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The Art of Encounter

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SALON, O PRIMEIRO

SALON, O PRIMEIRO

46 artworks •

Curated by Subjektiv

Echoes and Visions

Echoes and Visions

50 artworks •

Curated by ArtShield

Instytut Avtomatyky

Instytut Avtomatyky

31 artworks •

Curated by Instytut Avtomatyky

Myroslava's Mosaic

Myroslava's Mosaic

13 artworks •

Curated by Subjektiv

Мистецтво Жити

Мистецтво Жити

103 artworks •

Curated by Subjektiv

Featured Selections

SALON, O PRIMEIRO

SALON, O PRIMEIRO

46 artworks •

Curated by Subjektiv

Echoes and Visions

Echoes and Visions

50 artworks •

Curated by ArtShield

Instytut Avtomatyky

Instytut Avtomatyky

31 artworks •

Curated by Instytut Avtomatyky

Myroslava's Mosaic

Myroslava's Mosaic

13 artworks •

Curated by Subjektiv

Мистецтво Жити

Мистецтво Жити

103 artworks •

Curated by Subjektiv

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Making of CAD 180116

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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)

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Maria R Saunders

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Processus de création dans mon atelier!

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Painting process

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Art process. The painting is done with acrylic paints on canvas.

Eugene Pokutnev

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Few shots and fragments from working process.

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Making of Dreamscape #4

Carolina Sardinha

@carolinasardinha

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My studio. Working process. I am painting a still life with aloe.

Artem Andreichuk

@artemandreichukartist

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The process of making a mosaic

Volodymyr Mamchur

@mamchur_volodymyr_art

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Process of Leopard

Oksana Fedchyshyn

@dearoksanafedchyshyn

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Painting - Subjektiv.art

Drawing - Subjektiv.art

Sculpture - Subjektiv.art

Street Art paintings - Subjektiv.art

Street Art paintings

Pop Art paintings - Subjektiv.art

Pop Art paintings

Abstract paintings - Subjektiv.art

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Meet our Artists

Artwork Artur Soletskyi - Subjektiv.art

Artur Soletskyi

Artwork Anna Bulkina - Subjektiv.art

Artwork Taras Sereda - Subjektiv.art

Born in Ukraine in 1991, Taras Sereda’s artistic journey is one of evolution, both in geography and expression. Beginning with a foundation in Industrial Design at the State Academy of Arts and Design in Kharkiv, he was trained to see structure, balance, and function. But art was never just about function for Taras, it was about feeling. In 2011, his path took an unexpected turn when he moved to New York City, a transition that reshaped both his worldview and his artistic language. In the charged energy of New York, his work began to shift. While his early practice was rooted in classical objectivism, his artistic language became more fluid, intuitive, and personal. He embraced charcoal and watercolour that allowed both precision and spontaneity — creating delicate yet bold line drawings that exist in a space between stillness and movement. His paintings often feel like echoes of fleeting emotions, subtle and restrained, yet profoundly impactful. Occasionally, he steps into oil painting, where the contrast is striking. Here, his work transforms — brighter, more visceral, with thick, expressive brushstrokes. If his charcoal and watercolours are whispers, his oil paintings are declarations. This duality is what defines Taras’s artistic approach: restraint and release, control and chaos, simplicity and depth. His themes are deeply personal—reflections of relationships, self-portraits, quiet observations of still life. His subjects seem caught in moments of introspection, mirroring the artist’s own exploration of identity and experience. The tension between intimacy and distance is a constant, giving his work a quiet but persistent resonance. Now based between Paris and Berlin, Taras has taken his art to international audiences. His works have been exhibited in major European art capitals, featured in auctions, and collected by those who are drawn to their quiet power.

