych

Artwork by Dasha Tsapenko

Some artists paint. Some sculpt. But Dasha Tsapenko grows her art. I remember the first time I encountered her work, it wasn’ just visually striking, it was revolutionary. It blurred the line between creation and cultivation. Dasha doesn’ see herself as the sole author of her works; instead, she collaborates with nature itself. Her textiles, garments, and installations are not merely crafted, they are nurtured. She prepares the foundation, then steps back to allow fungi, fibres, and microorganisms to shape the outcome. What emerges is something completely unique - art that breathes, evolves, and ultimately becomes part of the world in a way that traditional works never could. Her studio is unlike any I’ seen before. It’ not just a workshop, it’ part textile lab, part microbiology station, part experimental farm. A place where science and creativity intertwine seamlessly. She works with living organisms, primarily mycelium, the vast underground network of fungi that connects trees and plants beneath forests. But here, in her hands, mycelium doesn’ just connect nature, it creates. It grows into textiles, forming intricate patterns and textures, embedding itself into the very fabric of her art. It’ a process that is at once scientific and poetic. The unpredictability of working with living materials means that no two pieces are ever the same. She carefully prepares the ground, sometimes weaving or sewing textiles in a particular way to encourage the fungi’ growth in a desired form. But the final result? That’ left to nature.

Artwork by Artem Andreichuk

Artem Andreichuk

Tucked away in his studio, a space bursting with pigments and canvases in mid-creation, Artem Andreichuk welcomes visitors with the same vibrant energy that radiates from his work. The walls pulse with colour: lush, unapologetic, and raw. Here, the naked human form is not just a subject but a manifesto. Stripped of status, regalia, or pretence, his figures exist in perfect equilibrium with nature, unashamed, inviting, free. Artem’ journey as an artist is deeply tied to this pursuit of authenticity. Born in 1983, he has remained in Ukraine, shaping his artistic voice amid the ever-changing landscape of his homeland. His fascination with the human body is more than aesthetic—it’ philosophical. In a world layered with masks, he paints what remains when all is shed. Sensual yet unembellished, his figures embody a radical honesty, one that refuses to be confined. Yet, Andreichuk is not just about the body; he’ about the thrill of expression. On another wall, his minimalist works stand in stark contrast to the sensuality of his figurative pieces - youthful, witty, and exuding a rebellious charm. Layers of electrifying colours seem to wink at the viewer, as if daring them to embrace the absurdity and joy of existence. “ should be fun,” he says with a knowing smile, and his art ensures that it is. Beyond the canvas, Artem's creative spirit has always stretched into multiple realms. Music has been a lifelong companion, and as a former bassist for the indie band Blake Maloka, he has translated rhythm into brushstrokes, movement into stillness. His paintings, much like a well-played bass-line, carry an energy that hums beneath the surface; sometimes wild, sometimes restrained, but always present. To step into Artem Andreichuk’ world is to be reminded of life’ fundamental pleasures: skin meeting sun, laughter ringing through colour, rebellion found in joy. His work doesn’ just ask to be seen, it demands to be felt.

Artwork by Taras Sereda

.lkuihliughliuh;ouh;o/hohj/lol/oih;iuh

Artwork by Eugene Pokutnev

Eugene Pokutnev

Eugene's paintings aren't just compositions of colour - they are movements. They seemed to shift before your eyes, pulling you in, disorienting in the best way. His secret? ‘-black’ - a rare Japanese paint so dense that it absorbs nearly all light, creating an illusion of infinite depth. He orders it from a master in Japan, layering it alongside vibrant colour, bending space itself on the canvas. When you stand before his work, it’ as if you’ falling into the painting, moving between its layers, losing balance for just a second. His journey into art was as unexpected as the effect of his work. Growing up in a small city near Dnipro, a career in art was never considered an option. He spent his days sketching intricate patterns but, like many others in his city, he needed stability. So he became a policeman. And yet, fate has its way of rewriting stories. One day, while investigating a burglary, his colleague casually showed the apartment owner some of Eugene’ sketches. The man, a businessman with an eye for art, was so captivated that he made an offer on the spot: “ the police. I’ fund you.” And just like that, Eugene left law enforcement behind.

Subjektiv.art

Backed by

Newsletter

Sign up for our newsletter to explore artist stories, stay updated on events, and discover exciting new artworks in our community.

Backed by

Subjektiv

Resources

Subjektiv for Artists

Contact us

Find us on social

Terms of Use Privacy Policy Terms of Sale

2026 Subjektiv Inc.