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The Art of Encounter

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SALON, O PRIMEIRO

SALON, O PRIMEIRO

41 artworks •

Curated by Subjektiv

Echoes and Visions

Echoes and Visions

50 artworks •

Curated by ArtShield

Instytut Avtomatyky

Instytut Avtomatyky

30 artworks •

Curated by Instytut Avtomatyky

Myroslava's Mosaic

Myroslava's Mosaic

13 artworks •

Curated by Subjektiv

Мистецтво Жити

Мистецтво Жити

104 artworks •

Curated by Subjektiv

Featured Selections

SALON, O PRIMEIRO

SALON, O PRIMEIRO

41 artworks •

Curated by Subjektiv

Echoes and Visions

Echoes and Visions

50 artworks •

Curated by ArtShield

Instytut Avtomatyky

Instytut Avtomatyky

30 artworks •

Curated by Instytut Avtomatyky

Myroslava's Mosaic

Myroslava's Mosaic

13 artworks •

Curated by Subjektiv

Мистецтво Жити

Мистецтво Жити

104 artworks •

Curated by Subjektiv

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Making of CAD 180116

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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)

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Maria R Saunders

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Processus de création dans mon atelier!

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Painting process

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Art process. The painting is done with acrylic paints on canvas.

Eugene Pokutnev

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Few shots and fragments from working process.

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Making of Dreamscape #4

Carolina Sardinha

@carolinasardinha

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My studio. Working process. I am painting a still life with aloe.

Artem Andreichuk

@artemandreichukartist

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The process of making a mosaic

Volodymyr Mamchur

@mamchur_volodymyr_art

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Process of Leopard

Oksana Fedchyshyn

@dearoksanafedchyshyn

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Painting - Subjektiv.art

Drawing - Subjektiv.art

Sculpture - Subjektiv.art

Street Art paintings - Subjektiv.art

Street Art paintings

Pop Art paintings - Subjektiv.art

Pop Art paintings

Abstract paintings - Subjektiv.art

Abstract paintings

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Meet our Artists

Artwork Maria R Saunders - Subjektiv.art

Maria R Saunders

Graduated from the Faculty of Fine Arts in Lisbon, a semester in Accademia di Brera Milan, Master in Fine Arts at the Chelsea College of Art & Design UAL, London. Maria has been working exclusively at her studio for the past ten years, showing her work in London, Lisbon and Oporto in several group and individual exhibitions. It's in the studio that she finds her identity and works to justify her existence. It's also here that she compulsively reads, writes and paints. Her work draws significant inspiration from literature, aiming to reflect on the duality of woman's life - the contrast between the profession and the domestic role as a family caregiver. She explores the contemporary female experience, celebrating the boldness of womanhood. Saunders has received recognition as a Signature Art Prize Finalist at Old Spitafields Market in London and was the finalist for São ou Não at Galeria São Mamede in Lisbon. More recently, she has been expanding her studio work and working as a Montessori Art Guide at Kairos Montessori School, with children between 6 and 12 years old.

Artwork Muriel Evangelista - Subjektiv.art

Muriel Evangelista

Beaux Arts Paris 1983-1990

Artwork Misha Piskur - Subjektiv.art

Mykhailo Piskur (b. 1995, Ukraine), is an artist an artist who splits his time between Rivne and Kyiv. Piskur’s work is centred around themes human relationships, self-belief, and the diverse positioning of individuals in society. A recurring concept in his art is internal stigma, which he explores through simple, almost naive imagery. His style evokes a childlike perception, marked by sensitivity and a quest to uncover the good in every person.

Artwork Myroslav Pivtoranis - Subjektiv.art

Myroslav Pivtoranis

An abstract artist, based in Lviv, Ukraine. His art is a mix of colors, shapes, compositions. Edges, lines and planes. Floating forms, reductive and asymmetrical. Wonky geometry. Dynamics and harmony. "When I create, I don't impose, but l give a choice for feelings and thoughts." "I give the viewer the opportunity to interpret my work as they see it. And I try to extend my art receiver imagination by transmitting an impulse. It is not necessary for the observer to follow my way of projection as it could eliminate new nteresting points of view. Every interpretation of my art is meaningful for "There is the space and time in my paintings, they need to radiate great power and ranquility as completed works of art."

