Within art theory and philosophical discussions a simulacrum represents an imitation which lacks any original reality because it functions as a copy without an authentic original. French philosopher Jean Baudrillard explored this concept which became a critical framework for understanding postmodern condition during the late 20th century. The concept of simulacrum questions established perceptions of reality while making it difficult to distinguish between authentic entities and constructed replicas. The concept of simulacra has origins in ancient philosophical discussions between thinkers like Plato and Aristotle. The 1980s and 1990s postmodern period brought current significance to this concept when artists and theorists faced the digital age's complex mediated reality. Andy Warhol stands out as a significant figure in simulacra exploration through his famous works including the Campbell's Soup Cans and Marilyn Monroe portraits which present the commodification and mass production of images within consumer culture. Through her photographed series that displays multiple staged character portrayals Cindy Sherman disrupts traditional views of authentic identity while exploring the concept of simulacra. The idea of simulacrum encourages audiences to analyze the truthfulness of depictions amidst a world full of images and symbols which leads to a deeper examination of visual culture meanings.