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Carolina Sardinha
Artist from Portugal
Carolina Sardinha born in 1982, lives and works in Lisbon.
Academic training:
. Drawing Development Year at The Royal Drawing School, London (2024-ongoing);
. Opened her own Studio, devoting herself entirely to her practise since then (2020);
. Tutorial Scheme at Sociedade Nacional de Belas Artes, Lisbon (2018 - 2020);
. Aquatint Training at Galeria Diferença, Lisbon (2014 - 2015);
. Engraving Techiniques Training at Taller José Rincón Gallery, Madrid (2013 - 2014);
. Drawing Education at CIEAM, Faculdade de Belas Artes, Lisbon (2009 - 2010);
. Wood block Printmaking Training at the National Print Museum, Dublin (2008 - 2009);
. Socrates Erasmus Program, Università Degli Studi di Roma “La Sapienza”, Rome (2003 - 2004);
. Degree in Architecture from Instituto Superior Técnico, Lisbon (2006).
Selected Individual Exhibitions:
. Matter | Mist, Azenhas do Mar (2023);
. Reallocated, CCSL Advogados, Lisbon (2020);
. Ageing Series, OH | OS, Lisbon (2019);
. Essay on Ma, Ler Devagar Bookshop, Lisbon (2019);
. La piel de las Cosas, Taller José Rincón Gallery, Madrid (2015).
Selected Group Exhibitions:
. Group Show at Livraria Sá da Costa, Lisbon (2022);
. Finalists Exhibition, Sociedade Nacional de Belas Artes, Lisbon (2019);
. Printmaking Exhibition, Galeria Diferença, Lisbon (2016);
. Selected Artists Exhibition, Casa de La Moneda, Madrid (2015);
. Printmaking Artists Exhibition, Casa de Cultura del Ayuntamiento de Carmona, Carmona (2014).
Prizes:
. Selected Artist for Collection “The Mediterranean”, The Curators (2020);
. Jóvenes Creadores de Calcografía Nacional Prize from the Real Academia de Belas Artes de de San Fernando de Madrid (2014).
Collections:
Her work is represented in private collections in Portugal and abroad.

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Carolina Sardinha
Artist from Portugal
Carolina Sardinha born in 1982, lives and works in Lisbon.
Academic training:
. Drawing Development Year at The Royal Drawing School, London (2024-ongoing);
. Opened her own Studio, devoting herself entirely to her practise since then (2020);
. Tutorial Scheme at Sociedade Nacional de Belas Artes, Lisbon (2018 - 2020);
. Aquatint Training at Galeria Diferença, Lisbon (2014 - 2015);
. Engraving Techiniques Training at Taller José Rincón Gallery, Madrid (2013 - 2014);
. Drawing Education at CIEAM, Faculdade de Belas Artes, Lisbon (2009 - 2010);
. Wood block Printmaking Training at the National Print Museum, Dublin (2008 - 2009);
. Socrates Erasmus Program, Università Degli Studi di Roma “La Sapienza”, Rome (2003 - 2004);
. Degree in Architecture from Instituto Superior Técnico, Lisbon (2006).
Selected Individual Exhibitions:
. Matter | Mist, Azenhas do Mar (2023);
. Reallocated, CCSL Advogados, Lisbon (2020);
. Ageing Series, OH | OS, Lisbon (2019);
. Essay on Ma, Ler Devagar Bookshop, Lisbon (2019);
. La piel de las Cosas, Taller José Rincón Gallery, Madrid (2015).
Selected Group Exhibitions:
. Group Show at Livraria Sá da Costa, Lisbon (2022);
. Finalists Exhibition, Sociedade Nacional de Belas Artes, Lisbon (2019);
. Printmaking Exhibition, Galeria Diferença, Lisbon (2016);
. Selected Artists Exhibition, Casa de La Moneda, Madrid (2015);
. Printmaking Artists Exhibition, Casa de Cultura del Ayuntamiento de Carmona, Carmona (2014).
Prizes:
. Selected Artist for Collection “The Mediterranean”, The Curators (2020);
. Jóvenes Creadores de Calcografía Nacional Prize from the Real Academia de Belas Artes de de San Fernando de Madrid (2014).
Collections:
Her work is represented in private collections in Portugal and abroad.

