Biomimetic Sensuality №4 (2024) by Tamara Safarova - subjektiv.art
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Tamara Safarova
Artist from Ukraine
Tamara Safarova (b. 1992) is a Ukrainian feminist queer artist of Azerbaijani origin who lives and works in Kyiv, Ukraine.
Working across painting, graphics, comics, photography, digital media, and performance, Safarova explores themes of identity, memory, cultural heritage, gender, trauma and transformation.
Her work seeks to expose the invisible: making internalised experiences and collective silences visible, felt, and shared. Mythology, personal history, and symbolic archetypes form the core of her artistic vocabulary.
Safarova’s visual language often bridges the deeply personal with the mythic and the political, grounded in both the natural world and the layered cultural context of postcolonial experiences.
Her first solo exhibition took place in 2022 at the Kunstmuseum in Stuttgart, Germany. Since then, her work has been shown internationally, including at Santa Maria delle Grazie (Venice, Italy), Kühlhaus (Berlin, Germany), the National Museum of Ukrainian Folk Decorative Art (Kyiv, Ukraine), Mystetskyi Arsenal (Kyiv, Ukraine), and Poltava Art Museum (Poltava, Ukraine).
Her works are held in public collections in Italy, Belgium, and Ukraine.
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Tamara Safarova
Artist from Ukraine
Tamara Safarova (b. 1992) is a Ukrainian feminist queer artist of Azerbaijani origin who lives and works in Kyiv, Ukraine.
Working across painting, graphics, comics, photography, digital media, and performance, Safarova explores themes of identity, memory, cultural heritage, gender, trauma and transformation.
Her work seeks to expose the invisible: making internalised experiences and collective silences visible, felt, and shared. Mythology, personal history, and symbolic archetypes form the core of her artistic vocabulary.
Safarova’s visual language often bridges the deeply personal with the mythic and the political, grounded in both the natural world and the layered cultural context of postcolonial experiences.
Her first solo exhibition took place in 2022 at the Kunstmuseum in Stuttgart, Germany. Since then, her work has been shown internationally, including at Santa Maria delle Grazie (Venice, Italy), Kühlhaus (Berlin, Germany), the National Museum of Ukrainian Folk Decorative Art (Kyiv, Ukraine), Mystetskyi Arsenal (Kyiv, Ukraine), and Poltava Art Museum (Poltava, Ukraine).
Her works are held in public collections in Italy, Belgium, and Ukraine.
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Contribute your perspective to the community & earn rewards. Leave your reflection below.
The series "Biomimetic sensuality" reflects on physicality and societal acceptance in the context of the ongoing war in Ukraine. This series delves into the new realities faced by people who have lost limbs and are forced to learn to live with artificial prosthetics. It explores societal reactions and perceptions of sensuality and emphasises the challenges that individuals face in reclaiming their sense of dignity and bodily autonomy.
The series consists of 10 linocuts depicting nude female figures with artificial limbs. The figures are portrayed in relaxed, confident poses, symbolising the outward confidence. However, the internal emotional landscape of these figures remains a poignant question: are they as calm and confident inside as they appear on the outside?
The use of red hair symbolises the explosions and violence of the war, which have caused both visible (external) and invisible (internal) traumas.
Edition: 1/10
Tamara Safarova (b. 1992) is a Ukrainian feminist queer artist of Azerbaijani origin who lives and works in Kyiv, Ukraine.
Working across painting, graphics, comics, photography, digital media, and performance, Safarova explores themes of identity, memory, cultural heritage, gender, trauma and transformation.
Her work seeks to expose the invisible: making internalised experiences and collective silences visible, felt, and shared. Mythology, personal history, and symbolic archetypes form the core of her artistic vocabulary.
Safarova’s visual language often bridges the deeply personal with the mythic and the political, grounded in both the natural world and the layered cultural context of postcolonial experiences.
Her first solo exhibition took place in 2022 at the Kunstmuseum in Stuttgart, Germany. Since then, her work has been shown internationally, including at Santa Maria delle Grazie (Venice, Italy), Kühlhaus (Berlin, Germany), the National Museum of Ukrainian Folk Decorative Art (Kyiv, Ukraine), Mystetskyi Arsenal (Kyiv, Ukraine), and Poltava Art Museum (Poltava, Ukraine).
Her works are held in public collections in Italy, Belgium, and Ukraine.
