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Making of CAD 180116
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Dans mon atelier, où je peins au sol. La touche finale (et désolé pour le son 😅)
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Processus de création dans mon atelier!
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Painting process
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Art process. The painting is done with acrylic paints on canvas.
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Few shots and fragments from working process.
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Making of Dreamscape #4
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My studio. Working process. I am painting a still life with aloe.
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The process of making a mosaic
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Meet our Artists
Artwork Carolina Sardinha - Subjektiv.art
Carolina Sardinha - Subjektiv.art
Carolina Sardinha
Portugal
Carolina Sardinha born in 1982, lives and works in Lisbon. Academic training: . Drawing Development Year at The Royal Drawing School, London (2024-ongoing); . Opened her own Studio, devoting herself entirely to her practise since then (2020); . Tutorial Scheme at Sociedade Nacional de Belas Artes, Lisbon (2018 - 2020); . Aquatint Training at Galeria Diferença, Lisbon (2014 - 2015); . Engraving Techiniques Training at Taller José Rincón Gallery, Madrid (2013 - 2014); . Drawing Education at CIEAM, Faculdade de Belas Artes, Lisbon (2009 - 2010); . Wood block Printmaking Training at the National Print Museum, Dublin (2008 - 2009); . Socrates Erasmus Program, Università Degli Studi di Roma “La Sapienza”, Rome (2003 - 2004); . Degree in Architecture from Instituto Superior Técnico, Lisbon (2006). Selected Individual Exhibitions: . Matter | Mist, Azenhas do Mar (2023); . Reallocated, CCSL Advogados, Lisbon (2020); . Ageing Series, OH | OS, Lisbon (2019); . Essay on Ma, Ler Devagar Bookshop, Lisbon (2019); . La piel de las Cosas, Taller José Rincón Gallery, Madrid (2015). Selected Group Exhibitions: . Group Show at Livraria Sá da Costa, Lisbon (2022); . Finalists Exhibition, Sociedade Nacional de Belas Artes, Lisbon (2019); . Printmaking Exhibition, Galeria Diferença, Lisbon (2016); . Selected Artists Exhibition, Casa de La Moneda, Madrid (2015); . Printmaking Artists Exhibition, Casa de Cultura del Ayuntamiento de Carmona, Carmona (2014). Prizes: . Selected Artist for Collection “The Mediterranean”, The Curators (2020); . Jóvenes Creadores de Calcografía Nacional Prize from the Real Academia de Belas Artes de de San Fernando de Madrid (2014). Collections: Her work is represented in private collections in Portugal and abroad.
Artwork Yehor Hrybovych - Subjektiv.art
Yehor Hrybovych - Subjektiv.art
Yehor Hrybovych
Ukraine
For Yehor Hrybovych, painting is not about perfection—it’s about the tension between control and surrender. Born in 1995 in Kryvyi Rih, Ukraine, Yehor grew up in a city defined by its raw industrial landscape, a setting that naturally seeped into his artistic language. From an early age, he was drawn to the immediacy of creation, where the stroke of a brush—or the spray of a can—could transform a surface into something unpredictable, something alive. His artistic journey began with street art, where walls became both his canvas and his playground. Graffiti taught him to embrace spontaneity, to work with the elements rather than against them. That energy never left his practice. Even as his work evolved from urban expressionism into painting, illustration, and graphic design, it carried with it the same sense of immediacy—of action meeting accident. A graduate of the Faculty of Arts at KNU, Yehor sees his work as an ongoing experiment, a space where order and chaos collide. His paintings are built on layers—thick, textured brushstrokes meet delicate, almost hesitant lines. Abstract forms dissolve into figurative elements, only to blur once more, leaving room for interpretation. His aesthetic is rough, unpolished, and intentionally careless—a visual language that invites the viewer to complete the narrative. One of his defining themes is imperfection as beauty. His works carry a rawness that resists easy categorization. Every drip, every unintended stroke, every contrast between softness and aggression serves a purpose. He is interested in the fragility of balance—the moments where instinct overrides precision. Through exhibitions in Ukraine and beyond, Yehor’s art continues to challenge how we see both chaos and control. His paintings are not just visual statements; they are conversations in motion, shifting and reshaping with each viewing.
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