Discover by Category
Solomiia Ortynska
Ukraine
Li B Edmond
France
Liudmila Davydenko
Ukraine
Artem Andreichuk
Ukraine
Sestry Feldman
Ukraine
Yuriy Musatov
Ukraine
Mariana Horgan
Portugal
Dzvinya Podlyashetska
Austria
David Sharashydze
Ukraine
Solomiia works with oil and acrylic paints, adding lines with coloured pencils, a combination that showcases her love of lines and strokes. Addressing psychological strife in her work, she strives to find a "place of strength" - where one can gather energy and keep moving. For many this place is their home. As home, as she knows it has been stolen, she has shifted her focus to childhood memories that serve as a shelter for the inner child. She sees memories of childhood as a means to reduce stress and enhance emotional healing.
Peintre et graveur, il suivra une formation de graphiste puis une formation de peintre d’ornement à l’école Boulle. Il a travaillé quelques années au théâtre du Soleil entant que décorateur.
A la fois classique et moderne, nostalgique et futuriste, rendant hommage autant aux racines qu’aux rameaux.
Dans son travail, les cultures, les époques se rencontrent, se transforment et évoluent les une dans les autres, décrivant les nombreux niveaux de réalité que nous habitons.
Dans ses tableaux, des corps géométriques apparaissent vertigineux dans des ciels romantiques du 19e siècle, éclipsant l'horizon.
L‘artiste travaille à la peinture à l'huile, à l’aérosol et à la gravure, combinant les médiums par couches successives. Elles sont dévoilées successivement au cours du processus pour y laisser intervenir l'aléatoire, la surprise.
Edmond Li Bellefroid est un alchimiste, toujours cherchant à représenter le rapport entre le matériel et l’immatériel.
Some artists speak through colours, others through form, but with Liudmila Davydenko, it’ something more - something beneath the surface, beneath even the layers of paint she so meticulously applies to her canvases. I first came across her work at an exhibition in Vienna, where her paintings, rich in texture and introspection, seemed to hold something unseen, something just out of reach. I knew then that I needed to understand her process, to see her world through her own eyes.
Our visit to her studio in Lviv was planned after a long working session with my co-founders. It was a chance to engage directly with an artist whose work had left an impression on me. When we arrived, the setting was unexpectedly cinematic, her studio was nestled inside an old Soviet industrial building, its long, dimly lit corridors stretching endlessly like something out of Kubrick’ The Shining. There was a strange stillness in the air, a kind of suspended time, which somehow made the vibrancy of her paintings even more striking.
Stepping into her workspace, I was immediately met with the scent of oil paint and the quiet discipline of an artist deeply immersed in her craft. Liudmila belongs to a generation of artists for whom patience and precision are second nature. Her early training as a sculptor is evident in the way she approaches her paintings - not as flat compositions, but as something three-dimensional, something that carries weight and substance. She doesn’ simply paint; she constructs. Every piece undergoes an intricate layering process, sometimes up to eight layers deep, giving the final work a sense of depth that feels almost geological, as if revealing different strata of meaning.
Tucked away in his studio, a space bursting with pigments and canvases in mid-creation, Artem Andreichuk welcomes visitors with the same vibrant energy that radiates from his work. The walls pulse with colour: lush, unapologetic, and raw. Here, the naked human form is not just a subject but a manifesto. Stripped of status, regalia, or pretence, his figures exist in perfect equilibrium with nature, unashamed, inviting, free.
Artem’ journey as an artist is deeply tied to this pursuit of authenticity. Born in 1983, he has remained in Ukraine, shaping his artistic voice amid the ever-changing landscape of his homeland. His fascination with the human body is more than aesthetic—it’ philosophical. In a world layered with masks, he paints what remains when all is shed. Sensual yet unembellished, his figures embody a radical honesty, one that refuses to be confined.
Yet, Andreichuk is not just about the body; he’ about the thrill of expression. On another wall, his minimalist works stand in stark contrast to the sensuality of his figurative pieces - youthful, witty, and exuding a rebellious charm. Layers of electrifying colours seem to wink at the viewer, as if daring them to embrace the absurdity and joy of existence. “ should be fun,” he says with a knowing smile, and his art ensures that it is.
Beyond the canvas, Artem's creative spirit has always stretched into multiple realms. Music has been a lifelong companion, and as a former bassist for the indie band Blake Maloka, he has translated rhythm into brushstrokes, movement into stillness. His paintings, much like a well-played bass-line, carry an energy that hums beneath the surface; sometimes wild, sometimes restrained, but always present.
To step into Artem Andreichuk’ world is to be reminded of life’ fundamental pleasures: skin meeting sun, laughter ringing through colour, rebellion found in joy. His work doesn’ just ask to be seen, it demands to be felt.
Twin sisters Michel and Nicol Feldman, known as Sestry Feldman, have never followed convention. Born in Dnipro in 1996, their artistic journey began at the age of eight, driven by an innate curiosity and a family that valued freedom, self-expression, and resilience.
Their father—a political prisoner under the Kuchma regime—remained an unseen figure until they were eight. But when they sent him a childhood portrait, his reply was simple yet profound: “It’s a masterpiece.” That single phrase became their silent manifesto—a sign that art was their destiny.
From Kyiv’s subway walls to global exhibitions in Paris, Brussels, and Tel Aviv, their work is a fearless mix of street art, political satire, and electrifying visual storytelling. Their murals, bursting with modernised Cossacks, surreal talismans, and raw emotion, are not just paintings—they are acts of defiance, echoes of history, and visions of the future.
Their five-episode animated series "Yoyo", initially meant as a yoga guide for children, turned into a satirical take on AI and humanity’s future, blending humour and dystopian vision.
