Je me retournais tout à coup ayant cru entendre le hennissement d’un cheval . En voyant cette scène improbable je me demandais si il fallait savoir prendre de la hauteur quand une situation paraissait (2019) by francois page - subjektiv.art
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francois page
Artist from France
No other artwork is as intentional as mine. What I make is the result of reflection and the study of the great masters. »
François Pagé is a dedicated French painter whose works have been widely exhibited throughout France. Defining himself as a conceptual painter, he defies stylistic boundaries to explore a form of expression that questions both audience and creator. He harnesses his previous experience in cinema to compose paintings as a director constructs a film: with close planning, technical precision and an all-important sensitivity.
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francois page
Artist from France
No other artwork is as intentional as mine. What I make is the result of reflection and the study of the great masters. »
François Pagé is a dedicated French painter whose works have been widely exhibited throughout France. Defining himself as a conceptual painter, he defies stylistic boundaries to explore a form of expression that questions both audience and creator. He harnesses his previous experience in cinema to compose paintings as a director constructs a film: with close planning, technical precision and an all-important sensitivity.
What do you see in this artwork?
Contribute your perspective to the community & earn rewards. Leave your reflection below.
Je me retournais tout à coup ayant cru entendre le hennissement d’un cheval . En voyant cette scène improbable je me demandais si il fallait savoir prendre de la hauteur quand une situation paraissait
No other artwork is as intentional as mine. What I make is the result of reflection and the study of the great masters. »
François Pagé is a dedicated French painter whose works have been widely exhibited throughout France. Defining himself as a conceptual painter, he defies stylistic boundaries to explore a form of expression that questions both audience and creator. He harnesses his previous experience in cinema to compose paintings as a director constructs a film: with close planning, technical precision and an all-important sensitivity.