Artwork Dasha Tsapenko - Subjektiv.art

Some artists paint. Some sculpt. But Dasha Tsapenko grows her art. I remember the first time I encountered her work, it wasn’ just visually striking, it was revolutionary. It blurred the line between creation and cultivation. Dasha doesn’ see herself as the sole author of her works; instead, she collaborates with nature itself. Her textiles, garments, and installations are not merely crafted, they are nurtured. She prepares the foundation, then steps back to allow fungi, fibres, and microorganisms to shape the outcome. What emerges is something completely unique - art that breathes, evolves, and ultimately becomes part of the world in a way that traditional works never could. Her studio is unlike any I’ seen before. It’ not just a workshop, it’ part textile lab, part microbiology station, part experimental farm. A place where science and creativity intertwine seamlessly. She works with living organisms, primarily mycelium, the vast underground network of fungi that connects trees and plants beneath forests. But here, in her hands, mycelium doesn’ just connect nature, it creates. It grows into textiles, forming intricate patterns and textures, embedding itself into the very fabric of her art. It’ a process that is at once scientific and poetic. The unpredictability of working with living materials means that no two pieces are ever the same. She carefully prepares the ground, sometimes weaving or sewing textiles in a particular way to encourage the fungi’ growth in a desired form. But the final result? That’ left to nature.

Artwork Myroslava Perevalska - Subjektiv.art

Myroslava Perevalska

Some artists paint what they see. Others paint what they dream. Myroslava Perevalska paints what she feels, and, more importantly, what she fears losing. In a world rushing forward, she is an artist who asks us to slow down, to breathe, to see before the colours fade, before the emotions slip away, before time moves beyond our grasp. When we spoke, she described her connection to art in a way I had never heard before. “ think of myself as a fish,” she told me. “ fish that doesn’ question the water, that doesn’ think about how deep it swims. It just exists.” Art is her element, her lifeblood, and her way of understanding the world. It’ why, even as war reshapes the reality around her, she continues to create, not just as a form of resistance but as a way to document the truth as she experiences it. Her paintings are immediately recognisable, figures emerging from bold, urgent strokes of red, white, and black. Red, she told me, is the colour of life, of passion, of survival. It pulses through her work, a constant heartbeat. But it is also the colour she fears losing. “ greatest happiness,” she said, referencing Borges, “ when a blind man dreams of red.” The idea of losing that sensation, of not being able to feel the depth of colour, is her deepest fear. But instead of running from it, she embraces it, pours it into her canvases, ensuring that even if time erodes memory, the intensity of her vision remains. As we talked, her thoughts spiralled outward - philosophy, history, technology, even the fate of humanity. “ are all on the Titanic,” she told me. “ comfortable but unaware of what’ coming.” The world is changing too quickly. Wars, pandemics, artificial intelligence, isolation. She fears we are forgetting how to truly be present. That people are becoming less human. She sees this loss reflected in modern art, how simple narratives and raw emotion are disappearing, replaced by a detachment from the soul of creation.

Artwork Solomiia Ortynska - Subjektiv.art

Solomiia Ortynska

Solomiia works with oil and acrylic paints, adding lines with coloured pencils, a combination that showcases her love of lines and strokes. Addressing psychological strife in her work, she strives to find a "place of strength" - where one can gather energy and keep moving. For many this place is their home. As home, as she knows it has been stolen, she has shifted her focus to childhood memories that serve as a shelter for the inner child. She sees memories of childhood as a means to reduce stress and enhance emotional healing.