With no formal training, their education comes from cinema, techno beats, and the streets. Their art pulses with movement, rebellion, and energy—a world where vibrant colors meet stark realities, where every piece demands attention.
Their art isn’t just seen—it’s felt, lived, and encountered.
Yuriy Musatov.
Ukrainian artist.
Born in 1981.
Sience 2017 member UNESCO International Academy of Ceramics in Geneva (IAC) and
National Union of Artists of Ukraine.
In 2008 graduated Lviv National Academy of Arts.
In the years 2012-2023 I had 20 solo projects and exhibitions, including «Explosion», Helen Ritz
Gallery. Valencia, Spain; «My Explosion», Kahan Art Space Budapest, Mudapest, Hungary;
«Invasion», Triptych: Global Arts Workshop, Kyiv. Ukraine.
I have also participated in more than 100 group exhibitions worldwide, including:
Phoenix Rising. GroupeExhibition of Ukrainian Contemporary Art. Forsa Contemporary Art
Gallery. Cromwell Place. London; «Migration(s)» Musée Ariana – Swiss Museum for Ceramics
and Glass Avenue de la Paix Genève. Switzerland; Yingge IAC Members’ Exhibition - New
Orientalia. New Taipei City Yingge Ceramics Museum / New Taipei City. Taiwan (2018). 18
Biennal de Ceramica D’esplugues (Spain); XII Biennial Artistic Ceramics (Portugal).
During the last seven years, a number of my ceramic artworks have been taquired by world-
renowned museums and collections including: Musée Ariana – Swiss Museum for Ceramics and
Glass Avenue de la Paix Genève. Switzerland; Ceramics Museum in Ludwigsburg, Grmany.
FuLe International Ceramic Art Museum (FLICAM), National Museum of Slovenia, National
Cultural Collection of Anadolu University, Aveiro Municipal Museum, National Open-air
Museum of Ukrainian Pottery.
In her studio practice the artist mixes painting, drawing, sculpting, collage and raw forms of etching such as monoprinting and woodcut. Always finding beauty in the unconventional and with a keen interest on recycling waste, don´t be surprised to find her digging in garbage at construction sites or "treasure hunting" at the beach for objects and materials that catch her eye and meet some of her ideas.She's most inspired by everyday life, people and nature, with maybe the sea in the spotlight; but her previous experiences in live, childhood memories, loss and a consequent "joie de vivre" that coexists with a certain melancholy also tend to appear on many of her work.
Constantly playing with colour and texture in this hide and seek game, her pieces often reveal a sense of calmness, peace and light when finished, although many times there are emotional storms and chaos in the under layers. Her work comes many times as calming and enlightening to her collectors.
Born in Lviv, Ukraine, based in Vienna, Dzvinya Podlyashetska is an artist whose work moves between the playful and the profound. Her art is a vibrant mix of comic-like figures, bold colours, and surreal compositions, capturing emotions that are often felt but rarely seen. She transforms the ordinary into something magical - people, animals, and everyday objects take on new meaning in her world, where naivety and sarcasm, love and chaos, laughter and melancholy exist in fragile harmony.
Dzvinya’s journey into art began with a deep fascination for illustration and printmaking. She studied graphic design at the Ivan Trush Lviv State College of Decorative and Applied Arts before continuing her fine arts education at the Ukrainian Printmaking Academy.
She has shaped a distinctive voice, one that blends storytelling with visual poetry. Her art is a reflection of human relationships, inner dialogues, and the constant push and pull between personal identity and external influences. Mental health is a key theme in her work, expressed through dynamic, exaggerated forms and rich textures that echo the complexities of emotion. Each piece is an invitation to pause, to look deeper, and to rediscover the joy of simplicity that is often lost in the rush of modern life.
Exhibited across Europe and the United States, from the National Museum of Ukraine in Kyiv to the Volkskunde Museum in Vienna and the 17 Frost Gallery in New York. When You Don’t Expect at Breach Miami, have cemented her reputation as a rising force in contemporary art.
Dzvinya doesn’t just create images, she creates experiences. Her art is a space where emotions take shape, where nostalgia meets the surreal, and where viewers are encouraged to embrace both the beauty and the chaos of existence.
For Davyd Sharashydze, art is not just a visual expression – it is a bridge between cultures, histories, and emotions. Born into the rich artistic heritage of Ukraine and Georgia, he carries the essence of both lands in his work, blending the strength of one with the poetry of the other.
His artistic journey began in the early 1990s, a turbulent era that saw the collapse of the Soviet Union and the reawakening of national identities. As the world around him shifted, so did his approach to painting. Inspired by the old masters but driven by a desire to break form, he developed a style that exists between classical and contemporary, between precision and freedom.
Moving to Kyiv in 1993, Sharashydze immersed himself in the artistic fabric of the city, becoming a key figure in its creative community.
His work spans painting, gesso, and graphics, but what remains constant is his ability to capture the fleeting nature of human experience—whether through textured surfaces, layered compositions, or the interplay of light and shadow. Exhibiting since 1991, he has showcased his works across Ukraine, Finland, Norway, Georgia, Australia, the USA, and Mediterranean countries, finding collectors in some of the world’s most prestigious galleries. His membership in the UNESCO International Federation of Artists is a testament to his global artistic impact.
Sharashydze’s paintings feel like fragments of dreams, echoes of forgotten myths, glimpses of a world that exists just beyond reach. Whether in the soft contours of a portrait, the weathered textures of his gesso work, or the intricate lines of his graphics, his pieces invite viewers into a space of reflection — where past and present, memory and sensation converge.
To experience Davyd Sharashydze’s art is to travel through time, to feel the weight of history and the pulse of the present, all captured in a single brushstroke.
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