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Shapping the Mist #2
Painting by Carolina Sardinha
100 x 70 cm • Paper, Soft pastel
Soft Pastel and Charcoal on Fabriano paper 285 gr/m2
70 cm x 100 cm - diptych
2021
D R E A M S C A P E S series
Shaping the mist.
Unveiling the reality beyond matter.
The series of works "Dreamscapes- shopping the mist" questions the limits of our spatial understanding. Our visual angle is much broader and contains multiple vanishing points and perspectives of the forms that compose it. It goes far beyond capturing an image from a single angle. Thus, by using photo montages taken from the same point but with different inclinations and angles as a basis for work, spaces are created in which we feel integral parts. The limitations of photography or classical representation formatted within the confines of a rectangle are extrapolated using polyptychs.
Moreover, this small curation of works addresses the theme of non-matter. That intangible entity that permeates our sensations and experiences. Each artwork seeks to capture and give shape to this invisible dimension where our dreams reside. These dreamlike visions, as real as many physical elements, take form, transcending the tangible. This confrontation between matter and non-matter exposes the inherent strength and power of everything that escapes materiality. It lays bare the vast emotional territory that exists beyond physical forms.
A mist of explosion that does not stop there. That propagates. That, while seeming to dissolve, never fades away. It materializes into other things. The ambiguity of the cloud, that piece of nothingness that personifies our dreams. Dreams that are nothing more than that, a nothingness that is already something. Here, matter gives way to the mists. Not only those that will solidify, but also those that were meant to be and never were…
“Bring me all of your dreams,
You dreamers,
Bring me all of your
Heart melodies
That I may wrap them
In a blue cloud-cloth
Away from the too-rough fingers
Of the world.”
"The Dream Keeper” - Langston Hughes
“And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes, and gives to airy nothing
A local habitation and a name.”
“A Midsummer Night’s Dream (Act 5, Scene 1) - William Shakespeare
“The world is a world of dew
And within every dewdrop a world of struggle.
The truth I do not know,
I seek it vainly here and there,
And when I have it straight and full,
I am untrue to it.”
“The Dreamer” - Paul Laurence Dunbar
About the artist
Carolina Sardinha
Artist from Portugal
Carolina Sardinha born in 1982, lives and works in Lisbon.
Academic training:
. Drawing Development Year at The Royal Drawing School, London (2024-ongoing);
. Opened her own Studio, devoting herself entirely to her practise since then (2020);
. Tutorial Scheme at Sociedade Nacional de Belas Artes, Lisbon (2018 - 2020);
. Aquatint Training at Galeria Diferença, Lisbon (2014 - 2015);
. Engraving Techiniques Training at Taller José Rincón Gallery, Madrid (2013 - 2014);
. Drawing Education at CIEAM, Faculdade de Belas Artes, Lisbon (2009 - 2010);
. Wood block Printmaking Training at the National Print Museum, Dublin (2008 - 2009);
. Socrates Erasmus Program, Università Degli Studi di Roma “La Sapienza”, Rome (2003 - 2004);
. Degree in Architecture from Instituto Superior Técnico, Lisbon (2006).
Selected Individual Exhibitions:
. Matter | Mist, Azenhas do Mar (2023);
. Reallocated, CCSL Advogados, Lisbon (2020);
. Ageing Series, OH | OS, Lisbon (2019);
. Essay on Ma, Ler Devagar Bookshop, Lisbon (2019);
. La piel de las Cosas, Taller José Rincón Gallery, Madrid (2015).
Selected Group Exhibitions:
. Group Show at Livraria Sá da Costa, Lisbon (2022);
. Finalists Exhibition, Sociedade Nacional de Belas Artes, Lisbon (2019);
. Printmaking Exhibition, Galeria Diferença, Lisbon (2016);
. Selected Artists Exhibition, Casa de La Moneda, Madrid (2015);
. Printmaking Artists Exhibition, Casa de Cultura del Ayuntamiento de Carmona, Carmona (2014).
Prizes:
. Selected Artist for Collection “The Mediterranean”, The Curators (2020);
. Jóvenes Creadores de Calcografía Nacional Prize from the Real Academia de Belas Artes de de San Fernando de Madrid (2014).
Collections:
Her work is represented in private collections in Portugal and abroad.

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Contribute your perspective to the community & earn rewards. Leave your reflection below.
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