Non-Objective Art is a subtype of abstract art devoid of resemblance to any known natural object or figure. Rather, it emphasizes the expression of feelings, thoughts, and ideas through features of artwork such as shapes, colors, lines, and textures. This movement emerged around the beginning of the 20th century, after the onset of Modernism, and it, along with everything else in that era, fought against set artistic boundaries and ensured the separation of art from external reference structures. Wassily Kandinsky, Kazimir Malevich, and Piet Mondrian were some of the foremost practitioners of such forms of Non-Objective Art and its zenith was in the first half of the twentieth century. Kandinsky was noted for his very colorful and vigorous compositions. He thought that colors and forms can evoke some kind of spiritual and feelings in every person. Nonetheless, Malevich gave birth to Suprematism that is identified with the use of geometric figures with the little amount of colors aiming to create simple artistic feelings. Such non-objective art enhances observation through only the sights and emotions from the viewer's side, granting the liberty to freely interpret and experience the masterpiece without the necessity of literal definition. With this form of art, the most important goal for these artist’s was the achievement of the art which surpasses the cultural divisions and speaks solely to humanity.