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Elnara Nasirli
Artist from Azerbaijan
As an artist rooted in environmental technology, I draw inspiration from the intersection of biotechnology and mixed media. My work transcends conventional boundaries, weaving together painting, sculpture, collage, and installation to construct boundless biomorphic realms. Guided by the Greek roots of 'bios' (life) and 'morphe' (form), my visual language evokes the essence of organic shapes and forms. Each space I craft beckons viewers into immersive audio-visual odysseys, inviting exploration of diverse facets of the human experience, self-expression, and the natural world. Through this journey, I aspire to cultivate emotional healing and deepen environmental awareness. My artistic mission extends beyond mere aesthetics; it's a profound exploration of the transformative potential inherent in creative expression. By engaging with my art, both myself and the audience embark on a journey of neural transformation, discovering the resilience and liberation that can arise from confronting and overcoming life's challenges.

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Esteragenes
Mixed media by Elnara Nasirli
40 x 50 cm • Plastic, Wood, Polymere
The industrial revolution in the petrochemical era made way for the discovery of a whole myriad of new synthetic materials. This allowed to dramatically accelerate production of disposable and durable materials. However, such exponential production also required proper waste management that the world was not equipped for, particularly in the case of treatment of highly toxic chemical waste. Sumqayit, located in Azerbaijan was chosen to be one of the biggest chemical production hubs in the Soviet Union. As a result, in 1960, the biggest petrochemical plant in Europe was built there. The proportion of the production, however, largely surpassed the waste management. This waste leaked into the environment creating a new species of inorganic byproducts as a result new synthetic mutations called - Esteragenes.
These synthetic additions serve as a stark representation of the toxic legacy left behind by Soviet-era petrochemical factories, where chemical pollutants seeped into the environment, giving rise to mutations and deformities in both flora and fauna. The juxtaposition of wood and plastic signifies the clash between tradition and modernization, echoing the ideological struggle that defined the era of decolonization leaving a permanent impact on our genetic landscape.
About the artist
Elnara Nasirli
Artist from Azerbaijan
As an artist rooted in environmental technology, I draw inspiration from the intersection of biotechnology and mixed media. My work transcends conventional boundaries, weaving together painting, sculpture, collage, and installation to construct boundless biomorphic realms. Guided by the Greek roots of 'bios' (life) and 'morphe' (form), my visual language evokes the essence of organic shapes and forms. Each space I craft beckons viewers into immersive audio-visual odysseys, inviting exploration of diverse facets of the human experience, self-expression, and the natural world. Through this journey, I aspire to cultivate emotional healing and deepen environmental awareness. My artistic mission extends beyond mere aesthetics; it's a profound exploration of the transformative potential inherent in creative expression. By engaging with my art, both myself and the audience embark on a journey of neural transformation, discovering the resilience and liberation that can arise from confronting and overcoming life's challenges.

Whose work did this artwork remind you of?
Contribute your perspective to the community & earn rewards. Leave your reflection below.








