Portrait painting has long been one of the most enduring genres in the history of art. Whether capturing a subject's physical likeness or delving into their character's emotional and psychological depths, portraits have provided artists with the unique opportunity to convey personal and cultural narratives. From classical works that define the Renaissance to modern abstract interpretations, portrait paintings continue to evolve, reflecting the changing times and techniques. This article will explore some of the most famous portrait paintings, the artists who created them and the techniques that made them so captivating.

Classical Portraits: The Foundations of Portrait Art

Portraiture as a genre truly flourished during the Renaissance, but the legacy of these early works continues to influence artists across centuries. Some of the most famous portrait artists from the Renaissance set the foundation for how we perceive and interpret a human form.

Leonardo da Vinci – Mona Lisa

Arguably the most famous portrait painting in history, Leonardo da Vinci’s Mona Lisa has captivated admirers worldwide for over 500 years. Painted between 1503 and 1506, this enigmatic portrait features Lisa Gherardini, the wife of a wealthy Florentine merchant. One of the distinctive features of Mona Lisa is her mysterious smile and the soft, ethereal quality of the painting, achieved through da Vinci’s mastery of sfumato (from Italian sfumare, ‘to tone down’) — a technique that blends colours and tones to create a realistic yet dreamlike appearance. The portrait’s sense of quiet introspection, combined with da Vinci’s meticulous attention to detail, has made it an icon of Western art.

“Mona Lisa”, Leonardo da Vinci, 1503–1506, oil on poplar panel
“Mona Lisa”, Leonardo da Vinci, 1503–1506, oil on poplar panel

Johannes Vermeer – Girl with a Pearl Earring

The Girl with a Pearl Earring (c. 1665) by Johannes Vermeer is one of the most celebrated portrait paintings in the world. This painting showcases Vermeer’s mastery of light and shadow, particularly in the way the light falls on the girl's face and illuminates the pearl earring. The portrait’s mysterious allure lies in the girl's direct, almost haunting gaze, which almost invites the viewer into the painting.

“Girl with a Pearl Earring”, Johannes Vermeer, 1665, oil on canvas
“Girl with a Pearl Earring”, Johannes Vermeer, 1665, oil on canvas

Diego Velázquez – Las Meninas

Las Meninas (1656) is a large-scale painting, which includes Velázquez himself painting on canvas, breaking the conventional boundaries of portraiture by depicting not just the royal family but the entire process of creating a portrait. The image features Princess Margarita Teresa surrounded by her entourage, but what makes this work so revolutionary is the interplay between viewer, subject, and artist. Velázquez's ability to blend reality with illusion, coupled with his masterful use of light and perspective, has cemented Las Meninas as a hallmark of portrait painting.

“Las Meninas”, Diego Velázquez, 1656, oil on canvas
“Las Meninas”, Diego Velázquez, 1656, oil on canvas

Jan van Eyck – The Arnolfini Portrait

The Arnolfini Portrait (1434) by Jan van Eyck is one of the most mysterious masterpieces in the history of art, renowned for its intricate detail and pioneering use of oil paint. It is shrouded in mystery regarding its subject matter, as the true identity and purpose of the painting remain unclear, art historians have been having an ongoing debate about whether this is a wedding portrait or a commemoration of a different event  - such as a betrothal. This early Netherlandish work is rich in symbolic elements, such as the convex mirror reflecting the artist's image and two figures in the background, suggesting both the spiritual and temporal dimensions of the subjects' lives. Van Eyck's exceptional depiction of light and space, along with the meticulous rendering of the textures—like the fur of the dog or the gleaming brass candelabra—marks a significant development in Northern Renaissance art.

“The Arnolfini Portrait”, Jan van Eyck, 1434, oil on oak panel of 3 vertical boards
“The Arnolfini Portrait”, Jan van Eyck, 1434, oil on oak panel of 3 vertical boards

Famous Portraits in Romantic and Realist Art

Portraiture evolved in style and purpose as time progressed. Romantic and realist periods in the history of art marked a move away from idealized representations, focusing instead on raw, emotional depictions of their subjects.

Francisco de Goya – The Duchess of Alba

Spanish artist Francisco de Goya’s The Duchess of Alba (1797) is an excellent example of how portraiture could blend realism with intense emotional expression. Goya's emblematic loose brushstrokes and the powerful gaze of the duchess convey a sense of autonomy and strength. The portrait reflects the shifting attitudes toward the aristocracy in post-Enlightenment Europe, highlighting both the individualism of the subject and Goya’s emotional response to the complexities of society.

