Site-specific art represents a 20th-century genre that involves making artworks which are designed to engage with specific locations or environments. This artistic movement started as a reaction against traditional gallery spaces to explore new limits of art through its interaction with physical space. Site-specific art creators explore both physical, cultural, and historical elements of their chosen locations while integrating aspects of the site into their artwork. During the 1960s and 1970s artists such as Richard Serra and Robert Smithson initiated site-specific art by developing large-scale installations within natural landscapes through land art and earthworks. These artists challenged traditional art norms by abandoning studio-bound practices to create works directly within environmental contexts. The work of Christo and Jeanne-Claude stands as an important site-specific art example because they created monumental projects that covered buildings and natural landscapes with fabric. Through their temporary installations artists changed familiar environments which prompted viewers to rethink their understanding of site-specificity and the interaction between artwork and its setting. Site-specific art encourages audiences to view art beyond traditional gallery settings which builds an intimate relationship between art pieces and their physical contexts. Artists who tap into site-specific features produce immersive experiences that push artistic boundaries and transform how audiences encounter and value art.