Artwork Darina Smolkina - Subjektiv.art

Darina Smolkina

In a world governed by rules—both written and unspoken—Darina Smolkina’s art whispers of quiet rebellion. Born in Kyiv, Ukraine, now based in Lisbon, she crafts paintings that feel like echoes of a theatrical performance, where characters linger in a suspended moment, caught between societal expectations and personal truths. Her work is a stage, and every canvas is a scene unfolding. Darina’s journey began in a traditional family, where expectations were clear—but her fascination with the surreal led her beyond the familiar. She started art school at six, mastering techniques that shaped her unique visual language. While studying graphic design in Kyiv, Darina found her true voice in painting — a space where boundaries blurred and deeper narratives emerged. At 19, she moved to Lisbon, an experience that shaped her perspective as an outsider navigating an unfamiliar world. Her art became a reflection of identity, isolation, and the quiet weight of societal expectations. From Schönhausen Palace Museum in Berlin to New York’s 17frost Gallery, her work speaks to a universal struggle — the tension between conformity and self-expression. Whether in the dreamlike haze of New Dream World or the raw intimacy of My First Diary, Darina’s paintings invite viewers to step into a moment of self-reflection, where emotions take form and meaning unfolds. Darina doesn’t just paint figures — she paints questions. Her art asks: Who are we, beyond the expectations placed upon us? What do we reveal, and what do we conceal? Her world is one where the symbolic and the surreal merge, reflecting not just her own journey, but the collective search for meaning in a world full of invisible walls.

Artwork Artem Andreichuk - Subjektiv.art

Artem Andreichuk

Tucked away in his studio, a space bursting with pigments and canvases in mid-creation, Artem Andreichuk welcomes visitors with the same vibrant energy that radiates from his work. The walls pulse with colour: lush, unapologetic, and raw. Here, the naked human form is not just a subject but a manifesto. Stripped of status, regalia, or pretence, his figures exist in perfect equilibrium with nature, unashamed, inviting, free. Artem’ journey as an artist is deeply tied to this pursuit of authenticity. Born in 1983, he has remained in Ukraine, shaping his artistic voice amid the ever-changing landscape of his homeland. His fascination with the human body is more than aesthetic—it’ philosophical. In a world layered with masks, he paints what remains when all is shed. Sensual yet unembellished, his figures embody a radical honesty, one that refuses to be confined. Yet, Andreichuk is not just about the body; he’ about the thrill of expression. On another wall, his minimalist works stand in stark contrast to the sensuality of his figurative pieces - youthful, witty, and exuding a rebellious charm. Layers of electrifying colours seem to wink at the viewer, as if daring them to embrace the absurdity and joy of existence. “ should be fun,” he says with a knowing smile, and his art ensures that it is. Beyond the canvas, Artem's creative spirit has always stretched into multiple realms. Music has been a lifelong companion, and as a former bassist for the indie band Blake Maloka, he has translated rhythm into brushstrokes, movement into stillness. His paintings, much like a well-played bass-line, carry an energy that hums beneath the surface; sometimes wild, sometimes restrained, but always present. To step into Artem Andreichuk’ world is to be reminded of life’ fundamental pleasures: skin meeting sun, laughter ringing through colour, rebellion found in joy. His work doesn’ just ask to be seen, it demands to be felt.

Artwork Ivanka Nechyporuk - Subjektiv.art

Ivanka Nechyporuk

Ivanka Nechyporuk was born in 1994 in Netishyn, Khmelnytskyi region, Ukraine. She obtained her master’s degree from Kamianets-Podilskyi National University named after Ivan Ohienko, specializing in art restoration. Since 2018, she has been living and working in Kyiv. Her work is primarily in the surrealist style, with a particular focus on paintings of geese. The artist chose this form of expression to convey her inner feelings. Her main mediums include painting, mixed media, and graphics. In her work, Ivanka draws inspiration from everything that surrounds her, especially nature, materials, textures, people, and animals. She is fascinated by the combination of seemingly incompatible elements. For example, she often explores unrealistic animal coloring or sharp contrasts between shapes and colors.

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Learn and Be Inspired

SALON, O PRIMEIRO exhibition

Salon, O Primeiro marks Subjektiv's debut in Portugal, introducing a fresh perspective on contemporary art engagement.

05/05/25 • 2 min read

Famous Hispanic Artists and Their Contributions to Art History

The works of Hispanic artists have fundamentally influenced art history while establishing a remarkable legacy that motivates and tests modern artistic practices.

24/04/25 • 5 min read

Graffiti Legends: The Most Famous Graffiti Artists of All Time

Graffiti has evolved from being an underground rebellious act to a celebrated art form recognized worldwide.

10/04/25 • 5 min read

Мистецтво Жити: Виставка з 02 по 27 Квітня

Запрошуємо відчути роботи сучасних митців створені після початку повномасштабного вторгнення.

01/04/25 • 1 min read

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