“The Duchess of Alba”, Francisco Goya, 1797, oil on canvas
“The Duchess of Alba”, Francisco Goya, 1797, oil on canvas

Thomas Gainsborough – The Blue Boy

In the 18th century, one of the most renowned English portrait painters, Thomas Gainsborough, painted The Blue Boy (1770), which became one of the most iconic portraits of the era. The artist's vibrant use of colour, especially the rich blues of the sitter's outfit, and his attention to texture and detail in the background elevate the portrait into a stunning blend of realism and elegance. The portrait captures the youthful energy and refinement of the subject, and the painting's composition and colour palette reflect the tastes and aspirations of the British upper class.

“The Blue Boy”, Thomas Gainsborough, 1770, oil on canvas
“The Blue Boy”, Thomas Gainsborough, 1770, oil on canvas

Famous Female Portraits in Art History

For centuries, female artists faced significant limitations in their subject matter, with portraiture often seen as one of the more prestigious and serious genres traditionally dominated by men. Women were frequently excluded from formal academic art training, which further restricted their opportunities to pursue such elevated subjects.

Élisabeth Vigée Le Brun – Marie Antoinette and Her Children

French portrait artist Élisabeth Vigée Le Brun's Marie Antoinette and Her Children (1787) is a prime example of 18th-century royal portraiture. The painting was commissioned to defend the queen’s image during a time of political unrest and depicts Marie Antoinette as a devoted mother, highlighting her maternal qualities to humanize her in the eyes of the public. Vigée Le Brun’s delicate yet powerful brushwork and the intimate portrayal of the royal family contributed to her reputation as one of the most skilled portrait painters of her time. Élisabeth Vigée Le Brun’s Marie Antoinette and Her Children (1787) is particularly significant not only for its masterful execution but also because it was painted by a female artist at a time when women were largely excluded from the highest echelons of the art world. Vigée Le Brun’s ability to navigate this male-dominated sphere and produce such a politically and socially influential work highlights her exceptional talent and the importance of her contributions to portraiture. 

“Marie Antoinette and Her Children”, Élisabeth Vigée Le Brun, 1787, oil on canvas
“Marie Antoinette and Her Children”, Élisabeth Vigée Le Brun, 1787, oil on canvas

Mary Cassatt – The Child's Bath

American Impressionist Mary Cassatt’s The Child's Bath (1893) beautifully captures the tender moment between a mother and her child. Known for her depictions of women and children, Cassatt brings a sense of quiet realism and maternal warmth to her portraiture, using soft colours and loose brushwork to create an intimate, personal scene. The Child’s Bath is a powerful example of how portraiture can capture the depth of human emotion and relationships.

“The Child's Bath”, Mary Cassatt, 1893, oil on canvas
“The Child's Bath”, Mary Cassatt, 1893, oil on canvas

Modern Portraits: Breaking Boundaries

The 20th century marks the start of artists beginning to experiment with abstraction, symbolism, and surrealism, challenging traditional notions of likeness and representation, which became a dramatic shift and development in the history of art.

Edvard Munch – The Scream

Edvard Munch is celebrated for his portraits that delve into the human psyche, revolutionising the approach to portraiture. Munch’s The Scream (1893) is not only one of the most famous artworks but also one of the most iconic expressions of psychological anguish in art. The central figure’s contorted face, coupled with the swirling landscape, evokes a profound sense of anxiety and inner turmoil. Through this groundbreaking expressionist portrait, Munch tapped into universal human fears, creating an image that continues to resonate across time and cultures.

“The Scream”, Edvard Munch, 1893, oil, tempera, pastel and crayon on cardboard
“The Scream”, Edvard Munch, 1893, oil, tempera, pastel and crayon on cardboard

Francis Bacon – Portrait of Pope Innocent X

Francis Bacon is known for a raw, emotional and expressive approach to painting. Portrait of Pope Innocent X (1953) became one of the emblematic expressionist portraits in the history of art. Bacon distorts the pope’s image, encapsulating a feeling of psychological torment and existential dread. The pope’s face is contorted in anguish, enclosed by a nightmarish cage, with a visceral, almost grotesque intensity. Bacon’s symbolic colour palette in Portrait of Pope Innocent X enhances the raw emotional power of the painting, using stark contrasts of deep reds, and cool blues to heighten the sense of suffering and isolation. This portrait reflects Bacon’s fascination with the human condition and his ability to evoke emotion through distortion and abstraction.