Artwork Carolina Sardinha - Subjektiv.art

Carolina Sardinha

Carolina Sardinha born in 1982, lives and works in Lisbon. Academic training: . Drawing Development Year at The Royal Drawing School, London (2024-ongoing); . Opened her own Studio, devoting herself entirely to her practise since then (2020); . Tutorial Scheme at Sociedade Nacional de Belas Artes, Lisbon (2018 - 2020); . Aquatint Training at Galeria Diferença, Lisbon (2014 - 2015); . Engraving Techiniques Training at Taller José Rincón Gallery, Madrid (2013 - 2014); . Drawing Education at CIEAM, Faculdade de Belas Artes, Lisbon (2009 - 2010); . Wood block Printmaking Training at the National Print Museum, Dublin (2008 - 2009); . Socrates Erasmus Program, Università Degli Studi di Roma “La Sapienza”, Rome (2003 - 2004); . Degree in Architecture from Instituto Superior Técnico, Lisbon (2006). Selected Individual Exhibitions: . Matter | Mist, Azenhas do Mar (2023); . Reallocated, CCSL Advogados, Lisbon (2020); . Ageing Series, OH | OS, Lisbon (2019); . Essay on Ma, Ler Devagar Bookshop, Lisbon (2019); . La piel de las Cosas, Taller José Rincón Gallery, Madrid (2015). Selected Group Exhibitions: . Group Show at Livraria Sá da Costa, Lisbon (2022); . Finalists Exhibition, Sociedade Nacional de Belas Artes, Lisbon (2019); . Printmaking Exhibition, Galeria Diferença, Lisbon (2016); . Selected Artists Exhibition, Casa de La Moneda, Madrid (2015); . Printmaking Artists Exhibition, Casa de Cultura del Ayuntamiento de Carmona, Carmona (2014). Prizes: . Selected Artist for Collection “The Mediterranean”, The Curators (2020); . Jóvenes Creadores de Calcografía Nacional Prize from the Real Academia de Belas Artes de de San Fernando de Madrid (2014). Collections: Her work is represented in private collections in Portugal and abroad.

Artwork Anna Kostritskaya - Subjektiv.art

Anna Kostritskaya

Anna Kostritskaya’s work carries an undeniable urgency, each brushstroke infused with a tension between fragility and defiance. Her art does more than depict; it preserves, resists, and remembers. Born in Ukraine, her creative journey has been deeply intertwined with the turbulence of her homeland. Since the full-scale war began, her work has taken on an even more urgent role, serving as a form of documentation, capturing emotions, losses, and the resilience of her people. Her paintings often feel like open wounds, yet within them lies tenderness, a refusal to let beauty be erased by destruction. Working across multiple mediums - painting, photography, and mixed media, Kostritskaya employs different artistic languages to express the unspeakable. In her portraits, faces emerge from the canvas like whispers, layered with texture, almost as if they are fighting to remain visible. There is a quiet intimacy in her work, a recognition of individual stories otherwise lost within the vastness of war. Much of her practice is rooted in the act of bearing witness. Her work explores displacement, identity, and the intersection of personal and collective history. Her photography, in particular, captures fleeting moments, glimpses of life that feel sacred in their ordinariness, a stark contrast to the overwhelming instability surrounding them. Her creative process is instinctual, driven by emotion rather than rigid intent. She has described it as work that decides its own path, rather than one that is meticulously planned. Yet, despite the weight of her subject matter, her art is about endurance. It embodies the human spirit’s refusal to be silenced. Beneath the layers of grief, there is strength. There is the unbreakable.

Artwork Myroslava Perevalska - Subjektiv.art

Myroslava Perevalska

Some artists paint what they see. Others paint what they dream. Myroslava Perevalska paints what she feels, and, more importantly, what she fears losing. In a world rushing forward, she is an artist who asks us to slow down, to breathe, to see before the colours fade, before the emotions slip away, before time moves beyond our grasp. When we spoke, she described her connection to art in a way I had never heard before. “ think of myself as a fish,” she told me. “ fish that doesn’ question the water, that doesn’ think about how deep it swims. It just exists.” Art is her element, her lifeblood, and her way of understanding the world. It’ why, even as war reshapes the reality around her, she continues to create, not just as a form of resistance but as a way to document the truth as she experiences it. Her paintings are immediately recognisable, figures emerging from bold, urgent strokes of red, white, and black. Red, she told me, is the colour of life, of passion, of survival. It pulses through her work, a constant heartbeat. But it is also the colour she fears losing. “ greatest happiness,” she said, referencing Borges, “ when a blind man dreams of red.” The idea of losing that sensation, of not being able to feel the depth of colour, is her deepest fear. But instead of running from it, she embraces it, pours it into her canvases, ensuring that even if time erodes memory, the intensity of her vision remains. As we talked, her thoughts spiralled outward - philosophy, history, technology, even the fate of humanity. “ are all on the Titanic,” she told me. “ comfortable but unaware of what’ coming.” The world is changing too quickly. Wars, pandemics, artificial intelligence, isolation. She fears we are forgetting how to truly be present. That people are becoming less human. She sees this loss reflected in modern art, how simple narratives and raw emotion are disappearing, replaced by a detachment from the soul of creation.

