1 / 7











Alena Kuznetsova
Artist from Ukraine
Ukrainian artist, born in 1986, who lives and works in Kyiv, Ukraine.
She works with such mediums as painting, graphics, land art, video, ceramic sculpture, and installation, while the leading media is still painting.
The main focus of her art practice is on changes with time and the cycling phenomenon of life and death. She had 14 solo shows (most in Kyiv) and took part in numerous visual projects abroad.

Were you transported somewhere by this artwork?
Contribute your perspective to the community & earn rewards. Leave your reflection below.
Shark-neckline (Relations with the Image cycle)
Painting by Alena Kuznetsova
55 x 95 cm • Abstractart
Location:
Kyiv, Ukraine
Canvas, oil, beads, applique, 2019-2022
I consider this not exactly a “series”, but a cycle of 10 works of different formats, prophetic. I started it at the end of 2019, because I felt pain, as if I had died, and a personal crisis that I could not explain logically. I finished it (and could not finish it, constantly returning to it, refining it) until the beginning of 2022...
The most terrible thing is the crisis of meaning. The only option was to try to look into the eyes of these images, from which I had largely become unaccustomed, engaged in color research and abstract art over the previous 10 years. Visualizing my demons is like raising them to the surface so that they disappear.
Location:
Kyiv, Ukraine
About the artist
Alena Kuznetsova
Artist from Ukraine
Ukrainian artist, born in 1986, who lives and works in Kyiv, Ukraine.
She works with such mediums as painting, graphics, land art, video, ceramic sculpture, and installation, while the leading media is still painting.
The main focus of her art practice is on changes with time and the cycling phenomenon of life and death. She had 14 solo shows (most in Kyiv) and took part in numerous visual projects abroad.

Were you transported somewhere by this artwork?
Contribute your perspective to the community & earn rewards. Leave your reflection below.








