The artistic term Triptych refers to a three-panel work which connects through hinges. Throughout its historical development, this format can trace its roots to the medieval period when triptychs became prominent as religious artworks functioning primarily as church altarpieces. The main subject appears in the central panel which is bordered by two smaller panels that display related scenes or figures. Throughout the Renaissance period triptychs emerged as a significant artistic medium which artists such as Hieronymus Bosch and Hans Memling enhanced through their elaborate and detailed compositions. Triptychs reached their highest level of popularity throughout Europe between the 14th and 16th centuries and found applications beyond religious contexts to secular themes. Francisco de Zurbarán stands out among artists who advanced the art of triptychs through his religious works that express divine presence with strong imagery. Francis Bacon stands out as a key figure who redefined the triptych format by breaking away from tradition to examine existential themes and human emotions. The triptych structure remains a popular choice among contemporary artists who use multiple panels to express stories or examine various themes. Artists use this lasting design format to engage audiences through visual narratives that develop through interconnected parts.