Artwork Egor Guschin - Subjektiv.art

Egor Guschin was born in 1988 in Ukraine, graduated from the Kharkiv University of Construction and Architecture with a degree in Organizational Management. He worked in his specialty for a while, then moved into the food service industry and worked as a barista in coffee shops for a long time before finding his true passion in photography. Egor's work has been featured in publications such as Plivkapeoplemag and exhibited in various galleries in Lviv, Kharkiv and Kyiv, Ukraine. This is how his career as an artist began in 2023. Now he is a member of the MYPH school of conceptual and fine art photography. Works with analog photography, mainly using the multiple exposure technique. Inspired by surrealism, loves to study mysticism and dreams, and experiments with expired film.

Artwork Maria R Saunders - Subjektiv.art

Maria R Saunders

Graduated from the Faculty of Fine Arts in Lisbon, a semester in Accademia di Brera Milan, Master in Fine Arts at the Chelsea College of Art & Design UAL, London. Maria has been working exclusively at her studio for the past ten years, showing her work in London, Lisbon and Oporto in several group and individual exhibitions. It's in the studio that she finds her identity and works to justify her existence. It's also here that she compulsively reads, writes and paints. Her work draws significant inspiration from literature, aiming to reflect on the duality of woman's life - the contrast between the profession and the domestic role as a family caregiver. She explores the contemporary female experience, celebrating the boldness of womanhood. Saunders has received recognition as a Signature Art Prize Finalist at Old Spitafields Market in London and was the finalist for São ou Não at Galeria São Mamede in Lisbon. More recently, she has been expanding her studio work and working as a Montessori Art Guide at Kairos Montessori School, with children between 6 and 12 years old.

Artwork Lisette van Hoogenhuyze - Subjektiv.art

Lisette van Hoogenhuyze

Lisette van Hoogenhuyze (1991), was born in The Hague, Netherlands. She graduated Art History at the UvA before she finished her degree in Fine Art in 2019 at the University of Arts Utrecht. She now lives and works in Lisbon. Lisette is a multimedia artist who developed a particular interest in a combination of textile, paint and printmaking. She has exhibited in Museum Ijssellstein, Torch Gallery (Amsterdam) and Saatchi gallery (London) among other institutions. Her work is in the KPMG art collection, the Büyükkusoglu collection, the collection of the National government of The Netherlands and in various private collections in New York, Slovakia, Italy and the Netherlands.

Artwork Solomiia Ortynska - Subjektiv.art

Solomiia Ortynska

Solomiia works with oil and acrylic paints, adding lines with coloured pencils, a combination that showcases her love of lines and strokes. Addressing psychological strife in her work, she strives to find a "place of strength" - where one can gather energy and keep moving. For many this place is their home. As home, as she knows it has been stolen, she has shifted her focus to childhood memories that serve as a shelter for the inner child. She sees memories of childhood as a means to reduce stress and enhance emotional healing.

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SALON, O PRIMEIRO exhibition

Salon, O Primeiro marks Subjektiv's debut in Portugal, introducing a fresh perspective on contemporary art engagement.

05/05/25 • 2 min read

Famous Hispanic Artists and Their Contributions to Art History

The works of Hispanic artists have fundamentally influenced art history while establishing a remarkable legacy that motivates and tests modern artistic practices.

24/04/25 • 5 min read

Graffiti Legends: The Most Famous Graffiti Artists of All Time

Graffiti has evolved from being an underground rebellious act to a celebrated art form recognized worldwide.

10/04/25 • 5 min read

Мистецтво Жити: Виставка з 02 по 27 Квітня

Запрошуємо відчути роботи сучасних митців створені після початку повномасштабного вторгнення.

01/04/25 • 1 min read

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