“Portrait of Pope Innocent X”,  Francis Bacon, 1953, oil on canvas
“Portrait of Pope Innocent X”, Francis Bacon, 1953, oil on canvas

Frida Kahlo – Self-Portrait with Thorn Necklace and Hummingbird

Frida Kahlo’s Self-Portrait with Thorn Necklace and Hummingbird (1940) is an emblematic example of a famous surrealist portrait. Kahlo, who became a master of symbolism, uses this self-portrait to convey her pain and resilience. This artwork is filled with symbolism, such as the thorn necklace representing the physical and emotional suffering Kahlo endured throughout her life, while the hummingbird symbolizes hope and rebirth. The bold colours and dreamlike quality of the painting invite viewers into Kahlo's deeply personal world.

“Self-Portrait with Thorn Necklace and Hummingbird”,  Frida Kahlo, 1940, oil on canvas on masonite
“Self-Portrait with Thorn Necklace and Hummingbird”, Frida Kahlo, 1940, oil on canvas on masonite

Salvador Dalí – Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder

Salvador Dalí is renowned for his surrealist artworks, one of which is Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder (1936). This piece offers an unconventional approach to portraiture, using surrealism to challenge traditional portrait techniques. Dalí distorts reality by incorporating unusual elements, such as the surreal image of lamb chops on his wife, and main muse, Gala’s shoulder. This playful yet unsettling portrayal reflects Dalí’s fascination with the subconscious and his ability to blend dreamlike imagery with psychological depth, creating a unique narrative through visual storytelling.

“Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder”,  Salvador Dalí , 1936, oil on wood panel
“Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder”, Salvador Dalí , 1936, oil on wood panel

Iconic Portraits in Modern and Contemporary Art

In contemporary art, portraiture continues to evolve, blending realism with pop culture, celebrity, and psychological depth.

Andy Warhol – Marilyn Diptych

The master of pop art, Andy Warhol, revolutionised the way portraiture was perceived in the 20th century with his Marilyn Diptych (1962), a quintessential example of his pop art style. The series features a series of images of Marilyn Monroe, transforming the actress into an iconic symbol of celebrity culture. Warhol's use of bold colours, along with his signature silkscreen printing technique, not only challenges traditional notions of artistic uniqueness but also elevates the notion of portraiture into a commentary on mass production, consumerism, and the transient nature of celebrity. By replicating the image of Monroe, Warhol highlights how the media and advertising industry reduce individuals to mere products, stripping away their humanity in the process. This work reflects Warhol's fascination with both the glamour and the emptiness of fame, making it one of the most significant contributions to the conversation about art, identity, and popular culture.

“Marilyn Diptych”,  Andy Warhol, 1962, silkscreen ink and acrylic paint on canvas
“Marilyn Diptych”, Andy Warhol, 1962, silkscreen ink and acrylic paint on canvas

Lucian Freud – Benefits Supervisor Sleeping

One of the most celebrated British artists of the 20th century, Lucian Freud, made portraiture the central focus of his career, pushing the boundaries of realism to new, often unsettling extremes. His Benefits Supervisor Sleeping (1995) challenges traditional notions of beauty by presenting a hyper-realistic depiction of an overweight woman in an unidealized state of repose. Freud's intense focus on the raw physicality of the human body transforms the portrait into a powerful exploration of vulnerability, intimacy, and mortality. His unflinching attention to detail, often emphasising the imperfections and complexities of the human form, creates an almost uncomfortably honest portrayal that refuses to conform to conventional standards of beauty or decorum. Freud's work, with its stark realism, reflects his belief that true portraiture is not merely about likeness but about revealing the underlying truths of the human condition, making him one of the most significant figures in modern portraiture.

“Benefits Supervisor Sleeping”,  Lucian Freud, 1995, oil on canvas
“Benefits Supervisor Sleeping”, Lucian Freud, 1995, oil on canvas

Cindy Sherman - Untitled Film Stills

Cindy Sherman is renowned for her transformative self-portraits, which explore themes of identity, gender, and the construction of female roles in society. By using herself as both subject and photographer, Sherman challenges traditional notions of portraiture and blurs the line between reality and artifice. Her work critiques how women have been represented in media and culture, often embodying various personas that reflect the shifting expectations and stereotypes of femininity. One of her most significant works is Untitled Film Stills (1977–1980), a series of 69 black-and-white photographs in which Sherman portrays herself as various female characters, each evoking a different cinematic trope. This series not only critiques Hollywood’s portrayal of women but also reflects Sherman's larger exploration of the constructed nature of identity and the performative aspects of self-representation. Through these self-portraits, Sherman redefined portraiture, positioning it as a platform for social commentary and an exploration of the complexities of personal and collective identity.


From the classical to the contemporary, famous portrait paintings have played a central role in art history, capturing not only the likenesses of their subjects but also the essence of their humanity. Whether through the mysterious smile of Mona Lisa or the emotional intensity of Portrait of Pope Innocent.