French curator Nicolas Bourriaud introduced the term Relational Aesthetics in the late 1990s to define a modern art movement that explores human connections and social dynamics through the artwork itself. The key element of this concept lies in understanding art as an interaction between the artwork, artist and audience instead of focusing on physical objects or visual appeal. Relational Aesthetics became popular in the early 2000s as it disrupted conventional art ideas through immersive spaces that stimulated viewer interaction and conversation. Rirkrit Tiravanija, Liam Gillick, and Philippe Parreno stand out as key artists within this movement who create interactive installations and performances that erase the lines between art and daily existence. Relational Aesthetics democratizes the art world by emphasizing social interaction and communal experiences to make art more accessible and inclusive. This approach transforms viewers into active participants in the creation of art which results in meaningful connections and shared experiences outside of gallery confines. The core principle of Relational Aesthetics emphasizes how human interactions transform our perceptions of art and our broader understanding of the world.